 Now, Roma Wines present... Suspense! Tonight, Dateline Lisbon, starring John Horiak. Suspense is presented for your enjoyment by Roma Wines. That's R-O-M-A, Roma Wines. Those excellent California wines that can add so much pleasantness to the way you live. To your happiness and entertaining guests. To your enjoyment of everyday meals. Yes, right now, a glass full would be very pleasant. As Roma Wines bring you... Suspense! This is the man in black, here for the Roma Wine Company of Fresno, California. Who tonight from Hollywood bring you a star. The rising new film personality whose performance you admired in lifeboat. And whom you will soon be seeing co-starring with Lana Turner in MGM's Marriage is a Private Affair, Mr. John Horiak. For our suspense play this evening, we ask you to project time into the not too distant future. And so with Dateline Lisbon and with the performance of John Horiak as William Baldwin, we again hope to keep you in suspense. Your name? William Baldwin. Occupation? I was a foreign correspondent. At the time that is of the murder which you were charged? Around that time, yes. I see. Now Mr. Baldwin, would you be good enough to tell the court where you were in October the 5th, 1944? I was in Lisbon, Portugal. Can't you be more specific? Look, when you say I was in Lisbon during the invasion, you've told most of your story right there. You know the place. Yes, we know it. I should say that at one time or another during the course of the war, most of us here had occasion to pass through that port. That was the big way station, all right. The neutral terminal for the boys who worked for the Allies? Those lined up with the Axis. You'd see a crowd from the Soviet anxious to get back to the eastern front in the sound of the international. You'd see right behind them maybe a delegation of Nazis. Glad to be away from any front and sick of the Horst Wesselsaw. The lads from London with their briefcases and striped trousers and ruled Britannia very clear in their ears. They were there too. They were there with the guys from Warsaw. The clothes getting a little thread there, but the polonaise sounding as fresh and strong as it did four years before. And the French, not the Vichyites, but the ones who might be at the very next table, the free ones, will never stop hearing La Marseillaise. Brass hats underground, agents, refugees and heels. That was Lisbon. It was about five or six in the evening when I walked into the lobby of the Hotel de Gamma. You know the place right in the center of town. Anyway, I happened to glance up and I saw this girl standing about midway on that big marble staircase at least down from the mezzanine. She had a light to camera up to her face and was drawing a bead on the whole lobby. Suddenly a little fella yelled up to her to stop. And as he did, a fat guy standing at the desk whipped around. He spotted the girl too. The next second, he was the scaredest looking character I'd ever seen. He whirled back away from the camera, but she'd already clicked the shutter. And another second, I got a shock myself. The girl lowered the camera from her face and... Yeah, it had to be her. She came down the staircase, winding up the film, and the Leica then started to cross the lobby and I was sure it was Terry. I hadn't seen her since I'd left New York, but you couldn't mistake that stride, not even after all those years. Walked across the lobby with a little guy. The ones who yelled had a head start. But the time was difficult for the nervous. If you say so, Senor, but I haven't the faintest idea what you're talking about. Ah, American. 3,000 pardons and misses. I simply wish to apologize for my outburst. Clearly it was... Outburst? I'm sorry, Senor, but I don't get it, even in English. It was when you were on the staircase he yelled at you. At me, but what on earth for? I don't think he wanted you to take that picture. Are you serious? Why should... No. Hello, Terry. Bill Baldwin, it must be... 12 years. I didn't mean that. Since I've even heard about you. I've heard about you, though. You've been doing all right. I've been busy. Terry Moore covers the brim of front. Terry Moore turns candid camera on allied leaders. Terry Moore shoots parade magazine picture of the week. You've been getting more publicity than Hitler. I work for a better concern. Bill, what on earth are you doing here? There's so much... We're being rude to your little friend. Oh, excuse me, Senor. You objected to my taking the picture? Oh, no, Mrs. Not at all. That is the point I wish to clear up. Or permit me. I am Don Luis Fernando Sanchez Jesus de la Castellano Crist Barre. The third. How do you do? But my friends call me Morska. I can understand why. Yes. Mrs, I should very much like to buy that picture. Buy it? Precisely. Well, that won't be necessary. I happen to have a developing outfit upstairs in my room. I'll run you off the car, be myself. That's in case you can't wait till you see it in the magazine. In the magazine? This picture you took, will you be published? Oh, yes. Simply a shot to display them. Well, the color of the city, the hotel. Mrs, this may at first appear to be somewhat extraordinary. The fact is, I am a great admirer of your work. And I wondered if perhaps... You could have the original, the negative. Well, yes, Senor. I did have that in mind. Or do not be concerned. I'm quite prepared to go as high as, let us say, $5,000 in cash. Oh, come now. Well, then let us say ten. What is this? A rib? Oh, no, Mrs. It is an offer. $10,000? You know something, Senor? You're insane. But I'm not, I'll take it. Wait a second, Terry. I don't think I do that. Forgive me, but my proposition was Mrs. Ordney. Oh, you could have put it more plain. Now, listen. You don't think he wants to pay a silly price like that for just a good view of the lobby? He could get that on one of those penny postcards around here. I don't care what he wants it for. All I know... You don't care what he wants it for, because you don't even know what's in it. For all you know, you've got the hottest picture of your whole career right in that camera of yours. Mrs. It is necessary that we completely trade without any further discussion. $10,000 in exchange for the negative. That is great. If you don't mind, Senor, perhaps I had better think it over for a while. I'm afraid that will not be possible. The offer is good only now. Then adios, Senor. All right. Let us trust you are making no mistake. Hasta la vista, Mrs. Buenas noches, Senor. Well, was that stupid enough to suit you? $10,000 right down the drain. How'd you like to make $50,000? I said, how'd you like to make $50,000? There's another guy around here who'd go for that negative. A fat fella. He was standing over there by the desk right in the center of your camera when you clicked the shutter. I never saw anything. I did. I saw him try to dodge. From where I was standing, it looked like a $50,000 dodge, too. Why, you rock. You were holding out for a bigger price, a bigger cut for you, I suppose. Do you believe that? Oh, I don't know. After all, I haven't much to go on, have I? 12 years is a long time. How do I know what you like now? What you've become? I mentioned the fat man, Terry, because I think that picture's more important than you'll be willing to believe. Bill, listen to me. I want to know what happened to you. Your articles, your pieces about Europe, they just stops. So did your letters. Well, it's something you've got to understand, Terry. Your pardon, please. Senor, either more? Yes, I'm Terry Moore. Yes, you are wanted at the front desk, please. Front desk? What for? I do not know, Senator. If you will follow me. You want me to hold your camera? Thanks, but I think I'll feel better taking care of it myself. OK, Terry. Hurry back. I'll be right here waiting for you. I've been standing there about a minute, gentlemen, when I looked up and saw the fat guy. He stepped out of one of the lobby phone booths and headed for the cocktail line. I didn't want to lose track of him, so I followed. Pretty soon out came Terry. She had a funny look on her face. OK, so you're right, and I hope you're satisfied. What happened? Get a better offer? Yes, my life. Your life? In return for leaving my camera on the third floor fire escape within the next 20 minutes, I should be permitted to go on living. Otherwise... No, don't sit down. Who told you all that? I don't know. That's a silly remark you don't know. Paul was waiting for me at the desk. It was somebody on the other end of the telephone. Oh. Excuse me. My friend. You at the table. Stone deaf. And I'm Tischdorff. Gestatensi? Well, how did you learn this? Yeah. Yeah, what? Mind if we join you? The da-wish, but you can't English. Sound like a voice on the telephone. How can I tell him he doesn't speak English? What did he say? He said he doesn't speak English. Oh. Wait a second. Excuse me, pal, but I'd like you to meet the young lady you talked to on the phone. She, uh... You better speak English. Every time she hears German, she goes to pieces, creates a terrific scene. You will be good enough to leave me alone. I do not wish your company. Thank you. What about that, Terry? I'm pretty sure that's it. Good. Have a seat. Oh, that's all right. Don't get up here. I don't believe I caught your name. Look, if you do not leave at once, I shall call the manager. I'll be glad to do it for you. You know, my friend, now that I've got a good look at you, I can't help feeling I've seen you before somewhere. Yes. Yes, I was thinking the same thing. Nidia's Foreland, you are very much mistaken. Oh, not with photographs. I'm not. I've studied too many of them. And that's where I've seen you in a photograph. Now, uh, let me tell you something. You have never seen me before. That's my advice to you. Except that there's something different. The clothes, I think, the... White collar. Yes. You're right, Terry. The civilian clothes. I've got them spotted, too. And not in a photograph. I'm going by a man I've seen a hundred times at the head of a parade on a dais in the public square. Now, listen... In the back seat of an open touring car with guards on either side. You are a fool. I tell you for a fact, you are a fool. You see, I used to cover Poland for a number of American papers. And you granted me an interview once. Bill, he isn't... The General, yes. The General von Klaus. One of the most prolific executioners that Führer ever had. What stupid people you must be. Why did you not stop when I advised you? Don't you see? There's nothing I can do now except take the Führer's camera and kill the two of you. Now, look, I happen to have a gun, too, so you can put that thing away. Anyway, you're not crazy enough to kill us here. No, senor. He is not that crazy. That's Moscow. You will please put the gun away. But I must... You will put the gun out of sight. So, you will now follow me from this room? No. No, I will not leave these people and permit them to. Quiet. Do you want to bring everyone to this table? Do you wish a special spotlight for yourself? Listen to me. I am the one in danger. I am the one in charge. You will do as I tell you to do. Or you won't get him out of Europe? You see, you see, he knows. That's all right, shut the mouth. What are you charging him, Moscow? Every cent he ever stole? It's worth it, you know. If the Poles knew this character was here, they'd tear him limb from limb. You talk a great deal, senor. One class, you will please get up from the chair. You must understand that nothing can be accomplished so long as we are here. We shall continue our negotiations with these charming people at some other time and place. At the German Embassy, let's say? No, no. My friends, you first must get to the embassy. Again, Mrs. Hasta la vista and adios, senor. The German Embassy, Bill, but he's a Nazi, a big one. That's right, and he's also taking it on a lamb. The final squeeze is about to begin and the general is deserting his post. The Germans would kill him as soon as the Poles. Yes, that's why he can't afford to have us talk. And Moscow can't afford to lose his feet. Bill, what'll we do? You heard what he said. They'll be watching every exit for the rest of the night. Meanwhile, we'll go dancing. Dancing? Yep. Cross the floor to that door on the other side of the band and we're going to slip through that door up the service stairs and into your room. My room? That's right. And you're going to develop the general's picture. Tonight for Suspense, Roma Wines are bringing you a star, Mr. John Hodiak, whom you have heard in the prologue to Dateline Lisbon by Harold Medford. Tonight's tale of suspense. Yes, it is true that our own wonderful vineyard country in California produces in Roma wines that discriminating people in many foreign lands esteem as an imported delicacy. Yet you here at home can enjoy these distinguished Roma wines for mere pennies a glassful. Daily with your meals or when entertaining or any time, you can delight yourself and your guests with the wonderful taste that comes from age-old winemaking traditions perfected by modern knowledge. For a treat you are certain to enjoy, place on the table with dinner tomorrow night, a cool bottle of hearty, rich red Roma California burgundy. It doesn't matter what the meal is or what kind of glasses you use to serve Roma. It's good in any glass with any meal. Your family, your guests will find in you pleasure in even the simplest foods for a Roma wine makes any meal a feast that only pennies a glass. Try it yourself tomorrow. Ask your dealer for R-O-M-A Roma wine. Remember, more Americans enjoy Roma than any other wine. And now it is with pleasure that we bring back to our sound stage Mr. John Horiak as William Baldwin, a man on trial before a jury of his peers in Dateline Lisbon, a tale well calculated to keep you in suspense. You were testifying, Mr. Baldwin, that you and the young lady started up for her room. That's right, the rear way, up the service stairs. I see. Mr. Baldwin, since you've already admitted the murder, are you sure there's a need for such detail? I wanted you to have your record straight. There isn't much more of it though. Very well. And so you got the girl up to her room, eh? Yes. I remember very clearly. We stepped into her room. They shoved the bolt across the door. She switched on the light. And she went straight to her developing stuff. The tray and MQ tube, the hypo, the usual power for an alien went to work. I knew what was in her mind. She was going to develop that picture and get out of there as fast as she possibly could. She was scared, I guess. Then while I stood there watching her, she stopped for about half a minute, stared into space. Bill. What is it, Terry? You haven't said anything about going home, going back to America. You've been over here so long. Yeah. Say you'll want those lights off when you start to develop that thing, won't you? Yes. Well, give me the signal when you're ready, huh? I think I'm ready now. Okay. Bill, there's something I've got. What's that? What's what? That noise then. Oh, I was just trying the door to be sure it was locked. Little jumpy, aren't you? I wouldn't be. There's not a soul who can get to you, Terry. So just relax. You were asking me something. Yes, Bill. What are you doing here? In Lisbon? Yes. I'm waiting. I've been waiting for months. You mean to get home? I can't go back to America, Terry. I'm on the list. I was surprised you didn't know that. Oh, no. Yeah, I've been waiting for a chance to escape. Your hunch is right. I stayed over here too long. I lost the feel of my country and the sense of what she was. And when they got around to repatriating the correspondence, I elected to stay behind. I'd been inoculated. Terry, I had the germ. So help me. I went for that spiel about the new order of things. But you could... You don't mean you worked for them? I worked for them. There were a thousand things a guy in my position could help them with. And now that the heat's on, now that the walls are beginning to melt, you're making your getaway. That's right. Before the courts come to session and the sentences are handed out. A traitor. A coward. You and Von Klaus. Your coward's both of you. You're two of a kind. Yeah, we ought to make fine traveling companions. South America, I imagine. Oh, he and Mosca don't know it yet, but that's how it's going to work. You see the way I look at it. If Mosca can arrange an escape from Von Klaus, he can certainly arrange one for me. You got the money to pay for it, huh? No, but I've got the picture. Your picture. If that thing's published and that the story gets out, the Senor's Underground Railroad is dead. He'll make a deal for that picture all right. Let's not worry about that. No, Bill. Surely you understand. I'm going to tell this story every part of it. Oh, I was afraid you'd feel that way. I'll have to make sure you doubt. Oh, I see. All right? But you're not going to get this. Terry, get away from that picture. The door. Somebody's opened the door. How about when? It's a picture. Do you have it? Von Klaus. It's safe, General. And put away. You'll find the light switch there by the door, left side. And Mosca, but that door was locked. How did you open it? We didn't, Mrs. We opened this door. The closet. Then you were there all the time. You were listening. We were there when you entered the room. And you've already heard my proposition. What do you say, Mosca? Is it a deal? But of course, Senor. Of course. And now, if you will turn over the photograph. Yes, Senor. It's a photograph when I'm on my way with Von Klaus. With the right kind of passport and tickets. Incidentally, how soon can you get me those? I'm in something of a rush. I understand, Senor. I would tomorrow. Let's say tonight, in about 30 minutes, in the lobby. Look, why the hesitation? It's very simple. I've got the photograph and I've got a gun. What'll it be? You must know the answer, Senor. It is a deal. Okay. You can leave now. I've got some work to do. Very well. It shall be, as you say, Senor. 30 minutes from now, in the lobby. Von Klaus? There's just one thing unsettled. Yes? The Freuline. Now, for the sake of security of all, I must insist she be silenced at once. You don't have to insist. I'm taking care of it myself. Now, you understand her, Baldwin. In my present situation, I must be very sure of things. Yeah, sure. Meanwhile, I told you to clear out of here. Not till the Freuline is silenced. Don't be stupid. This isn't a time for that on a place either. We can't... No. Then why did you select this time, Senor? And also select this place. Yeah. We hurt you only a minute ago, preparing to shoot this girl. No. Then why do you delay, Baldwin? Why do you not proceed? That gun again? Come on, General. Put it away. For what reason? What does it matter whose weapon we use? And, uh... Why don't you make me put it away? He has no weapon. Oh. He has no weapon. I think you better make sure. Go on, he's covered. Your arm, Senor. Hold them away, sir. There's nothing there. And now, I like to know, her Baldwin, how you expected to kill the Freuline if you did not have a gun. Very simple. He did not expect to kill her. Nothing in that pocket. Then why did he say... Why? Huh. Because he heard the noise from the closet and he knew that we were here. You remember the moment, Mrs. he said he was trying the door? He knew we had guessed you would come to this room. He knew we were here to finish you both. He was playing for time. He was bluffing. And about the Nazis, about escaping... Nah, he's a stupid fable to hold us up. Is that not so, Senor? Is not everything I said the truth, huh? You're an awfully little guy to talk so big. Oh, I can afford to talk big, Senor. I am sure now that you have no gun. You are, huh? What's that? What's... What is this? What are you doing? Can't lose of him, Bob. I'll fire. Go! That's it. Just face one close. There. You see, right in his hand. There's my gun, Senor. Okay, General, go on and fire. No, no, no, wait. Go on. And the way I'm lined up now, your bullet will go straight through Muska first. Stop moving, Muska. He will seize the gun. He will... Oh, no. Now, listen to me. Listen, I'll see it to you now, Gordwin. If you do not release him in exactly five minutes, I shall shoot the Friarland death. Go on. Meanwhile, I'll work on Muska. It'll take not quite more than five minutes to strangle him. And you'll have plenty of time to fire. But the chances are great. You'll hit him. And he's your only means of escape. Change your hands from his floor. You're one single lifeline, Von Klaus. Oh, Barley. The only guy who knows the ropes in his time is running out. Now, wait, wait, listen. We can make some arrangement. All right. All right, Von Klaus, put your gun on the table. We'll go on from there. No, it's a gun. No. Your life's going fast, Von Klaus. The one man who can save your neck's getting pretty limp. Put your gun on the table. Whatever else you listen, Marney, what is it, your price? How much? Oh, my God, stop. There. It's on the table. Now, let him go, Gordwin. Please, let him go. Carry the gun. Here. Here, Bill. Here it is. Thanks. Here'll be OK in a minute. What's the gun? What are you on? Never mind that. Just tell me your full name. I do not understand what... Answer the question. What's your full name? Maximilian Reinhard von Klaus. Occupation? What do you know? Occupation, I said. What's your occupation? I am... I was divisional command of police for the district of Warsaw and Poland. At the time that is of the slaughter? The slaughter? The mass executions of May 9th in the year 1940. When your men at your order went into the homes of those who weren't cooperative enough and machined gunned the women and children. What is this? You're standing trial for murder. Standing trial for... You are mad. There can be no trial. There's no judge... I'm not Judge von Klaus. And those two, the jury, Terry Moore and Mosca. But our arrangements, you said, if I put the gun on the table... I'd turn loose of your little pal. Well, I did. That was our only arrangement. And now I want to know how you plead, guilty or not guilty, for the execution of those families. Those families? How would I know those families? You wouldn't know, but I would. That's been my business all these years. Gathering the names of victims. Keeping records on murderers like you. Baldwin, wait, wait. Give me a chance. A chance? Those Poles didn't even have a trial. You had them shot in cold blood without even passing sentence. But you're getting all of that, von Klaus. You're really getting the works. But you must understand those measures, sir. Look, I will show you it's a... it's a metal factory. Didn't you or did you not have those people killed? I'm trying to explain to you it was military expediency, the entire procedure. It's part of the war. It has to be done, I'll tell you that. In other words, you did. Yes, but... That's all I wanted to hear. You're verdict, Terry. What is it? I say the man is guilty. Musk is not able to vote right now, so I'll have to do it for him. No. And I say you're guilty, von Klaus. So for the crime of multiple murder, I sentence you to death. No. And may God have mercy on your soul. Gentlemen of the jury, the commission of murder has been very thinly established. So in the case of the world democracies versus the defendant, William Baldwin, what will your verdict be? Your honor, we find the defendant... guilty. And direct that he be freed at once to receive the court's commendation. Thank you, gentlemen. In view of the somewhat irregular circumstances, we see no reason to dissent. That is, however, a question. We know, of course, that this mosque has been imprisoned since the collapse of the Axis powers. But that picture, Mr. Baldwin, Terry Moore's photograph of von Klaus, what ever became of that? Oh, well, ever since we've been married, it's the one thing I don't dare mention. She's pretty touchy about it. Yes. But you did develop it finally. Oh, sure. And it was, uh... Well, sir, the thing was just a blur. And so closes Dateline Lisbon, starring John Hodiak. Tonight's study in Suspense. Suspense is produced and directed by William Spear. If you are one who does not yet know how much and how delightfully Roma wines can add to your meals, well, let me urge you not to miss out any longer on such a treat as this. There's nothing complicated about it. Just get and serve Roma wine with meals or any time in any kind of glass you wish. Try the many different kinds of Roma wine until you find those you like best of all. Try Roma California sherry with its wonderful nut-like flavor as an appetizer. Then, hearty Roma burgundy or the deliciously delicate Roma sautern with the meal. These superb wines make even the simplest meal a feast. Yet they cost you only pennies a glassful. Get some tomorrow. And if your dealer is temporarily out of Roma, please try again soon. Ask for R-O-M-A, Roma wines. Remember, more Americans enjoy Roma than any other wine. Our government wishes us to pass along to you an important reminder. Winter is just around the corner. A winter in which every kind of fuel for home heating will be extremely scarce. It is to your essential interest to ensure fuel savings right now. Arrange for your fuel supply immediately. Check all your heating equipment now. If possible, protect yourself against loss of heat by seeing to proper insulation, storm sash, and weather stripping. If you don't prepare now for heavier weather, you may be in for a cold, uncomfortable winter. Next Thursday, same time, you will hear Mr. Reginald Gardiner as star of suspense. Presented by Roma Wines, R-O-M-A. Made in California for enjoyment throughout the world. This is CBS, the Columbia Broadcasting System.