 Alright, the new version here. Let's play this in the full. There is no sound Cool looks like the beginning was cut here. Let me to check what you have in your email All right. Yeah Hair is hidden. That's fine. We are out of step mode as well. I Think it's definitely better contrast in terms of step I Think there's really I think there's definitely better contrast with just that step and then going straight into that I'd be careful in terms of if she jumps She's got that also at the beginning. I will probably take that arm out bring it back a bit So as well clear the silhouette through this a bit longer So it's not kind of she's also kind of stuck on her backside here until it goes forward That's all clear I'm just reacting a little bit to this. Maybe it's because my lack of leg strength to be able to do a Land and then This here. I think this is what I'm reacting to She lands here and then we have this moment of very frozen in terms of I just kind of sticks while she continues to move forward. I think I would find a way to get this movement You know, maybe she lands a bit more back That makes sense, right? So that there's more time for her to go forward so when she is in this position So you avoid that stickiness through there That part is actually around maybe here So you have room to continue to go down this can go down with it, right? So it's not so frozen Especially when you have like this there's nothing going on in there And I think at that point at the point that speed to being here For this long Fall I don't see how She will be able to rest is for that long I know it's not super long and I know she she moves that that like forward fairly quickly But maybe it might just be my reaction of this being so frozen Maybe this keeps moving and the root keeps dropping and in that way It's not just so straight with a little bit of up I think you would have a longer drop in the root and this would be a bigger jump up Down again with the morpher up and down with the root then getting into this I think that's what I'm reacting to that. It feels a bit Hovery frozen almost off balance and Then she gets into you see Even this here, I don't see anything in the mail I can't remember I apologize if you had a plan if she's holding on to something This just seems like she would be holding on to something maybe It's again that arm feels kind of stuck to that leg And if not, you know, then you could bring it now obviously that's an awesome drawing But you were bringing her arms out for cleaner silhouette I'm not sure why they would be and down here almost stacking And then It's not too bad. I'm looking at your your spacing like that arm comes down pretty fast I would have a bit of a drag in that wrist or ease into that move a bit more Was you bringing out that elbow? It's kind of it's maybe it's less than an arc Or less of an arc since the elbow goes out, but I'd be careful was it's we see this then it goes away We're almost expecting a bit of an arc like this But then suddenly you just have the elbow, but then that elbow is here and then it's still here at that height Then it just the whole body goes up so it feels like that move in that elbow suddenly gets stuck there So I would look at that overall arc and spacing of that arm You know, and even if you do this maybe that arm is higher and it's that arm which we're Losing here in this, you know, that might not now be leading the whole thing That's what gives her that twist and that arm will be up here, maybe And then you can always kind of bring it down again if you want but Something where that twists. I mean, I'm changing animation. You know, so you you think about it I was looking at in terms of the spacing and how we are not getting selling to the stock almost twin position here Where they don't do much. I like that then go up here. They're they're offset there. I do like that But maybe just think about that. Maybe you want to do The way it's like an elbow up more that initiates the spin or do you want to do something where? The arms are maybe straight down and then open up into this something with more contrast that might be too mirrory To what the legs are doing, which is the thought you have a push and that's cool on the Toes here watch out. You got a bit of a pop there where your knees are here here or one knee All right, it pops from this to this and then kind of stays in that orientation It feels like that's a big shape change Visually going to this to then kind of stay and straighten Where I would soften that where I may bring that knee out of that knee would be still in and Then slowly come out or just not be as far out. So watch out for that spacing there the legs What is the other leg doing? You got this leg? Goes from here up Put some onions getting here, right? You your foot is here and here But then suddenly goes to the right and then suddenly back to the left and now it's here Shooting out. I feel like you might as well keep it here and start to bend it earlier. So it has that that move Everyone's okay. This gets a bit Straight, let's see here There's just something where I feel like there's a disconnect where there's so much energy in those legs But if you look at the upper body and ignore the arms There's nothing going on in there really and it's maybe you could have something where she maybe is she's maybe more bent over It's a little more bent and then sure in this that's when she would straighten Into this There's just something that feels disconnected in terms of that much swaying nothing's going on here She's kind of staying put her arms are kind of separated from from the body And then she just kind of drops. Let's see here. I do like that. You have that boom impact and then that chest Takes that But then watch out if it's like that head hits something here, boom Or maybe it would be something where the head might drag a bit more drag a bit more And then as the chest is done collapsing then the head falls through and goes down It's been more of a bigger separation And then the question is I mean do you want to animate this is there some form of Compression down a rotation. Maybe in this it's a solid piece. That's attached It feels so hard to jump on It's mainly that in terms of just the mechanics and the physics you're asking here. They're not sure about the ending I mean I Do like that. She is not going straight up that she stays there It could also be something You know if you look at there's a certain attitude with that bounce with this And the playfulness of that That maybe this is maybe you know to twin with just that could it be something where? Mmm, it's not that much room. I was thinking that maybe she would end this with Our legs swing up But I don't know if that what's gonna work since that legs in front of her. It would swing back. I Was just thinking is there anything where she would continue it and be in something like this and you know, maybe I really don't know Me talking about here, but you know something where she's suddenly more like hey And like holding on to the side here or you know have arm out here. I know something where You can do something else with that, but I'm not sure right off the bat here what you could do Those those the legs are out. So unless you would do something where you jump, but then that's a different pose That would lend itself to maybe maybe it's a front back splits, right? The leg is behind her so then it can swing up during this So that at the end it can come back up and then maybe You know, you you would have like hey, hey, and you have more something like that. I know there's something Again where I feel like you have all of this, but then that is a separation Just like in here. It's my only concern there but I'm gonna ask you like what do you want to get out of that in terms of like the overall feel in presentation, you know, just like What's the word like a body mechanics thing is to do on something else at the end where you can have this and Then after that that could be another moment where she would get into a different pose. Do you have to have it end here? You can tell me to what your parameters are and what you're willing to change or how you know If you want to make your shot longer all those things. All righty. Thanks All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way like and subscribe would be awesome. All right. Thank you You