 Alrighty, let's play this in fuller sound. I Know you're strong But accepting help is its own kind of strength okay, so I'm gonna start with the sound and Looking at your mail Basically this detail you want to change any bra or things totally get it This is just kind of detail stuff or things that stand out. So to me. I would say you also mentioned that He's a bit stiff. He is in places. I think for me. It's most like at the end. He looks over and It's things like these were at the end the brows move and they kind of move up with the corner of the of the mouth But it feels like everything is isolated here. I think you could have but is he doing this but What else can you do with the head and the body? This might be more than policy things, but like right now what stands out to me are just separate Movements on characters. It's like this like is he happy like when she leans over would he Is the tension fleeting and then he would relax his shoulders and then lean a bit towards her and tilt her head a bit Towards her like this might be a broader point and not policy But like that's I think to me would take the stiffness out of it or if I move actually this up a bit So you can see everything so when you move this Like this arm is very even in timing if you look at the movement over and then High comes down how the fingers come down. I think it would be I would have this Move that a bit faster because she just gets off the couch for balance And then I would slow it down a bit here for a nice silhouette as in Hesitating like should I touch them should I not how is he gonna feel about this and then okay? Maybe not even like it could be a gestural thing of of support and then it's just down here And even if not then it would still be giving this a bit of a pause and then maybe a bit of faster down I know it can't be like a slap But just varying the timing. I think it's gonna help and the same thing on her arm when she moves that arm Right, it's coming hold on a scrub here. So when she does this This feels like it's super separate from her. I see a move This way in her upper body, but there's something It feels like some of those pranks you see when someone sits next to someone and the third person is hiding behind the couch and puts Their arm over their shoulder so that the man this person leaves an arm is still left. I know you've seen that That's kind of how this feels like where it feels a bit separate. It's also the speed of this Right there Feel like would have a bigger influence or something in that it feels a bit separate to me again This might not be the super apology stuff But like these are the things that to me stand out that arm the timing is kind of slow and spliny then She's okay, then this arm stood out and it's even like One stop to stop where it just it just feels I've that's a stiffness to me. This stands out more than other things and then on him It's That at the end like to me. These are the biggest things That's then now if you look at him. Otherwise Like that's all pretty cool where it starts to get a bit wonky is when he turns his head And then it just stops there Bounce that stop feels really stiff Rest is pretty good here and then he starts to stiffen up here again So when she grabs him and he's kind of starts to lock a little bit And there's a little bit of keep alive, but it feels like okay. Well, she's getting close and she's pulling him Well, how is that going to make him feel? Is he gonna tense up a bit more? Is he gonna lean his head away from from her? Is he ready to for her to be that close? And you could potentially let me see if I do lean in a bit more You could also have maybe a little bit of breathing in there. So he doesn't just kind of hold But not huge to me. She is more the driver of the scene I mean she comes down and we see this right this kind of explains the whole context and then it's all about her and I'll Let me bring the sound back Accepting help is it's own I like her I like how subtle she is to me. It's just more broader movements in timing I like your half bling so you have a couple of these and towards the end I get I think that's really cool. I Like that she presses her lips together a little incipation before I Know and how long you hold that shape. I think that's all really cool And you've do is she has him and she tracks him just great We're accepting help She's a little moment of thought there. I think that's okay, too. I don't think we lose her pupils too much here Accepting help I Think it works. You could do help Help I think it's okay the way the way the energy is in the sound I don't think you need to push it more, but you could try a bit of a broader corner out help for the hair shape accepting help But it doesn't I know I don't feel like there's that much energy in a voice either I don't think you need it could be interesting to explore but you got good grouping of fingers Is it's own? I think things you could potentially explore and let me Zoom in by opening this up in here Accepting help So it could be things like when you move your corner like this. It's isolated here So if you take this and move it, it's gonna push this a bit up It's gonna move that a bit up and in turn maybe even move the tip a bit They're very pronounced noses. So you don't make these all too fleshy and squishy and stuff, but you can Soften the area a bit more. So when you put on your Wireframe on shaded you can see like how much of that mesh gets gets moved by that corner pull here and then push that Because you have it here See that you got you got some stuff here But even like on this I will pull it more squishy squishy this up a bit And maybe here too as you have such a smile Feels like that corner could be pushed a bit more Maybe even this area come up a bit more Not sure you need that last one. This is extremely subjective. Don't followers No, but it feels like you have like there's a there are a lot of tennis on now You there are a lot of half blinks and flutter blinks Should be a technical term a flutter blink and at the end to me It's almost like you want to rest but then at the end you have a bit of a it just almost feels Too poppy sharp at the end for something where we want to linger. I don't know personally I would take it out, but this is not a technical note. That's a subjective note there And I think for him what would help? I mean stay zoomed in. Let me just see Talks like he weeps and that's Like here. He's also Scrubs just double check before I say something stupid No, he's all his mouth is always closed like if you're just going like this Yeah, you might be a Like this could be an open mouth position now and then a bit of an exhale open the mouth and then on this Maybe because she gets too close. He's not quite ready Maybe tenses up shoulders up and that brings the mouth back to a close and then when he does this Again, he might open the mouth a bit with a slight Corner yeah, he does it here right so but with a slight opening Maybe I think the stiffness also that you might be feeling is that there's nothing going on in terms of opening We never see a change in there and to me especially through here Would be something No, or unless he does never wants to be a mouth breather But that's kind of that I still think it's a really cool shot There's a lot of real cool stuff in there. So yeah, these are kind of my I know you ask for policy stuff Like some things are the policy, but I still feel like some other aspects Would be neat if you still want to go back to it I think you mentioned a bit of a shot fatigue So it's okay if you don't want to go back, but maybe think about these Just notes if you move on to another shot just in terms of timing and separation of movements and stuff like that. All right. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way like and subscribe would be awesome. All right. Thank you