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Published on Feb 13, 2010
Куда вы удалились весны моей златые дни? When I originally got my Onegin score in Moscow about 8 years ago I marked the part of the baritone with a yellow highlighter and then committed it to memory. Little did I know my voice would change drastically in 2008. This piece is a major milestone in my tenor quest. It hangs out around the passaggio constantly, and even though it doesn't go very high beyond it, you must have an understanding of the voice to tackle it or else it is suicide. Forgive my mistakes-- somehow I always want to say полетит instead of пролетит.