 Number one, we promised to pass the Creative Economy Bill that will enable the establishment of a failing fund. That was the promise. Where are we? Already there is a draft of the Creative Economy Bill, and I'm sure my friends on KFCB and the Kenya Film Commission will have the opportunity to speak and they will speak and claim on that issue, but there is a draft. And within, I'm sure, the next two weeks, the next one month, there will be the colder engagement so that you guys can give your input on that draft. So that is already there. That draft creates the film fund. I don't want to get into the details, but I'll give you an opportunity to be able to continue before we can say that's how it looks like. But that film fund has been discussed for as long as I have known these conversations around theatre and film. I also even know that at one time the Spanish government even offered to build some place where I would be able to go and read the equipment and all that stuff. So I think it's now designed. Where are we going to get that money? Both from private sector and public sector. It's important to operate just like the way we are in the sports fund, but focusing specifically on theatre and film. In fact, I'm told and informed that the Germans have already completed the report on the film fund and it should be the report should be here next week for our discussion. So I think on that space, we are doing well. Number two, what if we promise to mandate the film fund to facilitate access to modern equipment and the entire film production infrastructure available for a lot of film makers on a higher and least basis. I think I've addressed that a little bit and you guys have our opportunity next week to address us on it. Number three, review the inter-county licensing regime with a view of developing a single permit. Now on this, what we've done, if you have been observing over the last two weeks, we are mounting the county aggregation and industry apart in every county. The purpose of both county aggregation, where there is a trade aspect of rise, conflict and tea, there is a specific mention of film on the SSZ art and that allows the specific dimensions film and by the way for those who are not aware, if you shoot your film in those centres, you get a film certificate for nothing. And that is not a new law, it's a law that exists. It is just for us to implement. Then, so on that, the movement in between the county abbreviation centres are not part of what you pay as a license when you move from one location to another. You can actually move in all our 47 counties as long as you operate on our SSZs where we are putting up film centres, complete, I know we are talking with some of the partners to help us set that up. So, on that basis, the inter-county license collapses without an action. Number three, number four, establish a green-channel immigration scheme and protocol service for international filmmakers. This was to address an issue that I come out during our engagements in the campaign where people told us one of the reasons why international filmmakers don't come here is because even the protocol they have on itself is a problem. I think this, I've gone further with the statement in the Ministry of Foreign Affairs and what I know is that last week there was further contribution which is, I'm sure will be policy very soon. It is not only going to benefit international filmmakers on the Green Channel, it is also going to benefit longer communities. I want these communities on that, but not filmmakers. Longer communities. Because I think the idea there is to develop the same way you have a diplomatic passport, you have a green ordinary passport, but to have a creative speaker on the ordinary passport to fast track our creatives and encourage them for production. So that has been developed into an issue and I'm sure that will be discussed by the policy by KFCB and Kedafim Commission when they take the podium. Finally, on our promises was establish a free maker system that convinced all stakeholders tasked with revitalizing the global sector. So on that, today is an achievement of itself. We are having the inaugural government funded state of the field conference. So on that already, we've already started achieving it. In fact, I was just telling my two brothers that from next year, one of the guys we are going to ensure they address the field community on this podium is the president. The same way we have a state of the nation address, we must have a state of the field address from himself so that we don't make this a talk shop. It becomes an important of the actions that government is doing. Allow me to say a few other things. Government is approaching the field as a value chain. You realize that on leather, it's a value chain. We are looking at height, how it becomes, how we make it to serve it, to become good leather, and then produce shoes. You notice of textile, you start at the bottom to produce textiles. Now, on film, from idea or from concept to the product that is finally done and to the market, we are developing that value chain, led by the two gentlemen I've spoken about, and why I'm avoiding getting into the details is because I know that presentation is on that detail. Finally, on that aspect, it's a challenge to you guys. I've heard here, I think it's Marbella who has spoken about it, that broadcasting monetization has collapsed as you need. But government advertising has not collapsed. Government spends about 60 billion on advertising every year, even with the county governments. We, the budget has since given a directive to say 10% of that, 10% of that money goes to creatives. It didn't use the word film, goes to creatives. You guys control that market. I sit at a very place where that money is shared to prove customers. My challenge to you is, if you lack a Godfather in government, I am your new Godfather. All you need to do is compile your ideas and pitch them for advertisement within the films. And your contact person for this purpose is KFCB and KFC. Once, and we are going to create it to be more transparent, because I also know most people also say, you know, we are unable to access that, but we are asking them to develop a photo, a film photo, where your ideas are coming and pitch for advertisement. So that then we are able to use government money in what you're producing as films. And as I said, that is one thing I am willing to die for. So I am going to stand with it and I am going to ensure that you guys get advertising for your films. So the idea of getting money for films from government, that is one. Number two, you also films for government stories. I know that's one of the very popular things. But government stories has things that government has done. I mean, if you came to me and told me you want to do a story of a 55-year-old who's never had produce in their farm because they have never gotten fertilizer, and that's the story you're selling for government fertilizer. Why would I buy and add that for 10 days on, sorry to say, NTD for 10 days at 10 million when I can give that for your film? But you have to pitch for it and you have to understand what government is doing for you to strip the story of government achievements. I am encouraged in you. Government is the biggest home of stories. But we're also all in fun. Just like Coke we found stories that say Coke test tastes sweet. It's the same way that government is already found, stories that say government is performing. So think about government performance and pitch to it. I'm trying to see whether there's something left out. I want to mention also that you guys also need to understand government law. There are a lot of government laws that actually enable film. You can operate on film without paying tax just by understanding the tax regime provided by the current law without anything else. And I encourage you to look at the income tax I encourage you to look at the investment promotion act. I encourage you to look at the VAT Act Act 476 EAC Customs Management Act Miss Linus Fees and Revies Act No. 29 and the SZ Act. All those acts mention film and exempt film from taxation. Finally December this year December as you're all aware we have changed our national holidays look like. So December this year during the whole day we are marking it under the youth created economy and entertainment worship. So that is our week from the 5th to the 12th. Let's have the ideas of what we're going to do for that week. Probably from this this conference you should have a resolution to probably have a special screening which government is willing to invest money on for you to have it. Come up with something from this conference that government can support for that week so that we can showcase film and position film during the week and during the day itself and also identify one or two people who are not AFCB or Kenya Film Commission who can speak on Maschugia Day also please identify for us not through your film commission identify for us about five people who you think deserves commendation for this year and that is a very political process and I therefore will leave it up to you and finally for the professional bodies that you guys own please structure them for us to be able to speak to them it is impossible for government to speak to each of you individually but if you come together as groups becomes easier for government to come to you I mean if you register as an SME already you also qualify for other exemptions and other SME acts and also you qualify for money from government. Ladies and gentlemen I appreciate for this evening.