 All right new shot here With reference no sound This is early blocking here or just blocking Focusing on posing. I'll like it Definitely a fan of Just that elongated moment there a nice pose for sure That's all clear too careful on like passing poses like this where I like this a lot And we're kind of missing it where I think you can rotate that character around a bit more And even because of the color silhouette you can even have That elbow in front of the body, but you're meeting like the shoulder area chest area stomach and then your your arm Bend over there kind of way I have it here totally work because I like that that hand Because that way it's not just Like that would be a nice graphing of what he's about to do to match that hand is here and then it grabs or goes for the Saxophone here, I will probably lower it just a bit more to to get some negative space there It's a bit too compressed for me and then This is going to be tricky. I once you are in Spline mode, I think how you go back and immediately shoot forward that's going to be a fairly jarring was your your timing It's fairly realistic not saying for the real more naturalistic type of Cartoony animation with some Push poses, but it's nothing crazy. So but here you're gonna have a very strong. What is this should I yes? Which I like it as a contrast, but watch out. It's very strong You're gonna need one or two more breakdowns there to kind of soften that I would separate these again in terms of kind of avoiding tangents Same thing here just that connection on the thumb is you just bring one arm lower and one stays up there And even that could work when he was Might be a bit fast, but it could work it could work. I'm not not really anything out yet I'm a fan of this just because with the the tilt You're taking the reference in pushing it and I like all the posing the line of action the asymmetry But then we get to this and it's a bit of the dreaded W pose. It's very even though there's a change here It's it's fairly mirrored and even here And I I would have On even on that drop here instead of landing here already. I would already have a turn So that your lowest position is already getting into this so that we have more of a three-quarter Asymmetrical view versus that's again very mirrored so if he goes It could be like what is we doing in reference going? Okay, it's calm down bomber. Okay, so you can still have a Where this is more like Maybe up and maybe have a little gesture like ah like a like a grabbing and then that's just Could be that low. It could even be just only one like I wish and then he can just snap One arm back on his way down to here and that's where he rests a bit and then he goes into this which is fine I like that surprise move in here Which could work it's a crazy term of the face when you're covering the face It's gonna I was wondering what if he kind of shows up like We have an arc there instead of straight up, but it's not too bad because I like the slight twist a little bit I think that helps and here. I don't I don't know for this. It's also spirit so subjective I don't mind the Symmetrical nature here and the mirroring opposing. There's just something worth like Don't mind even though we're a bit close here. So you probably have a slight turn in his spine It's what this arms bit a bit higher that elbow Only so that to me it seems like or you do the opposite Maybe this way the way he will grab it. How does he grab it? There goes this way Yeah, to me instead of going straight up because it's funny to go straight up like this where it just kind of peers Doing you have any reference but we don't quite see the bend that you have in your body where it's like this like and It's a tricky thing when you have something rotated to or away from camera in a such a flat pose So you might consider something where that is the Reveal but by the time he's there What if he took a step and I mean he can also be here and Have a bit of a oh what's over there pose You can also have a bit of a side pose where maybe here and we can see only one leg But he's a bit more bent over Remember you have a nicer arc and then we can have arms here even if it's just a little bit But even if just a tiny bit so we can bring that elbow a bit higher that could work This one watch out. This is a bit tricky Given that it's hidden and the bend is so straight I would try to find something where you're a bit more bent like that and even here bent like this And even that gets a bit muddy there's a silhouette. So what is doing? He goes up straight into this. So that's a good one So to me, it's just these two poses where you want to show the structure of the arms a bit more even here why not just bend it like Beckham and If one arm is covered by this, I understand but one would be to speak cleaner That's fine. Of course. I have to laugh at this because I am immature He's cracking up and then he's last little oh This could even have a little bit of a shoulder drop, but da da da da da da uh-oh Yeah, I think that works. You might also instead of a Forward move a coupe a da da da stop and then imagine he goes That place backwards. He goes. Oh, oh, it goes a bit backwards and down That's like a super, you know subjective picky thing here But that could be something but other than that As you were asking about the posing. I think this is all very very cool again picky things like you could have the the Stick here. I'm losing my English the cane Maybe here. Hey, so it doesn't have a tangent, but also kind of has a Line that is diagonal towards this like everything goes back to to this Like you imagine you even bends the head down a bit more if you want exaggerated more as well So you have the cane everything is pointing and going up to the head which goes back into this I Do like I just let's it go Yeah, and the other poses I talked about yeah, I don't know that's kind of that hope that helps It's really fun. I can't wait to see this playing down and that's it from me. 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