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Aesthetic Realism and the Art of the Flute

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Published on Jun 30, 2017

"Aesthetic Realism and the Art of the Flute," an Interview with Barbara Allen in Conversation with Edward Green, PhD

Download this important interview here: http://barbaraallen.org/Aesthetic-Rea...

Published in the Hellenic Journal of Music, Education and Art. Vol. 6, Article 4 -- http://hejmec.eu/

Dr. Edward Green: You are known, both as a performer and as a music educator, for your advocacy of the Aesthetic Realism viewpoint and method. Can you tell us about its main principles?

Barbara Allen: Yes, certainly. I had the honor to study with its founder, the great poet and educator, Eli Siegel. What I learned is the thing which distinguishes my teaching of the flute and what I say as I perform publicly. Aesthetic Realism has three major principles, each terrifically relevant to flute players and how we approach the delightful, amazing instrument we’ve chosen. I should add that while I’m speaking here about the flute, I feel it stands for all instruments people have played since ancient times and are playing now.

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These resources explain and illustrate this principle central to Aesthetic Realism: "The world, art, and self explain each other: each is the aesthetic oneness of opposites."

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Robert Murphy, Videographer
Kevin Fennell, Video Editor
Alan Shapiro & Arnold Perey, Audio

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