 The Phoenix and the Carpet, Chapter 1. It began with the day when it was almost the fifth of November, and a doubt arose in in some breast, Robert's, I fancy, as to the quality of the fireworks laid in for the Guy Fawkes celebration. They were jolly cheap, said whoever it was, and I think it was Robert. And suppose they didn't go off on the night, those prouser kids would have something to snigger about then. The ones I got are all right, Jane said. I know they are, because the man at the shop said they were worth Thribble the money. I'm sure Thribble isn't grammar, Anthea said. Of course it isn't, said Cyril. One word can't be grammar all by itself, so you needn't be so jolly clever. Anthea was rummaging in the corner drawers of her mind for a very disagreeable answer, when she remembered what a wet day it was, and how the boys had been disappointed of that ride to London and back on the top of the tram, which their mother had promised them as a reward for not having once forgotten for six whole days to wipe their boots on the mat when they came home from school. So Anthea only said, don't be so jolly clever yourself, Squirrel, and the fireworks look all right and you'll have the eight pence that your tram fares didn't cost today to buy something more with. You ought to get a perfectly lovely Catherine wheel for eight pence. I daresay, said Cyril coldly, but it's not your eight pence anyhow. Good look here, said Robert, really now about the fireworks. We don't want to be disgraced before those kids next door. They think because they wear red plush on Sundays no one else is any good. I wouldn't wear plush if it was ever so, unless it was black to be beheaded in, if I was Mary Queen of Scots, said Anthea with scorn. One great point about Robert is the steadiness with which he can stick. I think we ought to test them, he said. You young duffer, said Cyril, fireworks are like postage stamps. You can only use them once. What do you suppose it means by carters tested seeds in the advertisement? There was a blank silence. Then Cyril touched his forehead with his finger and shook his head. A little wrong here, he said. I was always afraid of that with poor Robert. All that cleverness, you know, and being top in algebra so often it's bound to tell. Dry up, said Robert fiercely. Don't you see, you can't test seeds if you do them all. You just take a few here and there, and if those grow, you can feel pretty sure the others will be, what do you call it, father told me, up to sample. Don't you think we ought to sample the fireworks? Just shut our eyes and each draw one out and then try them. But it's raining cats and dogs, said Jane. And Queen Anne is dead, rejoined Robert. No one was in a very good temper. We needn't go out to do them, we can just move back the table and let them off on the old tea tray we play toboggan's with. I don't know what you think, but I think it's time we did something, and that would be really useful, because then we shouldn't just hope the fireworks would make those crossers sit up, we should know. It would be something to do, Cerell owned with languid approval. So the table was moved back, and then the hole in the carpet that had been near the window till the carpet was turned round showed most awfully. But Anthea stole out on tiptoe and got the tray when Cook wasn't looking, and brought it in and put it over the hole. And all the fireworks were put on the table, and each of the four children shut its eyes very tight, and put out its hand and grasped something. Robert took a cracker. Cerell and Anthea had Roman candles, but Jane's fat paw closed on the gem of the whole collection, the check in the box that had cost two shillings, and one at least of the party, I will not say which, because it was sorry afterwards, declared that Jane had done it on purpose. Nobody was pleased. For the worst of it was that these four children, with a very proper dislike of anything even faintly bordering on the sneakish, had a law, unalterable as those of the Meads and Persians, that one had to stand by the results of a toss-up, or a drawing of lots, or any other appeal to chance, however much one might happen to dislike the way things were turning out. I didn't mean to, said Jane, near tears. I don't care, I'll draw another. You know jolly well you can't, said Cerell bitterly. It's settled, it's median and Persian. You've done it, and you'll have to stand by it, and us too worse luck. Never mind, you'll have your pocket money before the fifth. Anyway, we'll have the jack in the box last, and get the most out of it we can. So the cracker and the Roman candles were lighted, and they were all that could be expected for the money. But when it came to the jack in the box, it simply sat in the tray and laughed at them, as Cerell said. They tried to light it with paper, and they tried to light it with matches. They tried to light it with Vesuvian fuses from the pocket of father's second best overcoat that was hanging in the hall. And then Anthea slipped away to the cupboard under the stairs where the brooms and dustpans were kept, and the rosiny fire-lighters that smell so nice and like the woods where pine trees grow, and the old newspapers and the beeswax and turpentine, and the horrid and stiff dark rags that are used for cleaning brass and furniture, and the paraffin for the lamps. She came back with a little pot that had once cost seven pence hapeny when it was full of red current jelly. But the jelly had been all eaten long ago, and now Anthea had filled the jar with paraffin. She came in, and she threw the paraffin over the tray, just at the moment when Cerell was trying with the twenty-third match to light the jack-in-the-box. The jack-in-the-box did not catch fire any more than usual, but the paraffin acted quite differently, and in an instant a hot flash of flame leapt up and burnt off Cerell's eyelashes and scorched the faces of all four before they could spring back. They backed in four instantaneous bounds, as far as they could, which was to the wall, and the pillar of fire reached from floor to ceiling. "'My hat,' said Cerell, with emotion. "'You've done it this time, Anthea.' The flame was spreading out under the ceiling like the rows of fire in Mr. Rider Haggard's exciting story about Alan Quartermane. Robert and Cerell saw that no time was to be lost. They turned up the edges of the carpet and kicked them over the tray. This cut off the column of fire, and it disappeared, and there was nothing left but smoke and a dreadful smell of lamps that have been turned too low. All hands now rushed to the rescue, and the paraffin fire was only a bundle of trampled carpet, when suddenly a sharp crack beneath their feet made the amateur fireman start back. Another crack. The carpet moved as if it had had a cat wrapped in it. The jack-in-the-box had at last allowed itself to be lighted, and it was going off with desperate violence inside the carpet. Robert, with the air of one doing the only possible thing, rushed to the window and opened it. Anthea screamed, Jane burst into tears, and Cerell turned the table wrong way up on top of the carpet heap. But the firework went on, banging and bursting and spluttering even underneath the table. At this moment mother rushed in, attracted by the howls of Anthea, and in a few moments the firework desisted, and there was a dead silence, and the children stood looking at each other's black faces and, out of the corners of their eyes, at mother's white one. The fact that the nursery carpet was ruined occasioned but little surprise, nor was anyone really astonished that bed should prove the immediate end of the adventure. It has been said that all roads lead to Rome. This may be true, but at any rate in early youth I am quite sure that many roads lead to bed, and stop there, or you do. The rest of the fireworks were confiscated, and mother was not pleased when father let them off himself in the back garden, though he said, Well, how else can you get rid of them, my dear? You see, father had forgotten that the children were in disgrace, and that their bedroom windows looked out onto the back garden, so that they all saw the fireworks most beautifully, and admired the skill with which father handled them. Next day all was forgotten and forgiven, only the nursery had to be deeply cleaned, like spring cleaning, and the ceiling had to be whitewashed. And mother went out, and just at tea-time next day a man came with a rolled-up carpet, and father paid him, and mother said, If the carpet isn't in good condition, you know, I shall expect you to change it. And the man replied, There ain't a thread gone in it nowhere, mum. It's a bargain, if ever there was one, and I'm more enough sorry I let it go at the price. But we can't resist the lighties, can we, sir? And he winked at father, and went away. Then the carpet was put down in the nursery, and sure enough there wasn't a hole in it anywhere. As the last fold was unrolled, something hard and loud sounding bumped out of it, and trundled along the nursery floor. All the children scrambled for it, and Cyril got it. He took it to the gas. It was shaped like an egg, very yellow and shiny, half transparent, and it had an odd sort of light in it that changed as you held it in different ways. It was as though it was an egg with a yoke of pale fire that just showed through the stone. I may keep it, may anti-mother, Cyril asked. And of course mother said no, they must take it back to the man who had brought the carpet, because she had only paid for a carpet and not for a stone egg with a fiery yoke to it. So she told them where the shop was, and it was in the Kentish town road, not far from the hotel that is called the Bull and Gate. It was a pokey little shop, and the man was arranging furniture outside on the pavement very cunningly, so that the more broken parts should show as little as possible. And directly he saw the children, he knew them again, and he began at once without giving them a chance to speak. No you don't, he cried loudly, I ain't gonna take back no carpets, so don't you make no blumen error. A bargain's a bargain, and the carpets perfect throughout. We don't want you to take it back, said Cyril, but we found something in it. It must have got into it up at your place then, said the man, with indignant promptness, for there ain't nothing in nothing as I sell. It's all as clean as a whistle. I never said it wasn't clean, said Cyril, but oh, if it's moths, said the man, that's easy cured with borax, but I expect it was only an odd one. I tell you, the carpets good through and through, and hadn't got no moths when it left my hands, not so much as an egg. But that's just it, interrupted Jane. There was so much as an egg. The man made a sort of rush at the children and stamped his foot. Clear out, I say, he shouted, or I'll call for the police. A nice thing for customers to ear you a common ear, a charging me with finding things in goods what I sells. Ear be off, afore I send you off with a flea in your ears. Hi, constable. The children fled, and they think, and their father thinks, that they couldn't have done anything else. Mother has her own opinion. But father said they might keep the egg. The man certainly didn't know the egg was there when he brought the carpets, said he, any more than your mother did, and weave as much right to it as he had. So the egg was put on the mantelpiece, where it quite brightened up the dingy nursery. The nursery was dingy because it was a basement room, and its windows looked out on a stone area with a rockery made of clinkers facing the windows. Nothing grew in the rockery except London pride and snails. The room had been described in the house agents list as a convenient breakfast room in basement, and in the daytime it was rather dark. This did not matter so much in the evenings when the gas was alight, but then it was in the evening that the black beetles got so sociable, and used to come out of the low cupboards on each side of the fireplace where their homes were, and try to make friends with the children. At least I suppose that was what they wanted, but the children never would. On the fifth of November father and mother went to the theatre, and the children were not happy because the process next door had lots of fireworks, and they had none. They were not even allowed to have a bonfire in the garden. No more playing with fire, thank you, was father's answer when they asked him. When the baby had been put to bed the children sat sadly round the fire in the nursery. I am beastly bored, said Robert. Let's talk about the Samyad, said Anthea, who generally tried to give the conversation a cheerful turn. What's the good of talking, said Cyril? What I want is for something to happen. It's awfully stuffy for a chap not to be allowed out in the evenings. There's simply nothing to do when you've got through your homers. Jane finished the last of her home lessons, and shut the book with a bang. We've got the pleasure of memory, said she. Last think of last holidays. Last holidays indeed offered something to think of, for they had been spent in the country at a white house between a sand pit and a gravel pit, and things had happened. The children had found a Samyad, or sand fairy, and it had let them have anything they wished for, just exactly anything, with no bother about its not being really for their good or anything like that. And if you want to know what kind of things they wished for, and how their wishes turned out, you can read it all in a book called Five Children and It. It was the Samyad. If you've not read it, perhaps I ought to tell you that the fifth child was the baby brother, who was called the lamb, because the first thing he ever said was bah, and that the other children were not particularly handsome, nor were they extra clever, nor extraordinarily good. But they were not bad sorts on the whole. In fact, they were rather like you. I don't want to think about the pleasures of memory, said Cyril. I want some more things to happen. We're very much luckier than anyone else, as it is, said Jane. Why, no one else ever found a Samyad. We ought to be grateful. Why shouldn't we go on being, though? Cyril asked. Lucky, I mean. Not grateful. Why has it all got to stop? Perhaps something will happen, said Anthea, comfortably. But you know, sometimes I think we are the sort of people that things do happen to. It's like that in history, said Jane. Some kings are full of interesting things, and others, nothing ever happens to them, except they're being born and crowned and buried, and sometimes not that. I think Panthers right, said Cyril. I think we are the sort of people things do happen to. I have a sort of feeling things would happen right enough if we could only give them a shove. They just want something to start it, that's all. I wish they taught magic at school, Jane sighed. I believe if we could do a little magic, it might make something happen. I wonder how you begin? Robert looked round the room, but he got no ideas from the faded green curtains, or the drab Venetian blinds, or the worn brown oil cloth on the floor. Even the new carpet suggested nothing, though its pattern was a very wonderful one, and always seemed as though it were just going to make you think of something. I could begin right enough, said Anthea. I've read lots about it, but I believe it's wrong in the Bible. It's only wrong in the Bible because people wanted to hurt other people. I don't see how things can be wrong unless they hurt somebody, and we don't want to hurt anybody, and what's more, we jolly well couldn't if we tried. Let's get the Ingolds be legends. There's a thing about abracadabra there, said Cyril, yawning. We may as well play at magic. Let's be knights, Templars. They were awfully gone on magic. They used to work spells or something with a goat and a goose. Father says so. Well, that's all right, said Robert unkindly. You can play the goat right enough, and Jane knows how to be a goose. I'll get Ingolds be, said Anthea hastily. You turn up the hearthrug. So they traced strange figures on the linoleum where the hearthrug had kept it clean. They traced them with chalk that Robert had knit from the top of the mathematical master's desk at school. You know, of course, that it is stealing to take a new stick of chalk, but it is not wrong to take a broken piece so long as you only take one. I do not know the reason of this rule, nor who made it. And they chanted all the gloomiest songs they could think of, and, of course, nothing happened. So then Anthea said, I'm sure a magic fire ought to be made of sweet-smelling wood and have magic gums and essences and things in it. I don't know any sweet-smelling wood, except cedar, said Robert, but I've got some ends of cedar wood-led pencil. So they burned the ends of lead pencil and still nothing happened. Let's burn some of the eucalyptus oil we have for our colds, said Anthea, and they did. Certainly smelt very strong, and they burned lumps of camphor out of the big chest. It was very bright and made a horrid black smoke, which looked very magical, but still nothing happened. Then they got some clean tea cloths from the dresser drawer in the kitchen and waved them over the magic chalk tracings and sang, the hymn of the Moravian nuns at Bethlehem, which is very impressive, and still nothing happened. So they waved more and more wildly, and Robert's tea cloth caught the golden egg and whisked it off the mantelpiece, and it fell into the fender and rolled under the grate. Oh, crikey, said more than one voice, and everyone instantly fell down flat on its front to look under the grate, and there lay the egg, glowing in a nest of hot ashes. It's not smashed anyhow, said Robert, and he put his hand under the grate and picked up the egg. But the egg was much hotter than anyone would have believed it could possibly get in such a short time, and Robert had to drop it with a cry of bother. It fell on the top bar of the grate and bounced right into the glowing red hot heart of the fire. The tongs, cried Anthea, but alas, no one could remember where they were. Everyone had forgotten that the tongs had last been used to fish up the doll's teapot from the bottom of the water-butt where the lamb had dropped it. So the nursery tongs were resting between the water-butt and the dust-bin, and Cook refused to lend the kitchen ones. Never mind, said Robert, we'll get it out with the poker and the shovel. Oh, stop, cried Anthea, look at it, look, look, look. I do believe something is going to happen. For the egg was now red-hot, and inside it something was moving. Next moment there was a soft cracking sound. The egg burst in two, and out of it came a flame-colored bird. It rested a moment among the flames, and as it rested there the four children could see it growing bigger and bigger under their eyes. Every mouth was a gape, every eye a goggle. The bird rose in its nest of fire, stretched its wings, and flew out into the room. It flew round and round and round again, and where it passed the air was warm. Then it perched on the fender. The children looked at each other. Then Cyril put out a hand towards the bird. They put its head on one side and looked up at him, as you may have seen a parrot do when it is just going to speak, so that the children were hardly astonished at all when it said, be careful, I am not nearly cool yet. They were not astonished, but they were very, very much interested. They looked at the bird, and it was certainly worth looking at. Its feathers were like gold. It was about as large as a bantam. Only its beak was not at all bantam-shaped. I believe I know what it is, said Robert. I've seen a picture. He hurried away. A hasty dash and a scramble among the papers on his father's study table yielded, as the some books say, the desired result. But when he came back into the room holding out a paper and crying, I say, look here. The others all said, hush, and he hushed obediently and instantly for the bird was speaking. Which of you, it was saying, put the egg into the fire? He did, said three voices, and three fingers pointed at Robert. The bird bowed. At least it was more like that than anything else. I am your grateful debtor, it said, with a high-bred air. The children were all choking with wonder and curiosity, all except Robert. He held the paper in his hand, and he knew. He said so. He said, I know who you are. And he opened and displayed a printed paper at the head of which was a little picture of a bird sitting in a nest of flames. You are the phoenix, said Robert, and the bird was quite pleased. My fame has lived, then, for two thousand years, it said, allow me to look at my portrait. It looked at the page which Robert, kneeling down, spread out in the fender and said, it's not a flattering likeness, and what are these characters, it asked, pointing to the printed part. Oh, that's all dullish. It's not much about you, you know, said Cyril, with unconscious politeness, but you're in lots of books. With portraits, asked the phoenix. Well, no, said Cyril. In fact, I don't think I ever saw any portrait of you, but that one, but I can read you something about yourself if you like. The phoenix nodded, and Cyril went off and fetched volume X of the old encyclopedia, and on page 246 he found the following. Phoenix, in ornithology, a fabulous bird of antiquity. Antiquity is quite correct, said the phoenix, but fabulous, well, do I look it? Everyone shook its head. Cyril went on. The ancients speak of this bird as single or the only one of its kind. That's right enough, said the phoenix. They describe it as about the size of an eagle. Eagles are of different sizes, said the phoenix. It's not at all a good description. All the children were kneeling on the hearthrug to be as near the phoenix as possible. You'll boil your brains, it said. Look out, I'm nearly cool now. And with a horror of golden wings, it fluttered from the fender to the table. It was so nearly cool that there was only a very faint smell of burning when it had settled itself on the tablecloth. It's only a very little scorched, said the phoenix, apologetically. It will come out in the wash. Please go on reading. The children gathered round the table. The size of an eagle, Cyril went on, its head finally crested with a beautiful plumage, its neck covered with feathers of a gold color, and the rest of its body purple, only the tail white, and the eyes sparkling like stars. They say that it lives about 500 years in the wilderness, and when advanced in age, it builds itself a pile of sweet wood and aromatic gums, fires it with the wefting of its wings, and thus burns itself. And that from its ashes arises a worm, which in time grows up to be a phoenix. Hence the Phoenicians gave, nevermind what they gave, said the phoenix, ruffling its golden feathers. They never gave much anyway. They always were people who gave nothing for nothing. That book ought to be destroyed. It's most inaccurate. The rest of my body was never purple, and as for my tail, well, I simply ask you, is it white? It turned round and gravely presented its golden tail to the children. No, it's not, said everybody. No, and it never was, said the phoenix, and that about the worm is just a vulgar insult. The phoenix has an egg, like all respectable birds. It makes a pile, that part's all right, and it lays its egg and it burns itself, and it goes to sleep and wakes up in its egg, and comes out and goes on living again, and so on for ever and ever. I can't tell you how weary I got of it. Such a restless existence, no repose. But how did your egg get here? Asked Anthea. Ah, that's my life secret, said the phoenix. I couldn't tell it to anyone who wasn't really sympathetic. I've always been a misunderstood bird. You can tell that by what they say about the worm. I might tell you, it went on, looking at Robert with eyes that were indeed starry. You put me on the fire. Robert looked uncomfortable. The rest of us made the fire of sweet-scented woods and gums, though, said Cyril. And it was an accident by putting you on the fire, said Robert, telling the truth with some difficulty, for he did not know how the phoenix might take it. It took it in the most unexpected manner. Your candid avowal, it said, removes my last scruple. I will tell you my story. And you won't vanish or anything sudden will you? Asked Anthea anxiously. Why, it asked, puffing out the golden feathers, do you wish me to stay here? Oh yes, said everyone, with unmistakable sincerity. Why, asked the phoenix again, looking modestly at the tablecloth. Because, said everyone at once, and then stopped short. Only Jane added after a pause. You are the most beautiful person we've ever seen. You are a sensible child, said the phoenix, and I will not vanish or anything sudden, and I will tell you my tale. I had resided, as your book says, for many thousand years in the wilderness, which is a large, quiet place, with very little really good society, and I was becoming weary of the monotony of my existence. But I acquired the habit of laying my egg and burning myself every five hundred years, and you know how difficult it is to break yourself of a habit. Yes, said Cyril. Jane used to bite her nails. But I broke myself of it, urged Jane, rather hurt. You know I did. Not till they put bitter aloes on them, said Cyril. I doubt, said the bird gravely, whether even bitter aloes. The aloe, by the way, has a bad habit of its own, which it might well cure before seeking to cure others. I allude to its indolent practice of flowering but once a century. I doubt whether even bitter aloes could have cured me, but I was cured. I awoke one morning from a feverish dream. It was getting near the time for me to lay that tiresome fire and lay that tedious egg upon it, and I saw two people, a man and a woman. They were sitting on a carpet, and when I accosted them civilly, they narrated to me their life story, which, as you have not yet heard it, I will now proceed to relate. They were a prince and princess, and the story of their parents was one which I am sure you will like to hear. In early youth, the mother of the princess happened to hear the story of a certain enchanter, and in that story I am sure you will be interested. The enchanter, oh, please don't, said Anthea. I can't understand all these beginnings of stories, and you seem to be getting deeper and deeper in them every minute. Do tell us your own story. That's what we really want to hear. Well, said the phoenix, seeming on the whole rather flattered. To cut about 70 long stories short, though I had to listen to them all, but to be sure in the wilderness, there is plenty of time. This prince and princess were so fond of each other that they did not want anyone else, and the enchanter, don't be alarmed, I won't go into his history, had given them a magic carpet. You've heard of a magic carpet. And they had just sat on it, and told it to take them right away from everyone, and it had brought them to the wilderness. And as they meant to stay there, they had no further use for the carpet, so they gave it to me. That was indeed the chance of a lifetime. I don't see what you wanted with a carpet, said Jane, when you've got those lovely wings. They are nice wings, aren't they? Said the phoenix, simpering and spreading them out. Well, I got the prince to lay out the carpet, and I laid my egg on it. Then I said to the carpet, now my excellent carpet, prove your worth. Take that egg somewhere, where it can't be hatched for 2,000 years, and where, when that times up, someone will light a fire of sweet wood and aromatic gums, and put the egg into hatch. And you see it's all come out exactly as I said. The words were no sooner out of my beak, then egg and carpet disappeared. The royal lovers assisted to arrange my pile and soothed my last moments. I burnt myself up and knew no more till I awoke on yonder altar. It pointed its claw at the grate. But the carpet, said Robert, the magic carpet that takes you anywhere you wish, what became of that? Oh, that, said the phoenix carelessly. I should say that that is the carpet. I remember the pattern perfectly. It pointed as it spoke to the floor, where lay the carpet, which mother had bought in the Kentish town road for 22 shillings and ninepence. At that instant, Father's latchkey was heard in the door. Oh, whispered zero, now we shall catch it for not being in bed. Wish yourself there, said the phoenix in a hurried whisper, and then wish the carpet back in its place. No sooner said than done, it made one a little giddy, certainly, and a little breathless. But when things seemed right way up again, there the children were in bed, and the lights were out. They heard the soft voice of the phoenix through the darkness. I shall sleep on the cornice above your curtains, it said. Please don't mention me to your kinsfolk. Not much good, said Robert. They'd never believe us, I say. He called through the half-open door to the girls. Talk about adventures and things happening. We ought to be able to get some fun out of a magic carpet and a phoenix. Rather, said the girls in bed. Children, said Father, on the stairs, go to sleep at once. What do you mean by talking at this time of night? No answer was expected to this question, but under the bed clothes, Cyril murmured one. Mean, he said. Don't know what we mean. I don't know what anything means. But we've got a magic carpet and a phoenix, said Robert. You'll get something else if Father comes in and catches you, said Cyril. Shut up, I tell you. Robert shut up, but he knew, as well as you do, that the adventures of that carpet and that phoenix were only just beginning. Father and mother had not the least idea of what had happened in their absence. This is often the case, even when there are no magic carpets or phoenixes in the house. The next morning. But I am sure you would rather wait till the next chapter before you hear about that. End of chapter one. Read by Kara Schellenberg, www.kray.org, on April 21st, 2008, in San Diego, California. Chapter two of the Phoenix and the Carpet. This is the LibriVox recording. All LibriVox recordings are in the public domain for more information or to volunteer, please visit LibriVox.org. Recording by Lucy LaFaro, New South Wales, Australia. The Phoenix and the Carpet by E. Nesbit. Chapter two, The Topliss Tower. The children had seen the phoenix egg hatched in the flames in their own nursery grate and had heard from it how the carpet on their own nursery floor was really the wishing carpet, which would take them anywhere they chose. The carpet had transported them to bed just at the right moment and the phoenix had gone to roost on the cornice supporting the window curtains of the boy's room. Excuse me, said a gentle voice and a courteous beak opened. Very kindly and delicately, the right eye of Cyril. I hear the slaves below preparing food. Awaken! A word of explanation and arrangement. I do wish you wouldn't. The phoenix stopped speaking and fluttered away crossly to the cornice pole for Cyril had hid out as boys do when they are awakened suddenly and the phoenix was not used to boys and his feelings, if not his wings, were hurt. Sorry, said Cyril. Coming awake all in a minute, do come back. What was it you were saying? Something about bacon and rations? The phoenix fluttered back to the brass rail at the foot of the bed. I say, you are real, said Cyril. How ripping and the carpet. The carpet is as real as it ever was, said the phoenix rather contemptuously. But of course, a carpet's only a carpet, whereas a phoenix is superlatively a phoenix. Yes, indeed, said Cyril. I see it is. Oh, what luck! Wake up, Bobs! There's jolly well something to wake up for today and it's Saturday too. I've been reflecting, said the phoenix, during the silent watches of the night and I could not avoid the conclusion that you were quite insufficiently astonished at my appearance today. The ancients were always very surprised. Did you by chance expect my egg to hatch? Not us, said Cyril. And if we had, said Anthea, who had come in in her nightly when she heard the silvery voice of the phoenix, we could never, never have expected it to hatch anything so splendid as you. The birds smiled. Perhaps you've never seen a bird smile. You see, said Anthea, wrapping herself in the boys' count pain. For the morning was chill. We've had things happen to us before. And she told the story of the Samed or Sand Fairy. Ah, yes, said the phoenix. Sameds were rare, even in my time. I remember I used to be called the Samed of the desert. I was always having compliments paid me. I can't think why. Can you give wishes then? Asked Jane, who had now come in too. Oh, dear me, no, said the phoenix contemptuously. At least. But I hear footsteps approaching. I hastened to conceal myself and it did. I think I said that this day was Saturday. It was also Cook's birthday, and Mother had allowed her and Eliza to go to the Crystal Palace with a party of friends. So Jane and Anthea, of course, had to help to make beds and to wash up the breakfast cups and little things like that. Robert and Cyril intended to spend the morning in conversation with the phoenix, but the bird had its own ideas about this. I must have an hour or two's quiet. It said, I really must. My nerves will give way unless I get a little rest. You must remember it's 2,000 years since I had any conversation. I'm out of practice and I must take care of myself. I've often been told that mine is a valuable life. So it nestled down inside an old hat box of fathers which had been brought down from the box room some days before. When a helmet was suddenly needed for a game of tournaments with its golden head under its wing and went to sleep. So then Robert and Cyril moved the table back and were going to sit on the carpet and wish themselves somewhere else. But before they could decide on the place, Cyril said, I don't know. Perhaps it's rather sneakish to begin without the girls. They'll be all the morning, said Robert impatiently. And then a thing inside, which Tyerson Books sometimes call the inward monitor said, why don't you help them then? Cyril's inward monitor happened to say the same thing at the same moment. So the boys went and helped to wash up the teacups and to dust the drawing room. Robert was so interested that he proposed to clean the front doorsteps, a thing he had never been allowed to do. Nor was he allowed to do it on this occasion. One reason was that it had already been done by Cork. When all the housework was finished, the girls dressed the happy wriggling baby in his blue highwaymen coat and three cornered hat and kept him amused while mother changed her dress and got ready to take him over to Granny's. Mother always went to Granny's every Saturday and generally some of the children went with her. But today they were to keep house. And their hearts were full of joyous and delightful feelings every time they remembered that the house they would have to keep had a phoenix in it and a wishing carpet. You can always keep the lamb good and happy for quite a long time if you play the Noah's Ark game with him. It is quite simple. He just sits on your lap and tells you what animal he is. And then you say the little poetry piece about whatever animal he chooses to be. Of course, some of the animals like the zebra and the tiger haven't got any poetry because they are too difficult to rhyme to. The lamb knows quite well which are the poetry animals. I'm a baby bear, said the lamb, snuggling down. And Anthea began, I love my little baby bear. I love his nose and toes and hair. I like to hold him in my arm and keep him very safe and warm. And when she said very, of course, there was a real bear's hug. Then came the eel and the lamb was tickled till he wriggled exactly like a real one. I love my little baby eel. He is so squigelty to feel. He'll be an eel when he is big, but now he's just a tiny snig. Perhaps you didn't know that a snig was a baby eel. It is, though, and the lamb knew it. Hedgehog now, he said, and Anthea went on. My baby hedgehog, how I like you. Though your back's so prickly spiky, your front is very soft, I found. So I must love you front ways round. And then she loved him front ways round while he squealed with pleasure. It is a very baby game, and, of course, the rhymes are only meant for very, very small people, not for people who are old enough to read books. So I won't tell you any more of them. By the time the lamb had been a baby lion and a baby weasel and a baby rabbit and a baby rat, mother was ready. And she and the lamb, having been kissed by everybody and hugged as thoroughly as it is possible to be when you're dressed for out of doors, were seen to the tram by the boys. When the boys came back, everyone looked at everyone else and said, now! They locked the front door and they locked the back door and they fastened all the windows. They moved the table and chairs off the carpet and Anthea swept it. We must show a little attention, she said kindly. We'll give it tea leaves next time. Carpets like tea leaves. Then everyone put on its outdoor things because, as Cyril said, they didn't know where they might be going and it makes people stare if you go out of doors in November in pinnifaws and without hats. Then Robert gently awoke the phoenix who yawned and stretched itself and allowed Robert to lift it onto the middle of the carpet where it instantly went to sleep again with its crested head tucked under its golden wing as before. Then everyone sat down on the carpet. Where shall we go? Was of course the question and it was warmly discussed. Anthea wanted to go to Japan. Robert and Cyril voted for America and Jane wished to go to the seaside. Because there are donkeys there, she said. Not in November, silly said Cyril and the discussion got warmer and warmer and still nothing was settled. I vote we let the phoenix decide, said Robert at last. So they stroked it till it woke. We want to go somewhere abroad, they said and we can't make up our minds where. Let the carpet make up its mind if it has one, said the phoenix. Just say you wish to go abroad. So they did and the next moment the world seemed to spin upside down and when it was right way up again and they were ungiddy enough to look about them they were out of doors. Out of doors, this is a feeble way to express where they were. They were out of the earth or off it. In fact, they were floating steadily, safely, splendidly in the crisp clean air with the pale bright blue of the sky above them and far below the pale bright sun-diamonded waves of the sea. The carpet had stiffened itself somehow so that it was square and firm like a raft and it steered itself so beautifully and kept on its way so flat and fearless that no one was at all afraid of tumbling off. In front of them lay land. The coast of France, said the phoenix, waking up and pointing with its wing. Where do you wish to go? I should always keep one wish, of course, for emergencies, otherwise you may get into an emergency from which you can't emerge at all. But the children were far too deeply interested to listen. I tell you what, said Cyril, let's let the thing go on and on and when we see a place we really want to stop at, why, well, just stop. Isn't this ripping? It's like trains, said Anthea, as they swept over the low-lying coastline and held a steady course above orderly fields and straight roads bordered with pop-blood trees. Like express trains, only in trains you never can see anything because of grown-ups, wanting the windows shut and then they breathe on them and it's like ground glass and nobody can see anything and then they go to sleep. It's like tobogganing, said Robert, so fast and smooth, only there's no doormat to stop short on. It goes on and on. You darling phoenix, said Jane, it's all you're doing. Oh, look at that ducky little church and the women with flappy-cappy things on their heads. Don't mention it, said the phoenix, with sleepy politeness. Ah, said Cyril, summing up all the rapture that was in every heart. Look at it all, look at it and think of the Kentish town road. Everyone looked and everyone thought and the glorious, gliding, smooth, steady rush went on and they looked down on strange and beautiful things and held their breath and let it go in deep-size Ah, and ah, till it was long past dinner time. It was Jane who suddenly said, I wish we brought that jam-tart and cold mutton with us. It would have been jolly to have a picnic in the air. The jam-tart and cold mutton were, however, far away, sitting quietly in the latter of the house in Camden town, which the children were supposed to be keeping. A mouse was at that moment tasting the outside of the raspberry jam part of the tart. She had nibbled sort of golf or bay through the pastry edge. To see whether it was the sort of dinner she could ask her little mouse husband to sit down to. She had had a very good dinner herself. It is an ill wind that blows nobody any good. We'll stop as soon as we see this place, said Amphia. I've got three pints and you boys have the four pints each that your trams didn't cost the other day so we can buy things to eat. I expect the phoenix can speak French. The carpet was sailing along over rocks and rivers and trees and towns and farms and fields. It reminded everybody of a certain time when all of them had had wings and had flown up to the top of the church tower and it had a feast there of chicken and tongue and new bread and soda water. And this again reminded them how hungry they were. And just as they were all being reminded of this very strongly indeed, they saw ahead of them some ruined walls on a hill and strong and upright and really to look at as good as new. A great square tower. The top of that's just the exactly same size as the carpet, said Jane. I think it would be good to go to the top of that because then none of the Abbey, what's its names, I mean natives, would be able to take the carpet away even if they wanted to and some of us could go out and get things to eat. Let them honestly, I mean, not take them out of the lighter windows. I think it would be better if we went. Anthea was beginning, but Jane suddenly clenched her hands. I don't see why I should never do anything I want just because I'm the youngest. I wish the carpet would fit itself in at the top of that tower. So there. The carpet made a disconcerting bound and at that moment it was hovering above the square top of the tower. Then slowly and carefully it began to sink under them. It was like a lift going down with you at the army and navy stores. I don't think we ought to wish things without all agreeing to them first, said Robert huffishly. Hello, what on earth for unexpectedly and greatly something was coming up all around the four sides of the carpet. It was as if a wall were being built by magic quickness. It was a foot high. It was two feet high. Three, four, five. It was shutting out the light more and more. Anthea looked up at the sky and the walls that now rose six feet above them. We're dropping into the tower, she screamed. There wasn't any top to it. So the carpet's going to fit itself in at the bottom. Robert sprang to his feet. We ought to have hello an owl's nest. He put his knee on a jutting smooth piece of grey stone and reaching his hand into a deep window slit broad to the inside of the tower and narrowing like a funnel to the outside. Look sharp! cried everyone, but Robert did not look sharp enough. By the time he had drawn his hand out of the owl's nest there were no eggs there. The carpet had sunk eight feet below him. Jump, you silly cuckoo! cried Cyril with brotherly anxiety. But Robert couldn't turn round all in a minute into a jumping position. He wriggled and twisted and got on to the broad ledge and by the time he was ready to jump the walls of the tower had risen up 30 feet above the others who were still sinking with the carpet. And Robert found himself in the embrasure of a window alone for even the owls were not at home that day. The wall was smoothish there was no climbing up and as for climbing down Robert hid his face in his hands and squirmed back and back from the giddy verge until the back part of him was wedged quite tight in the narrowest part of the window slit. He was safe now of course but the outside part of his window was like a frame to a picture of a part of the other side of the tower. It was very pretty with moss growing between the stones and little shiny gems but between him and it there was the width of the tower and nothing in it but empty air. The situation was terrible. Robert saw in a flash that the carpet was likely to get them into just the same sort of tight places that they used to get into with the wishes that Samid granted them and the others imagined their feelings as the carpet sank slowly and steadily to the very bottom of the tower leaving Robert clinging to the wall. Robert did not even try to imagine their feelings he had quite enough to do but you can. As soon as the carpet came to a stop on the ground at the bottom of the inside of the tower it suddenly lost that rough like stillness which had been such a comfort during the journey from Camden Town to the topless tower and spread itself limply over the loose stones and little earthly mounds at the bottom of the tower just exactly like any ordinary carpet also it shrank suddenly so that it seemed to draw away from under their feet and they stepped quickly off the edges and stood on the firm ground while the carpet drew itself in till it was its proper size and no longer fitted exactly into the inside of the tower but left quite a big space all round it. Then across the carpet they looked at each other and then every chin was tilted up and every eye sought vainly to see where Paul Robert had got to of course they couldn't see him I wish we hadn't come said Jane you always do said Cyril briefly look here we can't leave Robert up there I wish the carpet would fetch him down the carpet seemed to awake from a dream and pull itself together it stiffened itself briskly and floated up between the four walls of the tower the children below crammed their heads back and nearly broke their necks in doing it the carpet rose and rose it hung poised darkly above them for an anxious moment or two then it dropped down again threw itself on the uneven floor of the tower and as it did so it tumbled Robert out on the uneven floor of the tower oh glory said Robert that was a squeak you don't know how I felt I say I've had about enough for a bit let's wish ourselves at home again and have a go at that jam tart and mutton we can go out again afterwards righto said everyone for the adventure had shaken the nerves of all so they all got on to the carpet again and said I wish we were at home and lo and behold they were no more at home than before the carpet never moved the phoenix had taken the opportunity to go to sleep Anthea woke it up gently look here she said I'm looking said the phoenix we wished to be at home but we're still here complained Jane no said the phoenix looking about it at the high dark walls of the tower no I quite see that but we wished to be at home said Cyril no doubt said the bird politely and the carpet hasn't moved an inch said Robert no said the phoenix it hasn't but I thought it was a wishing carpet so it is said the phoenix then why asked the children all together I did tell you you know said the phoenix and you are so fond of listening to the music of your own voices it is indeed the most lovely music to each of us and therefore you did tell us what interrupted and exasperated why that the carpet only gives you three wishes a day and you've had them there was a heartfelt silence then how are we going to get home said Cyril at last I haven't any idea replied the phoenix kindly can I fly out and get you any little thing how could you carry the money to pay for it it isn't necessary birds always take what they want it is not regarded as stealing except in the case of magpies the children were glad to find they had been right in supposing this to be the case on the day when they had wings and had enjoyed somebody else's right plums yes let the phoenix get us something to eat anyway Robert urged if it will be so kind you mean corrected anthea in a whisper if it will be so kind and we can be thinking while it's gone so the phoenix fluttered up through the grey space of the tower and vanished at the top and it was not till it had quite gone that Jane said suppose it never comes back it was not a pleasant thought and though anthea at once said of course it will come back I'm certain it's a bird of its word a further gloom was cast by the idea for curiously enough there was no door to the tower and all the windows were far far too high to be reached by the most adventurous climber it was cold too and anthea shivered yes said Cyril it's like being at the bottom of a well the children waited in a sad and hungry silence and got little stiff necks with holding their little heads back to look up the inside of the tall grey tower to see if the phoenix were coming at last it came it looked very big as it fluttered down between the walls and as it neared them the children saw that its bigness was caused by a basket of boiled chestnuts which it carried in one claw in the other it held a piece of bread and in its beak was a very large pear the pear was juicy and as good as a very small drink when the mill was over everyone felt better and the question of how to get home was discussed without any disagreeableness but no one could think of any way out of the difficulty or even out of the tower for the phoenix though its beak and claws had fortunately been strong enough to carry food for them was plainly not equal to flying through the air with four well nourished children we must stay here I suppose said Robert at last and shout out every now and then and someone will hear us and bring ropes and ladders and rescue us like out of minds and they'll get up a subscription to send us home like castaways yes but we shan't be home before mother is and then father will take away the carpet and say its dangerous or something said Cyril I do wish we hadn't come said Jane and everyone else said shut up except Anthea who suddenly awoke the phoenix and said look here I believe you can help us oh I do wish you would I will help you as far as lies in my power said the phoenix at once what is it you want now why we want to get home said everyone oh said the phoenix ah hum yes home you said meaning where we live where we slept last night where the altar is that your egg was hatched on oh there said the phoenix well I'll do my best it flooded on to the carpet and walked up and down for a few minutes in deep thought then it drew itself up proudly I can help you it said I am almost sure I can help you unless I am grossly deceived I can help you you won't mind my leaving you for an hour or two and without waiting for a reply it sought up through the dimness of the tower into the brightness above now said Cyril firmly it said an hour or two but I've read about captives and people shut up in dungeons and catacombs and things awaiting release and I know each moment is an eternity those people always do something to pass the desperate moments it's no use our trying to tame spiders because we shan't have time I hope not said Jane doubtfully our names on the stones or something I say talking of stones said Robert you see that heap of stones against the wall over in that corner well I'm certain there's a hole in the wall there and I believe it's a door yes look here the stones are round like an arch in the wall and here's the hole it's all black inside he had walked over to the heap as he spoke and climbed up to it dislodged the top stone of the heap and uncovered a little dark space next moment everyone was helping to pull down the heap of stones and very soon everyone threw off its jacket for it was warm work it is a door said Cyril wiping his face bad thing either if he was going to add if anything happens to the phoenix but he didn't for fear of frightening Jane he was not an unkind boy when he had a leisure to think of such things the arched hole in the wall grew larger and larger it was very very black even compared with the sort of twilight at the bottom of the tower it grew larger because the children kept pulling off the stones and throwing them down into another heap the stones must have been there a very long time for they were covered with moss and some of them were stuck together by it so it was fairly hard work as Robert pointed out when the hole reached to about half way between the top of the arch and the tower Robert and Cyril let themselves down on the inside and lit matches how thankful they felt then that they had a sensible father who did not forbid them to carry matches as some boys fathers do the father of Robert and Cyril only insisted on the matches being of the kind that strike only on the box it's not a door it's a sort of tunnel cried Robert to the girls after the first match had flared up flickered and gone out stand off we'll push some more stones down they did amid deep excitement and now the stone heap was almost gone and before them the girls saw the dark archway leading to unknown things all doubts and fears as to getting home were forgotten in this thrilling moment it was like Monte Cristo it was like I say come out there's always bad air in places that have been shut up it makes your torches go out and then you die it's called fire damp I believe come out I tell you the urgency of her tone actually brought the boys out and then everyone took up its jacket and fanned the dark arch with it so as to make the air fresh inside when Anthea thought the air inside must be freshened by now Cyril led the way into the arch the girls followed and Robert came last because Jane refused to tell the procession list something should come in after her and catch her from behind Cyril advanced cautiously lighting match after match and peering before him it's a vaulting roof he said and it's all stone alright Panther don't keep pulling at my jacket the air must be alright because of the matches silly and there are look out there are steps down oh don't let's go any farther said Jane in an agony of reluctance a very painful thing by the way to be in I'm sure there are snakes or dens of lions or something do let's go back and come some other time with candles and bellows for the fire damp let me get in front of you then said the stern voice of Robert from behind this is exactly the place for buried treasure and I'm going on anyway you can stay behind if you like and then of course Jane consented to go on so very slowly and carefully the children went down the steps there were seventeen of them and at the bottom of the steps were more passages branching four ways and the sort of low arch on the right hand side made Cyril wonder what it could be for it was too low to be the beginning of another passage so he knelt down and lit a match and stooping very low he peeped in there's something he said and reached out his hand and that felt more like a damp bag of marbles than anything else that Cyril had ever touched I believe it is a buried treasure he cried and it was for even as Anthea cried oh hurry up Squirrel fetch it out Cyril pulled out a rotting canvas bag about as big as the paper ones the greengrocer gives you with Barcelona nuts in for sixpence there's more of it a lot more he said as he pulled the rotten bag gave way and the gold coins ran and span and jumped and bumped and chinked and clinked on the floor of the dark passage I wonder what you would say if you suddenly came upon a buried treasure what Cyril said was oh bother I've burnt my fingers and as he spoke he dropped the match and it was the last he added there was a moment of desperate silence then Jane began to cry don't said Anthea don't pussy you'll exhaust the air if you cry we can get out alright yes said Jane through her sobs and find the phoenix has come back and gone away again because it thought we'd gone home some other way and oh I wish we hadn't come everyone stood quite still only Anthea cuddled Jane up to her and tried to wipe her eyes in the dark don't said Jane that's my ear I'm not crying with my ears come let's get on out said Robert but that was not so easy for no one could remember exactly which way they had come it is very difficult to remember things in the dark unless you have matches with you and then of course it is quite different even if you don't strike one everyone had come to agree with Jane's constant wish and despair was making the darkness blacker than ever when quite suddenly the floor seemed to tip up and a strong sensation being in a whirling lift came upon everyone all eyes were closed one's eyes always are in the dark don't you think when the whirlwind feeling stopped Cyril said earth quakes and they all open their eyes they were in their own dingy breakfast room at home and oh how light and bright and safe and pleasant all it seemed after that dark underground tunnel the carpet lay on the floor looking as calm as though it had never been for an excursion in its life on the mantelpiece stood the phoenix waiting with an air of modest yet sterling worth for the thanks of the children but how did you do it they asked when everyone had thanked the phoenix again and again I just went and got a wish from your friend the Sameed but how did you know where to find it I found that out from the carpet these wishing creatures always know all about each other they're so cleanish like the scots you know or related but the carpet can't talk can it no then how how did I get the Sameed's address I tell you I got it from the carpet did it speak then no said the phoenix thoughtfully it didn't speak but I gathered my information from something in its manner I was always a singularly observant bird it was not till after the cold mutton and the jam tart as well as the tea and bread and butter that anyone found time regret the golden treasure which had been left scattered on the floor of the underground passage and which indeed no one had thought of till now since the moment when Cyril burnt his fingers at the flame of the last match what ours and goats we were said Robert look how we've always wanted treasure and now never mind said Anthea trying as usual to make the best of it we'll go back again and get it all and then we'll give everybody presents more than a quarter of an hour passed most agreeably in arranging what presents should be given to whom and when the claims of generosity have been satisfied the talk ran for 50 minutes on what they would buy for themselves it was Cyril who broke in on Robert's almost two technical account of the motor car on which he meant to go to and from school there he said dry up it's no good we can't ever go back we don't know where it is don't you know Jane asked the phoenix with Sphilly not in the least the phoenix replied in a tone of amiable regret then we've lost the treasure said Cyril and they had but we've got the carpet and the phoenix said Anthea excuse me said the bird with an air of wounded dignity I do so hate to seem to interfere but surely you must mean the phoenix and the carpet end of chapter 2 the topless tower