 Now, AutoLite and its 60,000 dealers and service stations present... Suspense! AutoLite brings you Frederick March in, The Night Reveals, a suspense play produced and directed by Anton M. Leder. Friends, for that Memorial Day trip, install an AutoLite Stay Full Battery in your car and relax. An AutoLite Stay Full Battery needs water only three times a year in normal car use. Yes, sir, only three times a year. Why? It makes a camel look like a drinking fountain. And in addition, an AutoLite Stay Full Battery has extra plates for extra power. Protected by fiberglass insulation for stronger life and longer life. In recent tests conducted according to the life cycle standards of the Society of Automotive Engineers, AutoLite Stay Full Batteries gave 70% longer average life than batteries without all these features. With an AutoLite Stay Full Battery, you need to add water only three times a year in normal car use. So remember, you're right with AutoLite. And now, AutoLite presents Frederick March in a tale well calculated to keep you in. Suspense! I should have known before that something was wrong, gentlemen. You should have known by your eyes. It was a queer looking, staring at me one minute and avoiding me the next. Well, I came home late on Monday night and they were asleep. My son, Johnny, and my wife here, Marie. I lay in bed viewing my day's work. I'm an investigator for the Herkimer Fire Insurance Company. And while thinking about the fire on Second Avenue, I fell asleep. And suddenly, I was sitting bold upright, wide awake, with a strange feeling of being alone in the room. I looked toward Marie's bed. It was too dark to see. I called Marie. Marie! No answer. Got up, walked to her bed. Quilt was bunched up. I pulled the covers down. The bed was empty. In the bathroom? No. She wasn't there, not in Johnny's room either. Johnny was alone. Marie wasn't in the apartment. I put on a light. I looked at my watch. It was two in the morning. I got dressed and I walked out. Ranged for the elevator. It was nothing, of course. It was nothing important, but my heart kept hammering away. Morning, Mr. Jordan. Kind of late for you to... Yeah, yeah. Good morning, Steve. Did, uh... You see my wife get on? Well, yes, Mr. Jordan. Bought half an hour ago, I'd say. Oh, yeah. Yeah, of course. Uh, you see which way she went? Well, yeah, she went towards Third Avenue. Said she was going to the... Yeah, went to the drugstore, I guess. That's right. Is went over on 96th Street. Open all night. Thanks. Thanks, Steve. Ah, that was it. She... she went to the drugstore. I was worried over nothing at all. But I... I didn't know what to do quite. I... I didn't want to follow her, but the elevator boy was watching me. So I strolled easily along towards Third. I stood on the deserted dark corner. I looked up and down the street. Then I saw her coming. She was walking toward me briskly. Harry! What are you doing here? I got up and saw you were gone. Oh, I couldn't sleep. I had a dreadful headache, so I decided to go down for some aspirin. Oh, yes. Yes, of course. The drugstore on 96th Street. Yeah, but you were coming from 97th Street. Oh, I dug a little walk. Thought some fresh air would do me some good. Yeah, it's a nice night. I've only been gone about 10 minutes. Steve said you were gone about a half hour. Was only 10 minutes. What time is it now? 235. I've been out for almost 15 minutes. Oh, it's more than... It was about 15 minutes. No more than that. Yeah. Yeah, I guess so. Everything seemed all right, but still I felt something was wrong. We got into our apartment and we both went to bed. Just lay there. We didn't say anything. Listen. Huh? A fire. A fire! Yeah, not far. Over east a couple of blocks. By the river, I'd say. That's my district. A fire? Oh, what the... Hello? Hello, Harry. Sorry to wake in the middle of the night. There's a bad one over near you between 2nd and 3rd. Maybe a total loss. Between 2nd and 3rd, Mr. Plum. An apartment building? Yeah, 98th Street. 340 East 98th. I called you because I'd like you to go there to direct first thing in the morning instead of coming to the office. Okay? I'll meet you there. Okay, Mr. Plumner. Good night. A fire on 98th Street. Yeah. Yeah. I couldn't see Marie in the dark, but I knew... I knew she was staring at me. I was very tired. Good night, Marie. Good night, Harry. For suspense, Auto Light is bringing you Mr. Frederick March in radio's outstanding Theatre of Thrills Suspense. Say, this week I've been helping my brother-in-law get the car ready for Memorial Day. For a whole week? No, no. While he was pushing her up the driveway, I just told him no need to wear yourself to a phrasal. Just get a new Auto Light, stay full battery. Needs water only three times a year. Normal car use? Why, an Auto Light, stay full battery has more liquid reserve than a camel with water on the knees. Sure, sure. Yes, sir, I told him, forget those holiday worries. Just remember the extra liquid reserve in an Auto Light, stay full battery means less danger from evaporation. For real performance, just install an Auto Light, stay full battery. Needs water only three times a year in normal car use. And all that time, he was breaking his back, pushing the car up the right way? About that time, he straightened up and gave me a dirty look. I was, I don't know, he'd excited his sacroiliac again. And anyway, he shouldn't have anything, but an Auto Light, stay full battery in his car for long, trouble-free operation. Did he tell you then he'd buy an Auto Light, stay full battery? He sure did, but emphatically. Fine, fine. And now, let's get back to suspense. And now, Auto Light brings back to our Hollywood soundstage Frederick March as Harry in The Night Reveals. A tale well-calculated to keep you in suspense. Well, the next morning, I went over to 98th Street to inspect the remains of number 340 and to see if there was evidence of anything suspicious about the origin of the fire. Mr. Palmer, it was there. There it is, got it. Guess we'll be paying off on this one, all right? Completely burned out. Anyone hurt? A few, but no one dead. Lucky they just installed the new fire escape. Just the walls left. That fire must have been quite a sight now. Quite a sight, in the height of its glory. Yeah, yeah, quite a sight. Say those walls look pretty bad, might collapse almost any time. Yeah, the building will have to be raised. Jesus, that fire did a good job. Oh, there's the commissioner. Hello, Claremandeur. Jordan. Hi, it's tomorrow. You know anything about the fire, commissioner? No, no, not a thing. Well, now that you're here, we'll take a look. No, I wouldn't do in there, Jordan. Those walls... I can take care of myself. Maybe you'd better not go inside. Don't worry about me. I know fires as well as anyone. You stay outside, Mr. Palmer. I'm going in. I went gingerly into the blackened, ruined hallway and ashes and debris up to my ankles until I reached the remains of the stairway. Underneath were several baby carriages, just twisted pieces of metal. A burned fragment of something fell nearby. Come on back, Jordan. I'm all right. I poked around near the carriages, sifting through the fine, clean ashes. Something caught my eye. It was a blob of yellow metal. I picked it up, and then I worked my way out. She's burned through, and she... Yeah, yeah, cleaned through. Nothing left of her. You find anything? No, nothing much. Fire started in the hallway, all right. It worked its way up. Cellar's untouched. What's that in your hand? Oh, that's just a piece of metal I found. Here. What do you think, commissioner? Probably one of those gadgets they have on baby carriages. I guess you're right. It isn't anything. But it was something. I had run my fingernail across this glob of metal. It looked like gold. I would examine it in detail later at home. Oh, Daddy. How are you, Johnny? Mama says I was bad today. Harry, you're home early. Yeah, I got through sooner than I expected. I... What is it, Harry? Your locket. You're not wearing it. You've never had it off before. My locket? Well, I... Don't you remember? Daddy, can I go over and see Davy Taylor for a minute? Yeah, yeah, Johnny, go ahead. All right. See you, Daddy. Well, you shouldn't have done that. I didn't want him to go. He hasn't had his dinner. Never mind, Johnny. What did you say happened to the locket? Well, I gave it to you. To me? Well, I put it in your pocket to have it fixed. The catch was loose. I don't remember. I put it in your pocket, Harry. I forgot to mention it to you. I wanted you to take to the jewelers and get the catch fixed. I just put it in your coat pocket while you were shaving. When? Yesterday. Yes, yesterday morning. Well, it should be in my pocket now. I wore this suit yesterday, too. Nothing in my pockets, Murray. Well... Murray. Yes, Harry? Is anything wrong with you? I'm perfectly all right. None of a thing wrong with me. Don't worry as if you've got something on your mind. It's nothing. I've just been having a headache. Maybe you ought to see a doctor. No. It really doesn't amount to much. Well, I'll take it. Now to look for the locket. Which suit did you say you put it in? Your blue suit? I think. Or maybe it was the gray, though. I... I couldn't make it up. What had she done with the locket? She wandered? She'd given it away? Then I remembered something. I went in the bathroom, locked the door. I looked at this shapeless little glob of yellow metal. I rubbed the blackened spots away until all of it was gleaming. I took a nail file out of the medicine chest. I began to file it. I kept filing until I had enlarged the crack to the full length of the piece of gold. And I slipped the nail file inside and pried it open. Tiny fragments of glass. And then I saw a piece of scorched paper. It was a photograph. It was a picture of my son, Johnny. This glob of metal was my wife's locket. I put the locket in the picture in my pocket and walked out. All through dinner and afterwards I watched her. She seemed very uneasy. Finally I went over to my pipe rack where I kept several books of matches and a jar. Not any there. Now I knew she was watching me, watching me closely. I looked behind the rack. There wasn't a match around. The devil happened to all my matches. I have a match. Here, let me light it for you. Did you take the matches out of the jamboree? Well, I... Did you? Yes, I needed them in the kitchen. Shall I light your pipe for you? No, I'll light it myself. I picked a match out of the booklet. It was a clean white match with a green head. I struck it against the side. The match spluttered up into a yellow flame. Fringed on the bottom with blue. Marie stared at it until I felt the sharp bite of the flame on my thumb. Burn yourself? No, it's all right. Would you like a nice hot cup of tea, Harry? No, dear. I don't think so. I watched her. Her hand casually brushed along the table and picked up the matches. Marie! Leave the matches on the table. I need them. I'm rather short of matches. The pilot isn't working. Is this the only book of matches in the house? I have to get some tomorrow. Where are you going, Harry? Get a drink of water. No, I'll get it for you, Harry. Never mind, Marie. I'll get it myself. I went into the kitchen. There was a paper bag alongside the gas range. Matches all thrown in held a skeleton. Books of matches and safety matches all mixed together. I walked back and sat down in my chair. You've been having headaches lately. I'm just tired. That's nothing serious. Would you like to go away for a few days? Take a vacation. I'll get a maid to take care of Johnny and me. I'll do you a lot of good. No. No, I don't need a vacation. There's nothing wrong with me. But, Harry, there is... There? There's nothing to matter. You were about to say something else. I've got to go into Johnny's room and see that he's covered. He always throws the covers off. I sat there looking after her, and then I glanced about the room. There was a pack of matches lying open on the table. I closed the cover. And then I noticed her purse lying nearby. It was bulging. Harry! What's the matter? My purse! Yes. Yes, your purse. Here, look. Full of matches. A dozen books of them. And these newspaper clippings. Give it back to me! Why are you saving these clippings? Why do you carry all these matches with you? Well, I bought the matches in the store. A dozen for five cents. And these newspaper clippings. 112th Street causes severe damage. And all these others. Why are you saving these clippings, Murray? There's nothing wrong in that. I'm interested in your work. I intend to keep a file on Fires. It'll help you in your work. That's very considerate, Murray. Oh, Harry. You're so good. Why should this happen to us? About midnight, I went to bed. Murray didn't follow me. I lay in the semi-darkness, wide awake, trying to think what I should do. Couldn't collect my thoughts. Every time I close my eyes, I could see the flame of that match. Yellow and blue. Crawling along the matchstick. Drink this, Harry. It'll help you sleep. What is it? It's cocoa. It's very good for you. I'm not the one that's having trouble falling asleep. We both couldn't sleep last night. I'm taking some of this myself as soon as I go to bed. All right, leave it on the nightstand. Well, be sure to drink it while it's hot. Yes, Murray. I will. Good night, darling. Good night, Murray. Coco. And then suddenly I knew. I looked around quickly for something to pour it in. There was a radiator pan. It was empty. I poured a cup of liquid into it. Then I lay back and waited. I waited for her next move. About an hour later, I heard the door open softly and Murray tiptoed toward my bed. Harry? Harry? Are you asleep? I didn't answer, but breathed evenly. She hovered over me for a moment and she tiptoed out, carefully closing the door behind her. I jumped out of bed and hurried into my clothes. Quickly I poured the cocoa from the pan into a bottle, put it in my pocket, and I grabbed my coat and followed her, rang for the elevator. She had only a few minutes had we. I'd catch up to her easily and then, then we'd have a showdown. Steve looked at me with controlled amazement. Hello, Steve. Hello, Mr. Jordan. My wife went down a moment ago, didn't she? Yes, Mr. Jordan just took her down. She went toward 3rd Avenue, didn't she? Well, I, uh, I think so. She sort of stopped for a minute and then turned towards 3rd. I had to get back the elevator because you were ringing. When I reached the corner, I looked up and down 3rd Avenue and then I saw her. She was walking north. I crossed to the other side of the street and followed her, keeping at a distance. At 98th Street, she turned east. Down the middle of the block was the remains of last night's fire. She stopped in front of the gutted building for a long time and just stood there, looking at it. And she walked inside. She waited a few seconds and then followed her. Marie! Who's there? It's me, Harry. Harry! Why did you... Come along, Marie. We'd better get out of here. The police. I took her hand without a word she came along. We walked home in complete silence. We both knew. When we came to our apartment house, I stopped and rang for the elevator. In the light of the hallway, I could see her face. My wife's face. Ashy gray. Her eyes brightened and painful. You run upstairs, Marie, and I'll... I'll be along in a minute. Harry! Where are you going? I'll be right back. Please, Harry. Don't... Don't do anything. You run along, Marie. You're not going... No. I'm only going to the drug store to get something. I'll be back in a few minutes. I came home a half hour later. She was waiting for me. Did... Did you... Do it, Harry? Please. Please, Harry. Tell me. I've got to know. I had the cocoa you gave me analyzed. Oh, I'm sorry. I had to do it. Don't you see? I couldn't help it. Very easy for the drugist, especially when I told him when I thought was in it. That's stuff that makes you sleep through an earthquake. Please try to understand, Harry. You must understand. Is the kid asleep? Uh-huh. Johnny's all right. I was sorry for Marie. She looks a-haggered and worn. It wasn't her fault. I was sorry for myself. My head was roaring. I wasn't feeling too well. I kept seeing sparks in front of my eyes. They closed my eyes for a moment. Let's go to bed, Harry. Marie, look, we can do something. Now, let's burn up every match, every match in our house. We'll never bring another match in. No, no, Harry, we can't do that. You don't want to. No, no, not now, Harry. Strange, isn't it? That this should happen to me. Me, a fire inspector. That's funny. Give me the matches, Marie. All the matches. No, I can't do that. I won't. Please, please don't, please don't take them. I'll do anything you want, anything. Where did you hide them? Tell me, where are they? Inside the range behind the paper base. I dropped her hand. Then I went into the kitchen and got all the matches. Please, Harry, don't burn them all. Marie, look, look up, see? I'll light each book of matches one at a time until they've all been up and smoked. The yellow flame licked its way down the matches. The cover caught fire and blackened it. I watched her look at the flame with day's eyes. Listen, listen, Harry, you hear? Just someone in the hall. There's more than someone. Something's happened. Something has happened. I'll take a look. Yeah, Marie, wake up, Johnny. Johnny! The flames are coming up the stairs. There's an upward draft. What's the matter, Mother? The house is on fire. We've got to get out. It's too late to go down. You'll have to go up through the roof. Oh, I hurt my leg. Come along, come along, Johnny. Wait for Mother. She'll come along. Give me your hand, Johnny. Don't be scared. The fire won't hurt you. It won't hurt you at all. You're safe with me. Our way upstairs. Very slowly because of Marie's sprained ankle. Finally, we got to the roof. There was some firemen on the next roof about 10 feet separate of the two buildings. Don't get panicked. I'm across, Daddy. Mother won't be able to jump her foot. It's all right, Johnny. Don't be scared. They're putting the board across between the two roofs. We'll just walk across. All right, now. One at a time. Johnny, Johnny, you go. Don't be afraid. There. Rope will hold you in case you slip. Mother, you got to go first. I'll go right after you. Johnny. You promise? Go ahead, Johnny. Mother will follow you. Don't turn around. I keep walking. You push the board off, Harry. I saw you do it. No, I didn't, Marie. I didn't. But Brown, we stood there. The three of us watching the fire. Great flames shot out and stabbing at the sky. The top of the roof was burning now. A red flame crawled along the roof. A red flame crawled along, searching out the inflammable spots. And the wind was helping. All this time, Marie was shaking, shaking violently, but not with cold. I pettied her. And then she threw up her hands and shrieked. There's no need to let the police. You don't know what you're saying. You don't know what you're saying. What is it, lady? No, you better calm down. You don't have to pay no attention. No, officer. These awful fires, they're not accidental. There's a pyromaniac. A criminal. I know who it is. You got to arrest the person. Arrest. So there won't be any more. All right, lady. What is this? Who is the pyromaniac? The criminal is my husband, Harry Jordan, this man. That's about all there is to the story, gentlemen. And then I was brought here. She must have sounded kind of painful for you to hear it all over again, Marie. No. It was all right, Harry. I wonder, I got a cigarette. No. I'll light it for you, Harry. You don't have to worry. I won't try to keep the matches. She'd been awfully good to me, gentlemen. You'll take good care of her, won't you? She tried everything to help. He hid the matches so as to keep them from me. She even tried to give me sleeping pills, so I wouldn't... It's all right, Harry. I'm sorry about the locket there. I must have fallen out of my coat when I was in that building at 98th Street. It's all right, Harry. You can buy me another one sometime. You can't blame anybody for liking fires. It's not their fault. Fires are beautiful to watch. So bright and clean. They burn up all the filth and dirt. They're magnificent to watch, especially the big ones. The way the flames roar and crackle. Lighting up everything around you. A beautiful fire. Beautiful fire. Thank you, Frederick March, for a splendid performance. You and your brother-in-law are still friends? Of course we're friends, half. We have so much in common. Both of us think an auto-light-stay-full battery is wonderful. It needs water only three times a year, normal car use. And he appreciates the fact that auto-light-stay-full batteries are made by auto-light, the makers of over 400 products for cars, trucks, airplanes, boats. In 28, auto-light plants from coast to coast. Yes, sir. And auto-light also makes complete electrical systems for many makes of America's finest cars. Park plugs, generators, starting motors, coils, distributors. All engineer to fit together perfectly, work together perfectly because they're a perfect team. The lifeline of your car. So, folks, don't accept electrical parts that are supposed to be as good. Remember, you're always right with auto-light. And now here again is Mr. Frederick March. It's been a real pleasure appearing on Suspense tonight working with this fine cast, especially Jeanette Nolan, who played Marie. And I'm looking forward with great interest to listening next week when Radio's Outstanding Theatre of Thrills brings you Joan Crawford in The Ten Years. Another gripping study in Suspense. Frederick March is soon to be seen with his wife Florence Eldridge in the new film Christopher Columbus. Tonight's Suspense play was adapted by Sigmund Miller from the story by Cornel Woolridge with music composed by Lucian Morrowick and conducted by Leith Stevens. The entire production was under the direction of Anton M. Leeder. Next Thursday, same time here, Joan Crawford in The Ten Years. You can buy auto-light stapled batteries, auto-light resistor spark plugs, auto-light electrical parts at your neighborhood auto-light dealers. Switch to auto-light. Good night. This is CBS, the Columbia Broadcasting System.