 Alrighty, as always, let's watch this in full first. Cool. Okay, okay. That is the shot. Now you have a couple notes here. You are asking me about the brass. It's too busy. I think it's okay. I think what I would do is if you can, I would just reduce the movement. I think it's needs to have that cover. Like, why not? You have less to admit here, like we talked about. So there's detail you need to concentrate there. I will probably just continue it and maybe have something else in the landscape. You might as well put it in the little sky and maybe it's a tree there or something. Might as well just flesh it out. So it's not just that and that, but then it almost looks like you're doing specific sim and you want to show off that end the horse. So we're just going to make that one cohesive set piece. Just kind of tie the whole thing together. Because like once you start having movement then you almost expect, okay, well then would you have interaction? Like would those grass pieces move because of this? Would they get flattened? Would they get stomped on? So I think even if you take the whole, like if you take any movement out, to be honest, it might be even better. It's just there as a visual presentation. Put some ground there, different colors. It's not gray, little sky and then you got that. And then I would not have any movement there. Now, you haven't done a proper facial pass yet, but you were just thinking about reworking it once you hit spline. All right. Normally you're saying you had that at the beginning. That's no problem. That's no problem at all. I see that. And then you're looking at a tricky balance between IKL lock feeling on the legs. Oh, I know horses are notoriously difficult because of that. I do like it though. And you have a little bit of residual movement at the end here. That's actually not that bad. It just adds something to it. I don't, I'll like it. It still has, I think the big thing is going to be moving to spline. I think all your moves are cool. And again, that grass definitely helps hide some of those pieces. I'm going to quite sure what's going on. I'll see a black piece here and one back there if there's any type of intersection. But again, no movement in the grass and maybe even more in patches to hide that. But I think this is cool just so you understand that hoof there and you can see it. I think that's fine. I like it. I think the only thing I would probably add, and this is again, not that this is a shock killer, but since you're doing such good work, you might as well. Once the horse gets up here, since you are going to do more with the face, maybe you could add something at the end where like this is all mechanics, right? And you got potential more expressions there. And at the end, you could be one of those things where he does the, like the head shake or something where it's kind of like opening a mouth and doing something with it, depending how much acting you want to put in there or emotions or pantomime. Everything is there. I could be like, the speed works. I don't like how low your head goes here and then that. Just be careful as you spline to not have the stomp in the head. Boom, pretty much at the same time. You want to be a bit more overlapping and draggy so that it doesn't hit there. It all goes up at the same time. I'll just watch out for that. That's probably the biggest thing I'm seeing here. But all the details going to be in the spline and like you said, the poppiness of the knees. Going through that. But it's already cool having the eye darts and the looks there. I was wondering if since you're up now and it's getting ready, it has a strong pose. Potentially you might even look at reference how far back they bend. They're not very strong, but you might even push it a bit more. Stylize a little bit more in that bend forward. Maybe just a bit. So it's not so straight down here. But again, I could be something at the end. You could do something at the end where it could be a reaction in the head or something in the mouth. I don't know, that's up to you. But for me, I would spline this. You're in a really good spot. I like all the shifts in this. I rolls over this section there. I should reopen your old reference. Something for you to look out for. The only thing I would say is since we are so far over, right? It's not that the horse can't push this way because the legs are pointed this way. But then that's for you. I don't have that reference open with me. Sorry. Just for you to double check that. The couple of things. Just wondering. Again, when I watch this, all feels fine. If I go in there and I doubt myself, that much of a lean legs pointed this way, pushing up this way. So you have momentum that goes this way, right? What stops the horse from going this way? Because right now you have to change the direction of that upper body. So either it would be maybe that leg would be less to the left and it's more, not that you can do it over here, but something where a force pushes the horse this way. This is something where you wanna potentially start pushing on this leg. Maybe the backside goes up a bit sooner to push this way or none of that. And it's the head that goes sooner that leads all of this more. So that at around here, your head might be already here. So that is a counterweight in the momentum of the head swing over there, rebalances the horse to go this way. I'm just curious. Or the horse is still really strong to be able to do that. That's the only thing I would say and I would have to look at reference, but you have it there. Maybe you can double check when you're in as well. What does the horse do? Is it the head swing that rebalances this way? Because if you look this way, it's tilted, right? How, mechanically, how is the horse able to go this way? It would have to be through a backside or that leg to maybe from the beginning, more like this or taking a step, a quick step as it goes up here to take a little bit of a here so you can push itself over this way. So it's a bit more like that. You know, then you can take that step forward. Anyway, rambling, but I just wanna leave you with that. That's the only thing I would probably look at and double check that it's all correct. All right, other than that, it's super cool. Thank you. All right, there's an email. You can sign up. You can start whenever you want. You can submit whatever you want. You get 16 submissions. Either way, a like and subscribe would be awesome. All right, thank you.