 Would you like some? Would you like me to throw that across the room? First stupid right to feed is up Corbin. I'm hungry. And you can follow us on Instagram and Twitter! It's so juicy. I will smack that out of your hands. Come on, I'm hungry. I don't care! This is, you react to this. I'm going to while I eat my seaweed. Take one of those on Patreon and follow us on Twitter account. And today we are reacting to a little behind the scenes. Remember the R Raj Kumar? Gandhi Ba. Gandhi Gandhi Gandhi Ba. Oh, yeah. Shahid Kapoor? Yeah, Dirty Talk. Yeah, directed by Prabhu? Yes. This is behind the scenes with Prabhu and Shahid. Of that music video. Sweet! Yeah, awesome. So we're going to hear Prabhu and Shahid talk a little bit about the song. And we love the song. We know it means dirty talk. Yeah, we know. We like it. But yeah, so this... And this will be the first time I think we've actually heard Prabhu talk. It doesn't just dance. I know. What a human. Here we go. It's on the playlist. It's on my tip. Gandhi Ba. Each and every one of us. Gandhi Ba. Because we want to make Shahid dance, dance, dance in the song. He did. He makes me want to dance. So when Gandhi Ba did the Gandhi Ba, we thought of Archa. It must be very easy, but it must be nice also. Because everybody must follow. So I thought of Archa. Because this film is happening, not in city. It's happening. So they will have that gamcha. So let us do a movement with gamcha. That's how it came. Thai gate and the Gandhi Ba. And one more thing. Gandhi Ba means what? I think Gandhi Ba is bad or something. So normally what happens? And then Gandhi Ba we will do it. So I included that also. Gandhi Ba. You see that movement. They will be going back. Normally moon march will be going like this. So I thought split it. One, two, one, two like that. With the mic and the accent that thing. And with this Gandhi Ba we included this. And gamcha this. Yeah, it is a half moon march. We instead know. Because normally we round up and we will sit in the knee. But in this he is already in the knee. He has to round in the head. Again he has to follow the knee. Again he has to follow the knee. There is no balance. Wonder how much knees we are patting. We will take one leg like this. And then round. But in this normal it is not like that. Yeah, he is landing on the toe. And then generally rounds in the head and falls in the knee. That time he was got hurt. No, before he got hurt. But that time whenever he falls in the knee. The mind was like too much in the toe. Because he was already got hurt. He was always landing on the toe only. It was so paining for him. But still he told no sir one more I will do it. I will do it. I will do it. He did it. In Gandhi Ba only. The wave step is there. Because whenever that music comes. Main theme music. So I thought some movement is there. Like very unique movement. Normally the waves will happen like this. The body will go like this. I thought why can't we do it in opposite way. Yeah backwards. Why can't we do it? When you go up. When you fall up in the back. Because the technique is you have to go like this. It was little tough. I got the technique first. No. I forgot it like in 5-10 minutes. That's a good behind the scenes video. Yeah. And I'm sure there's the whole movie. Because obviously he's the director of it. But talking actually about specific things. Exactly. What happened. What went wrong. Yep. Why I came up with that idea. Yeah. And it was cool to see. Because obviously it's the first time we've actually seen Prabhu talk. But it's so interesting to see how he would actually come up with certain moves. Because I think when we watched that. We were like one there was an awesome fun song. Right. And he did a great job. Yep. At it. But like so many of the moves were just so. Like most of his stuff. Especially if he's the one choreographing it. Because I don't know what point in his career did he start. Right. What happened because you don't do it obviously right away. Well he may have started as a choreographer first. Okay. Yeah. He may have just been choreographing. And then just started to do his own stuff. Maybe that's what it was. Yeah. But he's just such a unique choreographer. Like I can't even do it. But I like how he also said he's like I got it right away. Yeah. Oh really. Yeah. I didn't think he would. He's fun. And I would love to watch just him not just doing the commentary. I'd love to just watch that camera on him while he's working. You know. And while he's coming up with stuff. And he's so smart to do choreography that's both complex enough that people look at it and go oh my goodness and they would try to replicate it and take a long time. But the main step was easily replicable for people watching it. Kids could see that. Like whether it was the hip thrust and the thing to the head. Yeah. So that when people hear the song, they have a point of it that they connect to it and they can dance to it. You know, they can do the Gendibab. Dance. But not all of it. I'm sure there's some people who can get all of it. Like when I was a kid, I'm trying to figure out how I did this too because back when I was a kid, you didn't have the ability to just put things on the internet and just rewind them and do them. But I watched everything of every time Michael's videos were on, it was a nonstop watch fest to pick up every little nuance of the guy's movements and that anything behind the scenes where you can pick up how they're working, the amount of time they're taking to work on it, especially the creative process. Like why he's coming up with something and how he's coming up with it. There's some great footage of Michael doing that very thing in his studio at home that you can find on the internet where he's in his house. He actually, one of my favorite things of Michael's choreography is he had been putting some choreography together that was really militant and he loved it. And Janet was coming out with Rhythm Nation at the time. And he told Janet, he heard her song and he said, you need this choreography for your thing. I was going to do it for my song, but you need it for Rhythm Nation because it fits your song better than my song. He gave her that choreography he was working on. How cool it must have been for me setting in the thing. I'm sure Shade had idolized Prabhu. Oh yeah. Because obviously he's young, so he watched his films going up, watched his dances. And now he's being directed and he's dancing with him. Yeah, talk about being motivated to get it right. Like seriously, first of all you're working with him and then second of all you know I'm about to do something that the world's going to watch and know this is Prabhu's work. I better get this right. You know, I don't want to be known as the guy who screwed up Prabhu's choreography. Like we said, he's a really good dancer. A lot of people in the comments, a lot of them say that they think he is actually better than Rithik sometimes. Right. In terms of, we've seen very few of him. They're such different dancers. They really are. One, different physique. Yeah, that makes a huge difference. One of the most impressive things about Rithik is his physique and the fact that he is so fluid and not like dancing like what the rock would be when he dances. Because he very well could be. Because they're both huge, right? Yeah. The rock is a little bit bigger. Just a little bit bigger. But I want to see Bill and Johnson on Dancing with the Stars. He's too big for Dancing with the Stars. They get like sea less active. I know. That's true as far as his status in the industry. Yeah. Yeah. Well that was awesome. Did you go to the Prabhu or Shahid or anything? Just let us know stuff down in the comments. Creative stuff. How was your day? How are you doing? What did you have? Were you drinking your chai? Did you eat seaweed? I don't. I do. Getting back at it. You're disgusting.