 Right guys so I'm now going to teach you two very very famous flamenco rhythm patterns on the piano and yeah it's fitting to do it because the Andalusian cadence is a very Spanish inspired rhythm you'll find a lot of flamenco musicians playing it and even dance forms you know formed around this cadence right so I'm going to show you like an easy one and then we'll do like a nice flamenco rhythm so stay tuned we're going to learn some nice flamenco now so we are going to do the flamenco rhythm on pretty much the same chords of the Andalusian cadence which are D minor, one minor, C major which is seven major, B flat major which is six major and A major which is the five let's get cracking right so what's happening that's a nice syncopated rhythm between the two hands let me play it for you so root chord fifth chord chord root chord fifth chord chord now the fifth you could play the fifth either lower than the root but more commonly you played above the root and what makes it more catchy is I think make the left hand very legato the left hand is just ridiculously easy root and fifth of each chord the right and the right hand where does it hit however you look at it you look at it with eighth notes so I think will be easier one and two and three and four and one and two and three four and I'm trying to squeeze the last hit a little longer I like this rhythm slowly follow the notation it'll help you you could also use this as a nice inversion practice by using the different triad shapes moving on to more of a flamenco guitar like pattern let me play it for you first right so that doesn't that sound like someone's dindrata like that flamenco thing which I'm acting like I I'm doing it but it's very tough to do you have to learn flamenco guitar to do that authentic thing there but I'm just trying to simulate it on the piano as best as possible so how does that work so let me break that down okay one one this is your left one and two and one and two there we go and and the right what happened there one and one one so the and of the one one and one is kind of flamed as we call it one and one it's almost like a a quick triplet so the only way I can explain it to to you would be to say and then we don't flamenco it we just do it together then you break the chord so flamenco first and then a block block means the flam is not there flamblock flamblock I'm going to say it as flamblock I don't think I'll ever say that again in a YouTube video but flamblock and then you break it flamblock break the chord from the bottom to the top so there's four different right hand articulations guys flamblock single broken so but it starts all starts at the end of the one the right hand comes in after the left hand start with a fifth in the left and then flamenco for all the four chords of the cadence on the left hand you could either do I can do one five three or one three five three five one very slowly now the whole andelugin cadence using the flamenco pattern it's as authentic as I can make it but you need to listen to how flamenco guitarists play and get a correct vibe from them to really bring out the personality so in this lesson we've looked at two flamenco styles over the most famous Spanish or andelugin chord progression as we call it the andelugin cadence right again this is Jason here from Nathaniel thanks for watching cheers