 the private promoters will sort of hold the attention for a couple of weeks. 2019, as we know, it was a historic year in terms of arrivals in the LB 10,000 or so. What are the indicators saying about this coming weeks, maybe up to Monday? Yeah. I mean, the numbers have already started. I can see it from the daily arrivals. Last year, we had about 10,000 individuals who stated that they came for carnival. We expect them to do just as well, maybe even better than last year. We, like you said, it's a big week when the private feds take over. Although on the weekend, we had a couple of big ones already, but those have been there historically and it's going to be a really, really epic carnival season. From what I've been told, I was reaching out to the different promoters. Most of the parties are sold out already. Both rides are sold out. There are issues of capacity. People tell you they cannot even get infrastructure, stage and tents because they're not enough to meet the needs right now. So that tells you a lot of effort has been put in by the private promoters. We sat off tomorrow night with Ricky T and friends for this big show of the season. The parties from Just For Fun and Fusion and everybody will be joining in. And it ends on the weekend. We have Euphoria, Calamire, family, whatnot. A lot of people come in for that. They come in for that. We have less seats, but our rivals are up on last year. Last year, year to date, to me, we are doing better than last year. June figures are not out yet. June just ended. Year to date, with less seats. And when I look at the numbers, I also look at the load factor. The airlines are coming in 95% feel. Canada was 100%. You know, America 100%. They are coming in feel. So we have less seats, but our numbers are still up. Of course, we want more seats because if you have more seats, you can promote even harder. You can drive it harder and still get more people. But our numbers are still above last year. 95% of where we were in 2019, which tells you that we are almost completely back to the best. So they have those detractors. Personally, I would love more flights. I'd love more seats because just the more seats you have, the more options people have, the more some people will come. And even in all of that, the FA has never been so high. If you just go and check how much is a ticket from Trinidad, well, you won't get one right now. But the cost of a ticket from New York, from Miami, from Potter Spin, it's very high right now. Do you think it will discourage them if they still come in? They still come in. They still come in. What do you attribute that to? Is it Senusha's brand or kind of product? Well, I mean, it is modern just Senusha. It's Caribbean. It's global. People want to travel. It's almost as if they've had a psychological hangover from COVID that people are prepared, having not gone through the experience of COVID, that they want to travel and enjoy themselves. People are not just living their lives the way they did before. People are traveling and they want to travel. So the high FA is not just Senusha declining. A few seats is not just Senusha throughout the region. And everybody's having good numbers as well. People are traveling. Senusha may be a little more so because we're one of the premier destinations. So there is a huge demand for Senusha. So we are benefiting from that. But people are traveling. And we've seen it throughout the Caribbean. As Minister for Creative Industries, do you mind the orange economy, the Senusha participants in the orange economy? This time of year is the time of the wrong time. Yeah. I mean, it's one of the best times for them. But I mean, that has been going on for months. Yes. I mean, this is not just for carnival. We move from jazz, which was another fantastic period for the creatives and everybody associated from hairdressers, you know, persons' cosmetologies, the small vendors, the same stresses. That has been going on. And once jazz ended, we tried to start some other community carnivals and we're now into carnival. And I think this week on Wednesday we'll be launching Emancipation Month. Yeah, I think this week we'll be doing so. So we're going straight into Emancipation. And of course, August 1st, which is Emancipation Day, we'll have the big freedom presentation, of course, which will be announced later on this week, like I said. So again, the creatives, the dancers, the musicians, you know, the same stresses. Everybody will be back at it again in August. And of course, once August finish, we'll be launching Creole Heritage Month, which we hope to be even bigger than last year. So again, the creatives, you know, will be at it. And it's important we do that because if you're going to create an orange economy, it has to be a series of activities that people can engage in and create interconnecting economic activity. And that's what we want to do. We want to make a full-fledged sub-sector an economy out of the creatives. And you can't do it by having two events a year. I mean, you wouldn't go full-time with only two events a year, you have. You go full-time if you know, you know, just like you export bananas every week, you know, you can be part of that, you go fishing every day. You know, so that's what we intend to do. Create an economy for creatives where they basically just have continuous economic activity, creating livelihoods for them, you know, jobs. That's what it's all about. Some observers are uniquely...