 all right new piece here oh nice definitely fast and snappy cool i like it hold on let me just bring this in take the whole thing in there okay hold on this is cool definitely like all of this that's all very cool good hang time here the only thing i would say he gets so stretchy here like i get you an exaggerate some of the moves i mean he's definitely stretchy here an exaggerate i don't know that's very subjective i buy all of this and then once you get to here that last one feels so rubbery from this this into that that i would reduce but i don't know i don't know why this is maybe a bit strong i would probably reduce the amount of like it feels like you're doing like really over stretching the middle part and it's only going over there versus not as high like the nose will be maybe here and then reduce that a little bit to get a bit of a softer line of action in the head that's all fun because he seems more on model even this is a bit strong there is there's something about being also on model that even this feels a bit almost broken in terms of how far you go i would i would reduce the the nose and then you can stay somewhat with the head to be a bit softer with all that other than that i think i think you're okay you can probably shave out a couple frames depends how once you spline this but i would probably go like two frames and then straight into that appearance so it's it's a bit it's super picky but it's a bit of a long pause quote unquote long i'll get into this a bit sooner but i love all of this i think once you spline this i'm not quite sure like how far you want to go with the style and if you want to spline this like right now the camera work i would wait with how early you truck with it so that character is a bit there like the character is overtaking the camera and it's leading the camera move right now we're just a bit too early in all of this i understand that you're having all of this and end up here but he can end up here as well and then the camera can catch up and that's fine even this here feels we're going up too soon because he can also easily get to this point and that's a clean nice pose and this is already cut off here that's solely fine because you're not getting much out of that pose anyways you can be delay with the camera and just be here and then we get to this again we're maybe a bit soon with the because it's so delayed here with the tilt up i would wait then you can catch up there and even here we're going a bit too soon so make sure that character drives the camera just a bit more and i know we want to get there and see this but you can be okay cutting it off here and getting to this with a bit of a faster tilt down that's not too bad and that's kind of that other than that i think it works like picky things like again depending on how far you want to go with the spliny aspect of it and and the breakdowns but like that thumb lines right there with the forearm be with tangent there's a tangent here not too bad through there but then you got that wrist with that sleeve or just look at lines how lines form and where where you form temporary tangents even like over here a little bit but that's like you know the last like two percent other than that i do like all of this because you also don't have too many repetitions here right you got a stretch into this i mean this is knees up arms up but in this pose it still feels different enough it's bit similar i'm gonna draw here so i have a bookmark so this could be potentially a different pose just to throw that out there you do have that which is really fun love all of this that's all fun i like how he looks up there probably probably with this i wonder if instead of this and you stretch out so far not that it's wrong it can work it's such a stretch out where it's not like a jump into something what if the other leg is here and it's more of a i'm i'm reaching forward with my arms to then almost roll into something to then roll finish jump into this just a thought and it could be destructive so i'm gonna throw that out there and he gets into this so once we get to here i think you might also be okay with so much momentum and the camera follows and recovers that you can end up here that's also fine do all of this i think this will be tweaked but then at the end we are a bit recomposed here but so it's a bit more in the thirds just a tad but especially here i think it's okay kind of recompose a little bit it's mainly that it's really fun love all this again the the timing and the the playfulness and all of this is really you can probably play with expressions a bit more words he's like this this feels like ah he's ready and then it's just it's kind of the same but just pushed in terms of that curve and the openness of the jaw versus he gets to here and this could be like like what if it's like a shape like i'm ready i'm ready so you have a bit of contrast of ooh ah versus ah ah that's the sign i can make you know i mean trust the thought and that maybe a bit straight i think once he goes oh man could be either you're lining with this and it's a tilt or it's a tilt back like oh man i don't mind a tilt back because that's the box but he doesn't like it so he's disengaging from it so he's moving away from it so the head is tilt the back so you can have maybe you know a bit of a see how far it can go until you break it but tilt that head away from it a little bit that could be something to him all righty that is that thank you all right there's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome all right thank you