 Hey, hello, welcome to the stream. Welcome to the stream. This is a experimental collaboration, a live online bespoke jam that we are setting up still. So make yourself comfortable and you can enjoy our little struggle over there. Should be, you know, ready soon-ish. We'll just have some musical fun. What that font? Nah, need some. Give me open. Give me open serif. Like now. Okay, open sense. Open sense, extra bold. What do you guys say for a little bit of music? This might take a while. I'm gonna just drop a beat. Or just I'm gonna make something waiting for everyone else to get set up and stuff. Cause actually, I think I'm ready. I have a little setup for lights. Warning, flashing lights, by the way. Photosensitive epilepsy warning, way too late, sorry. All right, we're getting, we're getting there, I think. Are we getting there? Yeah, there isn't no audio yet. I should play some music, you know. Maybe I'll just build a very procedural bespoke thing so that it's, it's thematical. So maybe I can solo my screen for a while or highlight. Everybody should see my screen. Right, the reverb was, okay, I was, you see guys? Cause we are talking here on the back end and I've added reverb to my voice to signify that, huh? I am actually talking publicly cause this is something that is, you know, easy to, to perceive. It's been a long time since I streamed something, huh? Been a good while. I think. John's microphone is now live. Oh, what's my stream link? Oh yeah, yeah, yeah, yeah, let me get that finished getting set up. I still don't have, I only have Amfa's desktop. I don't have your desktop. Are you not streaming it yet? Just making sure. Okay. Now we have a musical metronome going. Okay, guys are still setting up. I'm gonna do some, we should be able to, I think I need to delay this. The lights. So I've programmed something with Raspberry Pi and built a little RGB light thing set up on the breadboard. Cause the audio is going, no, not this one. Cause the audio is going through. Huh, interesting. Oh, that's not a millisecond. Oh, that is not, that's not an absolute amount of time. Is there a way for me to specify a delay? Isn't there a musical time? I don't think there is. Why? Yeah, there is no, nothing I can do. I can just, guys thought we're gonna set this up in 30 minutes. We've been on it for hours. I am getting no audio from you guys. So I'm gonna bypass that. I'm just going to stream. Okay, so how is the YouTube thing? Does it work? Is the stream streaming? Pecky has shared a quote. I'm gonna read it, quote. We don't do these things because they are easy. We do them because we thought they were going to be easy. I think that's brilliant. You live and learn. I've never really done finger drumming. But with lights flashing as you play, it's pretty fun. So guys, I'm waiting for the rest of the guys to figure things out. And I'm just doing an ambient thing right now. It's very interesting. So if you have never played with this, maybe I'm gonna take down this wait for it and I'm just gonna call this the stream. Because honestly, yeah. You might see what... I'm really curious how does it look on your side. It's gonna be fun to look at this stream. Power user says he has a camera now. Let's take a look. All right. We need to add captions. I wonder if maybe... Okay. All right, so maybe I'm gonna root everyone's voice into the stream. So just our talking is public. That's okay. Okay. Our little voice chat is public. And I can hear myself in someone's feedback. Excellent. John, is that you? Never using headphones? Yeah. So we spoke since... If you've never viewed it, never played with it, never touched it. Oh, I hear myself in my own left ear. Excellent. Yeah. Okay. Fixed. Aha! We spoke is a modular music canvas. Some call it a playground. You could say it's a musical sandbox. But it's also an incredible tool for live performances because it has so many tools that are pretty much made for that, for performing live. And yeah, what we're trying to do today is get free people from different parts of the world to have a jam together. So have the audio be sent back and forth between them, hopefully with some synchronization. And so we can kind of start building something together. And if we wanted to have a beat and a rhythm and something, we need to have tight sync. If we just want to have ambient doodling, we don't. So that's always an option. Just not do rhythmic stuff. Okay. Now I am live. And you are also clipping. Excellent. Sex. Excellent. Yes. The master me isn't limiting you, or maybe you're back passing it for this. Yeah, I'm back. Sorry. I had to eat something. What's up, John? Not too much. We are now live with video and audio. I'm going to add a caption to your camera power user. Awesome. Because it's done. There it is. Now it should be quite easy to see what is going on. All right. In eye. You are still clipping. And still clipping. What is going on? Okay. Test. How is it clipping? It's not that hot. It's like, okay. It's like the max. It's not, okay. It's not clipping on my end. Did you turn me up? I think you might have turned me up or something. No. Because I am, okay. I'm louder than you in OBS. Let me. I'm just going to turn you down, man. Or I'm going to snap a compressor on you. Give you a ratio like no one's watching. Test. Hello. Am I clipping? I don't know. I just compressed you to hell. Okay. I don't care anymore. I don't need to worry. No need to worry. All right. Excellent. I should compress my voice as well, honestly. Yeah. I thought you had an effects chain for processing your voice. I think I don't. I had just the best. Ah. Yes. I need to resell. But not for Mike too. What is that? I don't know. Oh, it's me in an extra instance where I have only you, John, soloed. So I'm going to delete that. And just checking you all are getting my metronome here. How are you still clipping? Did you turn me up? I feel like you turned me up. No, you're at zero decibels gain. Okay. In OBS. Okay. Maybe there is a makeup game. Yeah, three decibels. No, it's auto. Okay. Set it to zero. No auto. That's going to be a limiter now. Flip and limiter. Oh, my gosh. Oh, now you're quieter a bit. Oh, great. Lovely. Okay. This is already going so great. I think it's quite fun. I'm going to turn up the light a little bit so you can see I'm actually here. Yeah. Okay. Not just a voice in the darkness somewhere. Test. Okay. Aha. I can hear myself. Perfect. So what? Okay. Am I clipping? I turned myself down a lot and I turned. Yeah. I guess you did something too. I don't hear you clipping anymore. Oh, that's good. It is. It is quite fabulous, isn't it? I don't. A good sound reaches you. I hear a sound. You're sounding like a board. All right. I'm not getting it back. Let's get our metronome synced. You know what? You were right. That was something on my side. Yes, not me. I had chat audio send twice. Once via hard zinc and once via bespoke output. So I did make you loud. I just had no idea I did. I'm going to turn off that compressor now. I wonder if I can somehow enforce the power user. I'm getting low quality. No, I am getting high quality audio. I'm sending low quality. Okay. Cool. Cool. So I actually don't want to send there at all. Never mind. Never mind. False alarm. Okay. Push this through a, like make this play. Let's get our metronome synced. All right. Let's get a metronome synced. Let me get my... Oh, I don't have the OSC prefab added yet. Okay. I've tried it. So I'm going to stop my sweet suit SFM synth. Let's see. Now I can talk a little bit. We should have talked about ports earlier, but we didn't talk about ports. Huh? Oh, nothing. Okay. Okay, I'm going to get your IP from tail scale. Oh my gosh. And you can get my IP from tail scale as well. And then just put that into the OSC output prefab. I can start sending you my metronome. If you want. Okay. Go for it. I am doing it. Let's me just check if I'm... Oh, I've heard some square waves. That was like a chord. Yeah, that was that crazy thing from before. Oh, nice. It sounds like Mario Bro music. Mario Bro. Singular. No, Luigi. No, Luigi. My Mia. Just like my mom I used to make. Oh, I hear two metronomes. We're doing polyrhythms today. Poly metronomes. Yes. Okay, so let me... Okay, I've got to connect my tempo and swing. And are you... Okay, make sure... Did you set my... In the OSC output, make sure you set my IP for where you're sending it to. All right. All right. I'm surviving through these metronomes. Which port? My... Both? No. Out is set to 12-8-12. In port is set to 12-8-13. Okay. And I'm sending to 12-8-12. Wait, how is... What the... Is that... I just... Okay, go to the... Copy the IP I sent into the chat and then put that into OSC output. In the prefab. Okay, mean discord. Yeah. And then I should be able to send you OSC commands. Which can change tempo and then we'll get the same tempo. And then we can sync the clocks. OSC... Controller. Let me know when I need to be involved, by the way. All right. I think I'm just gonna start a cardinal patch for my own entertainment. Okay, go for it. Or start exploring things in pre-spoke. That's true. You can, if you want to, you can create an OSC output also and send me... Start sending me OSC commands. Okay. Now, I'm... Yeah, I've just... I'm gonna pulse. Are you? Things? I'm not receiving pulses. You believe that, poppe? Art, did you have my IP address in the OSC output? Yeah, 173.253.55. Yes. That's from Kale scale, so that's like... No one try connecting to this IP. I mean, you can. You shouldn't do anything. You can. VPN. You won't... Yeah, I don't think anyone can unless they're on the Kale scale. Yeah, that's a whole fucking point. Sorry for bleep. Sorry. Yeah, so what's... I'm getting a little too comfortable. Maybe I should go get a 0% alcohol-free beer. There you go. I think I'll do, because this is taking forever. What are the two IPs to send OSC to? You and Amfa. You just need to... Okay, so you can send OSC... I'm just going to keep Amfa's to the side in case it comes up, so I don't have to ask for it again. Yeah, Amfa's is... Here, I'll copy-paste it. It's 191... Hold on, where did the others? There, 173.123. Wow, I sure love doing stuff like this live. Yeah, I know it. 0% alcohol-free just means full alcohol, then yes. Yes, it's very smart. That's not a beer, though. That's like a chemical compound, like pure ethylene. Yeah. That's just poison. Did they even sell that? Or maybe it's good if you want to, I don't know, remove some paint or glue. Wow. There we go. Full alcohol is good for removing glue. Coca-Cola is good for removing paint. And also... And rust. And also I've heard clog in your... I also heard it's good... Toilet's pipe outflow. But that's just a legend. Never tried it. This stuff is expensive. Why would you put it into your... Like, there's better... I've used it, too. And I had a rusty relay. And I used it to... Ooh, nice. To call it a little switch. And I just put it in Pepsi overnight. And then it's worked ever since. Just creating feedback loops. I'm going to slap a good old DPL on you with 10 decibels of safety. Okay. I'm now in my left ear. I've always got mine on the master output. Oh, my camera got snapped. Why am I in my left ear? Oh, because there was a battery. Woo, I forgot. Oh, my gosh. Real noise. Real noise. I'm going to go bring... Okay. I'm no longer in my left ear. Let's go. Hello, test. Okay. Hello, test. Okay, I'm now using LSP Compressor instead of MasterMe, because MasterMe is a CPU hog. Wow. These metronomes sure are great. What are you attempting to do with your camera? The poor camera. Oh, no. Oh, no. QJack CTL is not responding. I think I was just streaming to the stream. I mean my voice. Nobody keeps up anything. Like nobody knows what's going on. Nobody controls anything. There's just metronomesies floating in space. We need some... I should actually... I'm thinking the same thing. Just very slightly. Wait, it's going to be better if I do it the other way around. Okay, I'm getting... Hold up. Details. Possibly this is an annoying sound. Oh, we got so sweet poly revams. Okay. Okay, Anfa, I don't know if you're connected to... Okay, I need to make sure... Okay, View. I'm viewing your screen, and then I'm going to see if... Okay. Joe, I've made your desktop visible. Visible. Oh, no, look out. It displaced everything. Everything. Oh, yeah, it got huge on the window. Oh, Lord. Oh, my gosh. Okay, and I got to make sure... Oh, but there is an option too. High... Semi-highlight things. Which might mean... Is that... Maybe we can, like, combat the... No. Wait, now my screen is top notch. Nah. How dare you. Your own screen, top notch. Top of the notch. These are weird things in experiments. All right, so now your desktop is visible. Power user. Excellent. And your camera is hopefully fixed. Mine and John's are in the background, and your camera is on and my camera is off because I'm not showing my face right now. Okay. John, why is your screen so huge? Oh, you know what? I'm just going to squish your screen, John. Yes. It fits in the hole. The square hole. Okay. Excellent. Okay. Okay, do you want to send me OSC? John? For the mixer? John? I don't think I can hear you. Yeah, I don't think you can hear me either. Lovely. We're off to a great start. All right, I'll just get my mixer going here. Okay. So I'm not sure what's going on with the... with the prefab, because you should have my IP address in there. And I think I've got yours in there. I can, like, double check to make sure that it's yours. You know, the best thing to do if we don't know if the network is working is just ping. Oh, yes, I'll ping you. I don't get a ping from you. I'm going to see if I'm actually on the line. Oh, snap. Yeah, I can't ping you. Yeah, so, like, we're not in the same network, so how could we... Start Tailscale if you haven't. Oh, yeah, I should try it. I didn't restart, so it should work, but... John? I don't think John can hear us. It's running. Tailscale Demon runs. Connected. Maybe. You need to look at your admin panel. All right, let me try pinging you again. Admin panel. Okay, I try... Okay, I found... I found you because I copied the IP address straight from the administrative panel. Yeah, it says connected. Okay, hold on, hold on. Let me ping you again. Am I going to ping you, too? I don't see pings going to you. Nope, nope, nope. And it did work yesterday. It was working fine yesterday. Scale that tail, man. Kick when? Okay. Chechu says. I think I'm gonna... Yeah, you know, I'm just gonna cut the metronomes. Yeah, I agree. I'm just gonna cut them from the stream. Goodbye, metronomes. Right? I'm just gonna do something interesting, because I know if I don't, we're just gonna sit here for two hours straight listening to a flippant metronome all day. I know how things are around here. Okay, John, I couldn't hear you, and now I can hear you. Can you hear me, John? Hello. Also, I think there's future voices from streamers. Hello. Yep. Okay. I don't think John can hear you either. All right, so, since... John, can you hear power user? Jo... Jo... Jo... Jo... Jo... John... John, can you hear power user? Hello. Hello. Okay, now again. Hi. Okay, hi. Muted, because I... Yeah. It's... Let's turn back on my ambient piece. A little bit of gain. Oopsie daisy, too much gain. Wow, this gives such a surreal sound. Oh, I'm not on stream? Excellent. Now you are again. Oh, that's hilarious. Yeah. Okay, I'm on stream now. I'm gonna put... Hello. Yeah, I'm putting guys back. How have you been, everyone? How are we doing tonight? Or today? Or... Also, this little buzz here, that's what John was making, waiting for things to... Work. I'm adding another layer right now. Coming in hot. Might be spoke crashed. Lovely. I see, yeah, good background, good background. Spicy. Nice little back on tonight. Something is highlighted? Is it... No. Oh yeah, it is. Why did we spoke crash? I did nothing to provoke it. Why did it crash? Because it likes that. Just causing feedback loops. Blame Sonobus. Yeah. I'm gonna add one more limiter just for you. Just for good measure. Just for you. Just for you. Extra special limiter. It happens whenever I launch my thing, because it creates a feedback loop, because Sonobus doesn't remember which things are muted. You're gone again. Oh no. You're gone again. John, you're doing something cool, but it's not in bespoke. And in cool things, there might, but it's not in bespoke, so yeah. That's true. Alright, might have a feedback loop for a second, but I'll try to stop it as soon as possible. If I could only crop your video. Oh, feeding back and looping, yes. Absolutely. Anase. Ah, the metronomes are back. The metronomes have returned, yes. I'm quieting mine. I'm not gonna contribute to this. Garbage. I mean, love the metronome, but come on. I want something else as well. Oh, that's pitch shifted now. That's new. That's a new dimension. That's a challenge, this topic for a liberal music challenge. Make an actual musical piece in bespoke synth using only the metronome as sound source. I think people could do some real creative stuff. How do you use note table? Oh, note table? It's very useful. Yeah. What do you do with it? You feed notes into it, and what then? Then you remap them. Alright, but okay, so the notes come in from seven to... Yeah. The input needs to be... Oh, right. So now I can just do this? Bespoke has actually never crashed on me until... on stream until now. Ah, so now I can make... I actually don't think it has crashed on me. This is amazing. We got Bespoke to crash on stream for me. Oh, so we can make it play chords. Yes. Oh, that's really cool. Wow. Yeah. I don't know what is the key that Bespoke has randomly chosen. Enigmatic minor. Enigmatic minor. I don't know. What is Pellog? Irojoshi. Let's do... Let's do Irojoshi in D. D? Whatever the flip that is. Now let's try go... Hold on, hold on. I need to look at the... what the scale actually is. So I'll probably try to play a solo in this and I want to make sure it's a scale that I can actually play a solo in. Okay, okay. Show the scale. What is... What is Irojoshi? I don't even know where that is. Is that at the top or the bottom of the list? What's at the bottom? Okay, this is like one of those fake pentatonic scales. Let's use a real scale. Okay, fake pentatonic scales. I dab on them fake pentatonic scales. Let's use... Okay, let's see. This is... Okay, I'm gonna get back when you make up... Okay. Maybe I'm just gonna go with Chromatic for now. Let's use E Dorian. Ooh, there's Random Pitch. Ah, the pitch shift isn't a down... Let's make it speed this thing up. Okay, so what was the key you wanted? Uh, E Dorian. A good key. It's sinking in. I'm just... Paying no attention to what's happening and doing this in the background. Lovely. It's sounding really intense. Oh, nice. I guess it's the amount of notes. Okay, I can make this... Play melodies. Let's make it 16 long. Oh, that's uh... Okay, I now have this... Oh, hold on. I now have this saved to a file. Oh, okay, this is that. All right. So I can press Ctrl S to save the session so it doesn't blow up and take time to recover. Maybe I'm gonna stop this LFO and go with a... I really like this metronome. Yeah, now it doesn't hurt. I mean, it's become interesting. Yes. Let's check if anybody is still watching. Oh, yeah. It seems like 13 people are still here. Or maybe not, because YouTube... YouTube's panel is I think freezing on me because I'm using Firefox and of course it's not gonna work right and it's not Google Chrome. Yeah. Actually, it's 16 people. Welcome, 16 people. How are you finding this stream? Doonite. I wonder if this flashing is in sync with my voice on stream. Probably not. It was, actually. At least on my end it was in sync. All right, I'm gonna send my drone back in. Watching from YouTube? Hold on. No, it was just... what I was doing. Hold on. Okay, John, do you want to send OSC commands to me again? Yes, let me make sure that's still working. Okay, Inst 2. I got... I got one. So I'm using one to... Interesting. Okay, hold on. I'm attaching you to gains. Okay, so this is one that I'm moving now. Yes. Let me give... Let me apply curve. I'm gonna send my drone in. All right. I think I'm back in the audio stream. Yeah, so Beespoke crashed. As it does sometimes when I add an audio send. And you need to add an audio send anytime you want to split an audio signal. Maybe I'll reuse them. And also now I need to connect all the networks because that doesn't happen automatically. This John is doing some really dark stuff. Okay, you know how gains that go from 0 to 4 for each of my instruments. You won't hear anything, so just keep them in the middle for now. All right, I'll set them each to like 0.45. Or like, actually, let's see, set them to 0.6. John, I think you're sending like negative 4.0 love signal to the lane. Aren't you? Yeah, it might be loud. You should turn that down. It is quite flip and extreme, honestly. I'm turning it down a lot. And it's still very loud. I can barely hear anything. All right, I'm muting this. Yeah, do you want to turn it down some more? Yeah. You need to turn it down by like 25 decibels, I think. Yeah. For it to make any sense. Right now, you have gained 0.06. Okay. Do you guys hear my noodling synth? Just, yes, I do hear it. It's very quiet, though. Okay, I can send more of it. I'll send all of it. Yeah, what's cool about bespoke is it's easy to tell when you're about to clip because you just look at the background. All right. So none of my four things do anything. Should we do something right now? Well, they're not doing anything right now because they're just moving gains that don't have anything going through them. Okay, cool. I'll just make it here. Yeah. And then I'll put it back down to... Yeah, just put them in exactly 0.6. You can type 0.6 and then put it into all the slots. All right, close enough. Okay, Anfa. Yeah. Am I able to move your tempo? I don't think so. I did restart tail scale. Okay, let's set it to 87. Yeah, I can't ping you still. Lovely. And then what scale did we decide on? E Dorian, which is basically D starting on the note above it. I mean, everything's basically a scale that starts on a different note. Yeah. Tempo 87? Yeah. Swing or no swing? No swing. All right. And... Okay. It looks like automation on the whole swing. It's on mine, but that's fine. Because it's... Very cool. Yeah. I think we should do more of these streams. Maybe after, you know, half a year we'll figure out something. Yes. Yeah, I know. If we keep running this all the way into next weekend, we may produce sound. I mean, technically we are producing sound right now. That's true. That's true. All right, we've done it. Good stream, guys. That's true. Gigi. Despite my limitations, I don't know how you do it. Test, hello. Test, hello. Something is very... Okay, Anfa, we need to get our clocks synced. So... Let's try. Let's go to the metronomes only. All right. John is still transmitting the drone. I'll turn it down for you. All right. T.Y. I'll just run it straight to my output. Bypass, you guys, will you set this up? Yeah, thanks. Okay. Oh, my God. Just let me... Here we go. John, you'll probably want to get our clocks synced as well. Yes. Do I not have a module for that still? Oh, I deleted it. Okay. Or at least... The OSC. We're just doing it manually. Yep. Okay. So everyone will press... Yeah, just press the reset next downbeat button on Ableton Link or the transport reset button. And three... Or yeah, I'll count us in. One, two, three, four, go. Okay. Perfect. Let's do it again, because I... Okay. I didn't know what to expect. Okay. So... Yeah, sorry. Okay. Ready? One, two, three, four, go. Okay, on go. All right. I don't think that's going to work. But now we can... Now we can get the... Let's see. I need to zoom in on your screen. I think I hear a little bit of... Free verb somewhere. I do not hear free verb anywhere. I think I'm going to hide your desktop, John, because it still overwhelms everything. Don't blame you. I wonder why and... Okay. Unfuck, can you go to your transport module? Wherever that is? It's probably on your left. All right. I've tuned my drone to E. Lovely. Okay. When you get a chance. Yeah. I'm listening. Okay. Can you go to your transport module just so I can see where you are in the four bar phrase? Okay. Excellent. So we're kind of close together. You need to go forwards about a measure with Ableton link. Set the offset to like the max value of the offset to like... 10,000. Okay. So now double that actually. Just go to 2,000. Oh, shoot. Shoot again. Nice. Okay. So now go forwards 150 milliseconds. So 2,150 or so. Okay. So go to 2... Yeah. Now go forwards another. Okay. We are about to achieve enlightenment. Okay. That's perfect. Oh, now you're too far ahead. Keep going back. Okay. Okay. Okay. Perfect. Sweet. Now mute your metronome. John. Escape. I didn't want to overwrite that. John, now you put your metronome in the left ear. Yeah. John metronome in your right ear. Should I disable mine? So it doesn't... Yeah. Okay. Copy. I'm going to view your screen just so I can see where you are in the 4 bar phrase again. Okay. So, okay. Yeah. You're actually pretty close. Yeah. Keep going forwards. Go to like 2,000. Not too far. Really? Okay. Maybe like 1,500. Oh, I see. I see. I see. I don't have any gain on my metronome. Okay. Excellent. There we go. Thanks. Make it slightly more delayed. Excellent. Okay. Excellent. We've done it. My dude is sweet. All right, sweet. I need a third limiter. How? I think your limiters aren't doing anything. No, no, no. They are. Wait, I have 10 decibels of gain here. All right. All right. That explains a bit. Oh, my gosh. Okay. Oh, my gosh. Okay. We should probably announce that we're actually going now. Okay. Okay. John, you can turn your metronome off. Oh, my bad. Yeah, get rid of that garbage. I need some water. So, I'm going to get some water. I had a water bottle that I left it outside. I had a water bottle left about, yo. Shout out to D. I'm going to walk around for 10 seconds. And then while he gets water. We're going now. I don't know. I double click things. We're going now. Should I throw out my drone and do something new? We're going now. We're going now. We're going now. I still have a 10 decibel game. Yeah. It's true art. Yeah, this is a... Okay. I have returned. Welcome back. What have I arrived upon? I just started droning. You started droning. Amazing. It's in E now. Wow. Perfect. Where's Lord Farfod? We're going now. That's the funniest name. We're going now. Let's go. Okay. I'm moving all the transport modules where they belong. Below the game module. Eat the gutter. Eat the gutter. Okay. And, John, you've got all the mixing controls. Okay. Stick to one line. You have only four controls for me. Okay. That's fine. You're... Let's see. I might be able to give you a control for Unfa. Let me try... Out this block. I cannot give you a control for Unfa. And you independently. That is okay. So you'll just have to control your own game. I can... Actually, I can give you controls for you and Unfa. Which I guess is better than you. Unfa. The drums are us. They're clipping. They are clipping. They are very loud. Turn. Put a gain at the end and then turn them down to 25%. Really? Yeah. That's how you hear the drone. That'll get you the perfect volume level. All right. Yeah. Yeah. It's 0.25. Oh, the drone is getting a lot quieter now. Yay. Good job. Yeah. I turned it down so then we can... All right. All right. No more drone. Okay. All right. It's so sad now. It's so sad. All right. Bringing it back. Oh, no. The drone is back. Yes. The drone. It has to return. The drone. We'll start a check on this drone then. Oh yeah. Epilepsy warning. Yeah. Just get that out of the way already. Sorry. I should have twitched it now. Sorry. Sorry. I should have twitched it now. It's so sad now. It's so sad. All right. Bringing it back. Oh, no. The drone is back. I should have twitched it now. Yeah. Our man. Can I make a beat to this drone? I hear some slight chaining. Yeah. I've done that. Is it right? I did that to my own drone. Chaining of the slides. John, I can't see your screen. It might be just a me thing, but I can't. Let me... I'm sorry. I actually refreshed it. All right. Oh, I fixed it. All right. I clicked the funny refresh button. Also, I have your screen cropped so I can only see if you spoke on it. Just so you know. Fantastic. Yeah. My screen's a bit redundant right now as it has your screens on it. So sorry about that. Oh, it's in time. Oh, yeah. Fantastic. Let me know where you route instruments you love. Oh, these are synthesized, right? Yeah. Yeah. Okay. So I've got drums on one. Drums on two, pad on three, and lead on four. I probably should have just had you label them like that, but you can... Wait, don't change the names like that because then I'll have to re-bind them. Just put the little Comet module out there with their actual names. So we got drums, pad, lead, bass. Yeah, drums, pad... No, drums, bass, pad, lead. Past them. Okay, let's make an apocalyptic house because this is what is going, I think. Apocalyptic. Oh, no. Apocalyptic house or doom house. It's almost witch house, but witch house like isn't house. Because it's a witch house. Yeah, it's a weird genre, but this is definitely a witch house kind of drone. All right, drum beat is changing. Increase the resolution. You can insert accent things that could be added. John, can you turn the side chain off on yours? Yes. Thanks. I'm doing it on my end now. Ableton Link did its job. Wow, good. He spoke lagged because I added a module and then it adjusted itself. I know, it's kind of funny. It like speeds it up and then it slows it down. Yeah, but it's really nice because otherwise it would be pretty not great. Trust me, I know. Ask me how. Don't ask me how I know. John, can you make the pad wider? Because I'm going to put a basin. Oh yeah, can you... We should probably have some routine of like meeting things that have been playing for a while. Like fading them out and like making room for new stuff. Because if not, we're going to just pile on sound and sound. Yes. Okay. I'm currently in the process of making... Should I load the bathtub? Yeah. I'm heavily considering this. Okay, first I'll get the control hub. That's always a good first step. Oh my gosh. Okay, I need to get something else too. All right. We are getting started. It's me. Oh, it adjusted. Good. Good job, Ableton Link. Nice. Shout out to Ableton Link. It's open source. It is. Amazing. So Falk the Excellent one told me that, yeah, it's open source, but these people are just C++ wizards, so you can't really understand how it works. Even though you have the code. That's funny. I feel like something slightly out of sync still. Yep. Now the apocalyptic house is falling apart. No. Okay, is it better now? More spaces. Oh, nice. Oh, pitch remap only. Takes so many things. That's impossible. Always glitch effects. Not what I was hoping for. Okay, there's a different solution then. Oh wait, these are both flaps. Oh, we're drifting apart. My metronome is in the right ear. It's completely screwed, man. This is bullshit. Did I fix it? I think I fixed it. Did I fix it? I think I'm still like a quarter note behind. I'm just moving my clock, which I'm not actually really supposed to. Yep. It's coming mess things up. Well, it makes it so it's de-sync to the J2G. Yeah, but she's not doing so much rhythmic stuff. Yeah, I'm not worried about rhythmic at all. Yeah. Maybe we should just put these drums for a low pass filter and the reverb and the delay and the feedback and start going apocalyptic ambient or maybe not even apocalyptic. I'll miss the flashing lights. Because I get your drums really loud. Yeah, you should not try to put effects on it because you don't have the master bus. I don't. I put effects on my stuff. Oh, okay. Whoever has their metronome on, you can turn it off, man. You should have an experience. I think I'm going to turn down the voice. We need a global metronome mute button. Yeah, really. I've turned off all the emitters. I don't think my drums are doing it. Oh, I love your drums. There's a little ting in the background. Ah, yeah, okay. That's just a crash thing. Amazing. It's perfect. Keep it going. That is certainly one way to put it. Now, the drums are there. John, how are you doing? Anything changing for the past 20 minutes? Oh, I've been changing things. I've removed all the sub-bass, pressed it, and then I am... I didn't notice because this is slow change. Okay, I'm going to do something I should have done a long time ago. I'm going to make a chord progression. I don't know how that's going to work out. It's good. I need to... Oh, I need to do... Yeah, I have no idea why we're drifting. The lone crash is okay, but the rest is... This is going on pad, by the way. John is our mixing engineer. Oh, you've got multi-track audio sent to John, and John is mixing that and goes back to... No, he's driving your mixer. Yes, VOSC. We'll set up multi-track to me into Return later so I can fly processing to stuff. But that was a... Yeah, so I've got... Although I can't control your levels, so you have to set your levels. There you go. Okay, I'm moving my camera. Oh, I made a change to my thing here, and I forgot to save it. Darn, I'll have to get that ready for next time. So many modules. I'm getting 11 FPS, and I'm only at 26% CD. So many modules. Oh, now my clap is off again. The sync keeps drifting. Oh, I added a big prefab. That could have been what happened. I don't know what... My Ableton link seems to think that it is in control of the tempo and makes everything else sync to it instead of the way it should. That kind of syncs it. So, if I add something, I'll try to avoid adding things now. No, it doesn't sync at all. I mean, I synced it for three seconds. Lovely. It ain't gonna work. Yeah, let me sync it. There. Oh, it's in time. How... I made it in time. Fixed my sync. Okay, now you make yours fixed according to this. Move it forwards like double and a half. It's like 2500 again. Okay, I made it synced. Nice. Let's hope it's going to stay synced. I wonder, maybe it's that umpho with the snare? It is umpho with the snare. You want me to turn it off or something? Just turn your master down a bit. Oh yeah, that snare is very loud. Sorry. Oh, it's drifting apart. Hold on, I'm moving it. Okay, there we go. The snare is better now? Oh my gosh. This isn't syncing. TDS, super slow down Russian disco. That would probably qualify as... Hey, when I play something, then it's on the long four by phrase. Should I fix this or do you want me to? You should probably fix it. Okay, okay, that's our chord progression. Now to make it actually not terrible and cold. Oh my gosh. Umpho, if you want to make something in time with... or play something in time with the music on your end, don't put it through Sonobus and then you'll hear it in time. Okay. But then just remember to write it through Sonobus once you've recorded it or something. Okay. Alright, we'll do our best to let it not blow up. Are you kidding? Okay, I would normally send you these chords over OSC, but because OSC isn't working, I can't. Yeah. Oh, I just remembered. You can minimize modules and prefabs to make it more performant. Ah, yeah. So I'm going to go minimize like up the dream and prefab. Okay, I hope the audio has been good so far on the screen. If it's not then I guess we'll have to say goodbye. Alright, it's time to give these build-ups a sufficiently low-fi drum. It's time to make some changes. Oh yeah, pro tip, don't use the 16-length looper. It does not work. It will probably crash. I think the drone needs to be less stereo, and possibly, could you maybe move it up and octave? I'm guessing it's probably hard to do it. Make it so your voice doesn't trigger the sound. Oh yeah, Anta, do you want to just send your voice over the normal son-of-us instance so it doesn't trigger the side-chain when you're singing? So I put everything out. Then you get delay. But you can put the delay, or just don't put it through that one yet. And then we have a transcape. Right, it's like one of them. Loading Vitalio. It didn't crash. Opening the GUI. Didn't crash. Don't do acid. What are you saying? I'm adding full smooth to all of the mixers. I didn't do the honors. Set everything to zero. Set maybe the drums to zero. You just set it to zero. You don't even worry about them. No team. Maybe next time? Yeah, we did manage to get it working in the end. Oh, you're going through the master still. Anta, your mic. Oh boy. Well, hey, that was pretty amazing. We did it. It worked. And we got a chord progression going. And I hope it was an interesting chord progression. I hope you all liked it. System state online. Yes. I know. No pipe way or back end crashing this time. I'm not using pipe way right now. Neither am I. I had to launch bespoke with also and then soft zinc it out into Jack. Oh my gosh. Thanks for saying. Falk is the unsung hero of 100% of Linux streams. Yes. Hero of all of open source audio. Yeah, for real. Yeah. Well, hope everyone enjoyed fun times all around. For sure. I think that was pretty crazy. Yeah. That was your first time doing something like that? Yeah. I never did any collaborations in bespoke. And like, yeah. Nice. Well, hey, first time for everything. Let it not be the last time. Yeah. It was fun. We'll have to do another one soon. We'll have to work out our setup better. So I think we like, I think we got a lot done during the first like half hour figuring out what our setup actually is. Yeah. Yeah. I think I have some ideas of things to fix. But for the most part, yeah, I think now bringing in other people's pretty straightforward. Yeah. Yeah. Yeah. We've for those of you who are unaware. John the Bard and I have been doing a jam session a bit. We're hoping to bring lots of people on. At least I know. Yeah. I am sure I'm looking forward to bringing lots of other people on. Oh, yeah, I am too. Excellent. That's good. Ideally we could have like a massive jam. Yes. That was the intercontinental jam session. X ANFA. ICJS for short. ICJS. Excellent. I like your colored light you've got there ANFA. You mean the flashing things? Yeah. Well, what if you just change to make yourself blue and then normal color on the camera? That was the white balance. Oh, okay. I see. I was trying to get it looking right. Ah. Well. I can show you what I've been messing with recently and that was this thing. Ah, yes. That's your Raspberry Pi flashy LED light thing. That's the flashy LED thing. Very cool. Very flashy. Very flashy and very LED. Now what? Oh, I keep the camera on. Drone and end of the stream. All right, the stream can end now. Good work, everyone. Okay. All right, yeah. Well, with that, thank you to everyone who joined us for the stream and we'll see you some other time. Hopefully not too long from now. That was pretty great. Thanks again, everyone. Thank you ANFA for coming on the stream with us. More like you coming on a stream with me. Oh, I mean true, yeah. You're streaming separately, so it's like we're both streaming and yeah. We're all on each other's streams. Thanks everybody for coming to my stream today. It was a pleasure. Thank you for coming to mine. Thanks for coming to my stream. You're welcome. Thanks for having us. We need all shake hands at the same time. Three-way triangular handshake on the way down. I can't see your camera, John. I'm sure you're shaking your hand. We're missing your video. Yeah, I know it. The camera turns its auto brightness all the way down and it turned it all the way down and I didn't want to fix it. Let me see if I can get it right. Yeah, it's dumb. Maybe I can fix it. Let me click the video button. There I am. Hello. Oh, there you are. Yep. Oh, hold on. Room's a mess, but that's okay. Okay, yeah. This video.ninja director view is so cool. Yeah, everybody. Yep. Yep. All right. I'm going offline. Bye-bye. Bye. Wait, where's the offline? Oh, there it is. Ha-ha-ha. Goodbye. See you. Still streaming. Still. I am offline. Still streaming. You are not. I'm offline in at least one place. Not here. Okay. Wait, where's my camera off? Did someone delete me in video.ninja? I did not. I don't know what's going on. Okay, I'm going to just disable things. Just press stop. Just make it stop. Make it stop. Okay, I should be offline now. Nice. Whoa, man, that was really interesting and cool. Just very unpredictable. Yeah. Now you kind of see what I was saying, why these streams take so much longer to set up. I don't know what it is, but something about collaborating in bespoke takes ages to get working. Oh, my gosh. Once it works, it's really cool. Yes. There should be a way to have a setup that just turn it on. Let me tell you what it is. I don't know yet. It's called ray session. Ah, okay. We just need to figure out how to sync clocks and then we'll have an even more automated setup. Yeah, there's definitely a way to do this that takes under six minutes to get us going. I'm still live. How am I still? No. I'm still live? Did you stop streaming in OBS? I can't stop streaming on YouTube. Oh, my God. Lol. Nice. Well, at least we didn't say anything incriminating. No, I don't think so. I don't know if we did. Setting up bespoke gems for hours isn't... Yeah, we're still on. Amazing. Amazing.