 Alrighty, new shot here. Let's check this out. There's no sound. It's fairly short. You can play twice and I think it's definitely promising So I do like the attitude that you have in the overall Pose and I like this. I like that twist here Fists it's getting ready. The only thing I'll be careful about is you have all this information here. I mean this Couple more easins and outs and breakouts, you know, and splining that was gonna be definitely interesting You have good speed Going over so careful that I think it works already pretty well is that it doesn't just stop like he goes Takes that step here turns and so it continues to go to the right. So when you go here, make sure It feels like it goes mostly back and maybe this way just this could be more to the right where he might even be slightly on What's it called a weight shifting onto that leg and then when he sits down, he might come back to his right Just you don't you want to have the root move this fast and a panel suddenly stop It's going to go over and back a bit as He takes this step right this step at that angle which again, which is great stops this This momentum and the energy and the speed and everything. I'm looking for words quite to the right. This will stop it, right? I'll make sure it doesn't just stop on a dime a big concern that this will in the front view look just like that versus like that The biggest thing though, hey, this is a bit uncomfortable. I know that poses with that Hand I'm actually acting on my own here. I have that a bit more Kind of lefty, but this that's definitely what happens, but I have the other hand inside So if you go like this That wrist goes in here and the fingers wrap around here And that's fine. This goes wrapped around like that Just I would tweak that for sure But my biggest concern is you go from here to here. That's a lot of information missing Yes, he's mad. Yes, it's like a cartoon. He found you can have a forceful sit down But I think what you could add in terms of a bit more I know this could be too much depending on that is rigged, but you know the chair Legs can squeeze out a little bit imagine this kind of goes down And then back up just over a couple frames Because that might be weird when you have this much energy Then going down that nothing's happening there. So he might even be Too much on one side where maybe the chair wobbles a bit to the side. I'm exaggerating but something like that It also feels like I mean as an exercise is totally fine. If you continue it's almost like you want one more beat He's mad mad mad sits down and then at the end Either he was kind of overshoot and come back Or he would just sit Hold a bit And then go up and then maybe I mean you could also have This maybe and then go into the thing where they're more like that Or actually out like this And then he holds he holds that pose a bit longer Right arms out and then goes And then goes up mad Like the nose the nose is up a bit curved and then the arms crossed like mad And maybe even looking over to the side It just feels like it could have one more pose at the end for a little of attitude thing But that's mainly that I mean, I don't know I feel like that's headed in the right direction You're asking though What you could add here seems too generic. I mean it is I don't know. It has an attitude walk turn sits That's a lot of You know, it's a lot of mechanics in there. I think that's definitely worth Splining out and really making sure you still got that harsh energy on the stomps, right? You don't want this to be Spliny so you're gonna have a fairly harsh hit here on on the spine That'll be a little impact tremor here on the head He's not going to be all loose because he's stiff. He's angry. He's tense. I think that's definitely worth Um practicing and then you could do something where he's maybe Again, maybe tweaking just the arm poses and then adding something at the elsewhere at the end where it's something else What's more personality driven Which is already there, but I think maybe something in the face I'm not familiar with this rig. So I don't know how much you can do in there You're also proposing an alternate Where a guy sits down in front of a tv after a long day and just as he's about to turn it on the power goes out I mean Could also work. So I would assume if you say a long day that I mean the person sitting in front of a tv is definitely Has been done a lot. This is my tv drawing by the way And maybe that's more like a long couch Just the mechanics are totally different just be totally different acting Which is fine, too. I don't know to me. They're both super valid You're asking though. You want to figure out how to do the eyes in the dark things. So basically You just hit seven. That's my seven american seven european seven whatever in maya And it gets all black right no lights look at all dark And then all you have to do is take your incandescence of your white in the eyeballs and turn it all the way up to It will be just white So play blast that and then play blast one that's completely black with just his eyes showing and then when it Delights, you know switch off you just cut that footage and cut to the next footage and keep it fairly simple But that's kind of that I don't know I can see something really fun in there Some little wobble on the chair with an attitude change It could be something interesting where he sits down and holds And you're wondering was you know, you would think that he would then get back and get another pose or something And that could be an interesting hold in terms of expectation You can also hold again have arms out shoulders up and going And then full contrast of him going slowly back And then actually going hmm arms crossed And then one leg like that and goes hmm and maybe knots where he he was mad thought about it Still kind of mad but kind of kind of kind of difference, you know or like this and then he goes back And has a big laugh Whatever that is, you know, I mean you can you can change the ending For a huge contrast which might be fun to animate as well So for me worth exploring at the same time, that's a royal we as in we should move forward You're doing the animation So if you don't feel like I don't know it's kind of boring I would do something else like it's always important to have fun with the shot Since you're doing just exercises might as well do something where you're excited About doing it. Yeah. All right. Thanks All right There's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you