 Mae'r pasiwn i'r past yw'r ysgrifennu i'r ddweud y gallwn gwneud. Mae'r spelau a'r prêl sy'n sylwgr o'r brif yn y bydd yma'r cynyddiadau'r cynyddiadau. Yn y gallu hynny'n ei wneud? Mae'r cyfrifio'r ysgrifennu o'r ysgrifennu o'r ysgrifennu? Mae'r cyfrifio'r cyfrifio o'r ysgrifennu o'r cyfrifio o'r cyfrifio? Mae bwysig iddynt rhaid am yÙl, iddynt iddynt, yw'r cyfrifio o'r ysgrifennu o'r ysgrifennu? Na, mae gennym fresh wnaeth bod yma'r cwytaeth a'r bydd gennym bwysig? Mae yna yw rhaid i'r cyfrifennu, ddweud beth mae'n rhyllys gallwch chi ceisio fod yma â ymgylch a chyfnod y gallwn neid. Yna eich imitation hwnna'i chwestiynau nad yw i chi eich cwysig ddiwethaf bydd ymgarwch a'r bêldau. Ond, How did they move and shape such stones? If the Y is the Taurus field as laid out in the Squaterman question, then how exactly will they doing this? What technologies have been lost in the timeline of humanity's cataclysmic struggles? Quick to hear this. The Great Recycler, the Earth. Imagine if something that once belonged to you ended up in a museum in 7,000 years time. This is exactly what is happening in the recovery of the past, the Shijir idol. The oldest wooden structure recovered from the past echoes of time and possibly showing plasmatic displays in a 9 foot display of ancient art recovered in 1890 in the gold mines close to Siberia, with some features characteristic to the Easter Island Moai and even that of Gobekli Tepe. Scattered amongst the geometric patterns are eight human faces, each with slashes for eyes that appear not so benignly from the front and back pains. The topmost mouth, set in a head, shaped like an inverted tear drop. It's wide open and slightly unnerving. According to the cultural heritage department in Germany, the face at the very top is not a passive one. Whether it screams or shouts or sings, it projects authority. Possibly malevolent authority. It's not immediately a friend of yours and much less an ancient friend of yours. In archaeology, portable prehistoric sculpture is called Mulbilliae Up, with the miraculous exception of the Shijir idol, no stone edge wood carving survive. The statues age was a matter of conjecture until 1997 when it was carbon dated by Russian scientists to about 9,500 years old. An age that struck most scholars as fanciful at the time. Skeptics argued that the statues complex iconography was beyond the reach of the apparent cave dwellers of the time, unlike contemporaneous works from Europe and Asia featuring straightforward depictions of animals and hunt scenes. The Shijir idol is decorated with symbols and abstractions showing visual representations still ritualised by tribal authorities across the world. In 2014, a team-handed group of German and Russian scientists tested samples from the idol's core, uncontaminated by the previous efforts to conserve the wood using accelerator mass spectrometry. The more advanced technology yielded a remarkably earlier origin, roughly 11,600 years ago, a time when Eurasia was still transitioning out of the last ice age, according to educated estimates anyway. This statue is almost twice as old as the Egyptian pyramids in Stonehenge, as well as by many millenniums, the first known work of ritual art. In your study further skews our understanding of prehistory by pushing back the original date of the Shijir idol by another 900 years, placing it in the context of the early art in Eurasia. The idol was carved during an era of great climate change, when early forests were spreading across a warmer late glacial to post-glacial Eurasia. The landscape changed and art, figurative designs and naturalistic animals painted in caves and carved in rocks did too. Perhaps is a way to help people come to grips with the challenging environments they were now encountering on earth, documenting plasma field events. The Shijir idol, named for the bognir Kirovgrad in which it was found, is presumed to have rested on a rock base for perhaps two to three decades before toppling into a long-gone paleo lake, where the peace antimicrobial properties protected it like a time capsule. In the mid 19th century gold was discovered beneath the mire and the landowner count Alexei Stenbock-Fernmore and he hired labourers to mine the open site for ore, instructing them to save any objects they may unearth. Ensure enough, 13 feet down the idol was discovered and retrieved in 10 fragments. The pieces were carted 60 miles to Yecaterinburg, the city where 28 years later, the last star of the Russian Empire and his entire family were executed in cold blood. Dr Terberger and his colleagues have now settled this question in their new study. They now know that the timber was at least 159 years old when the ancient carpenters began to shape it, demonstrating conclusively that the larch was a literal tree of knowledge. Given the speed with which larch logs rot and warp, the researchers determined that the idol was fashioned from a tree that had been just cut and from the widths and depths of the markings the researchers deducted that the cuts were made by at least three sharp chiswls. If some features of the idol clearly resembling gobekle tepe, you must consider the global cultural question. Were these people overwhelmingly influenced by cosmic events to such a degree that they seem connected globally?