 So here's a GH5 with an Amorphic lens set up right here at TILTA, and who are you? Hi, I'm Joe. I work over at TILTA. I'm the Creative Director from the US. And can you show us around the carrier on the show? What is this product here that you have here? Yeah, so what I have here is the G1 with two optional accessories, these wooden handles. We have a cable to run GH5 and A7S and run stop the handle from the handle. And what is this controller here? So we have three different modes on the G1. If you tap the front button once, it goes green. This is our pan follow mode, so if you pan, it'll pan with you. If you tilt, it'll tilt with you. We have an app as well to make that go faster or slower depending on what you want. And then if you tap the front button twice, it goes into red. This locks the tilt. And so now you can do flashlight mode. You can go all the way down to the ground, all the way up into the sky, and do boom type, gym type shots. If you tap the front button three times, it goes blue. And this is our chicken head mode, which is fully stabilized. You can turn around, it would stay looking forward. And then from the thumb toggle here, you can tilt and pan. And it's the same you have right there with the Sony A7S? Yeah, so this one's rigged up with our Sony A7S and our new prototype follow focus system for Gimbles. This is your product right here? Yeah, so as you can see here, it's just attached by a hot shoe. The motor is right here, runs off the USB and then one 18650 battery here in the MDR. And then it's completely wireless to this hand unit. And you can full focus. Can you carry it up and show a bit how you would do that? Yeah, so you can pick it up, you can select your mode, and then you can full focus. So that's a steady manual focus solution right here? Oh, wireless. So what's special about this product? How is this special in the industry? Well, on top of that, you can hand this. Normally when you're doing gimbal work, you want to have someone off to the side as a first AC pulling focus. And so you can do the same thing with this, you can give this off to your first AC, and then you can focus on just operating. Is there any way to get the HDMI cable out and still be steady? If you want to use external kind of displays and stuff, what could you do? Yeah, we have different accessories for these rosettes because there's two standard rosettes. And we have this DC in and out here. So you can use the gimbal itself to power things like limo boxes or p-tap boxes. And see here we have an example where this cable is powering the camera from the gimbal itself. So you don't have to do it this way, we just wanted to show that that's possible. Does that make the camera lighter or can you take the battery out? I can't exactly take it out without removing it. But I mean, this could be a dummy battery. It is a dummy battery. So there's a dummy battery getting power from the gimbal. Where's the battery? The batteries are in here. There's four 18650 batteries right here. Could you even add more big batteries down here if you want? No, there isn't room for additional power. We do have these handles over here that also contain the four batteries. And you can get two of them for both sides. And that can be doubling the power. What's this product here? This is the exact same gimbal. Connecting stick for me? Yeah, it's just showing that this follow focus can be powered using this handle. And this handle is even more prototype than everything else. By the end of the month, we should have the toggle that's here on this handle as well. So you can control the gimbals, pan, tilt, roll, and follow focus. Can you explain what this anamorphic setup is? What is the, how do you build this? Well, the anamorphic lens here, that's not tilted. That's just something that I like to do as a hobby. So you've bought it from different parts, you put them together? Yeah, so the idea... It's way more affordable than trying to buy an anamorphic yourself. It's not like ingenue. Yeah, from Panavision or trying to get a set of cowas by yourself. It's like 300 and something. Yeah, so I mean it's... The Metabones adapter here is just so that I can mount it to the camera. That's the most expensive part. No, the anamorphic piece here is a pretty expensive piece for the anamorphic element. That's the cowabill and how old? Times two. Which everyone claims to be at least one of the best ones from the start. Who's cowa? Cowa is it like from where? Japan. They're just a Japanese lens-making company. Oh, it is a very old one. Is it from the 70s, the sample? More than likely it's... Yeah, it's a very old projection anamorphic. Is this something that would be used for projectors? I believe so. Yeah, I believe it was used for projectors at one point. And then you have... I have a vintage lens here, which is the Primo Plan 5. It's a 58 F 1.9. And so then the anamorphic effect is awesome, but the problem is how do you focus? Right. Well, so in this situation... You mean those things for that? We might be able to. Since that's still prototype, I don't see why we couldn't try to play around with this idea. You don't too, right? Yeah, right now you have to just double focus. So what I usually do is I just set it to the minimum focus on both lenses. And then if you're tracking a subject, keep that subject that exact distance. And then you can walk around, do profile, do tracking shots, orbiting around them. Because if it's dual, you have to focus twice. Right. So how would you, in one little thing here, make it work for two? Is that possible to imagine a scenario where you would just have only one that kind of sinks both of the pooling? There are other adapters out there that allow you to set both lenses to infinity. And then you can use that as your focus. It's a diopter that goes in front and then you can just pull focus on that and it's a single focus. So how much is this setup? How much is it cost? It's a G1 by itself without any accessories. The Starter Kit is $9.99 US. It comes with a hard shell safety case and custom foam mount. How do you compare with what DJI or some other companies have? Well, from the most part... Are people very excited about this? Yeah, we have a payload that's usually way higher than anybody else. Actually, right now I think we're the highest payload that you can get right at this moment. At this size? I mean, we can take it about three kilogram payload, eight pounds-ish. We've done a 5D Mark II with a 2470, had no problems. We've also done a 1DX with a small lens, I think a 14 to 24 Samyang. No problems. The bigger and taller you go and the longer you go with the camera and the lens, it really isn't dependent on the weight. It's dependent on the length. So the longer the camera, the heavier the glass, the more you have to push everything back. And then that kind of gets too close to this motor. That's the limit in how big you can do? Yeah, I think right here is a good example of the length that you can achieve. Our motors are very strong, so you can force them to overcompensate. I wouldn't recommend doing that. But for the most part, this length is kind of maxing it out. So it's not so much weight. It's mainly trying to find the balance of your lens and your camera. Where are the motors in a system like this? So there's three motors. There's one for the pan down here. There's one for the roll, which is up here. And then the tilt, which is up here. So that's three-axis stabilization. And how's the battery life? Because I've seen some of those systems that run out of battery pretty quickly. Yeah, so if you're not powering anything else, there's four 18-650 batteries in the handle. And that lasts about 10 hours. 10 hours? That's plenty, right? That's much more than the Sony camera. Actually, yeah, when we were shooting our stuff, the Sony camera on the gimbal, we switched the batteries out three times. And then the gimbal, we didn't change at all. Actually, I think that's why for this show we've decided to plug it into. Let's check some of the other stuff that Tiltai is doing. So you don't only have small systems. You have pretty... What is this? So what you see there is the Armourman and our new Gravity. Let's go and find him. He's running too fast. So Tiltai, is it an old company? How long have you been doing these kind of products? Let's go around. The screw wasn't connecting to the... Can you explain what's going on with this one? How many motors in this one? Same. Three access motors. One for Tilt, one for the pan, and then one for the roll. He's just using the Armourman, which is our stabilization system, to be able to lift something that heavy. Because obviously when you're trying to use heavy rigs and heavy lenses, like big anamorphics or big zooms, everything gets incredibly heavy. You have to also put a big battery on it and power it for a long time, and then trying to carry that thing with their hands. Is that the same one that's over here on it? It's not the same, right? That is the exact same gimbal. So it's the gimbal that's the same. That's just a bigger rig and a ring to hold it. And then you have mounting options for our new gimbal. Let me try to catch it. It's cool to have these arms. Is that innovation or has it been seen before? Yeah, I mean... Do arms in both sides like that? There are definitely a bunch of rigs out there. I'd say that ours is probably the most compact one and maybe the coolest looking one. You have the coolest looking one? Yeah. How much does that cost? The whole thing. Let's see. The gimbal, that is version 2, so I don't have a price yet on that because it's still prototype. The armor mando is... I'd have to... let me see this. Okay. Just checking over here while you check. Let me go by you here. You think we're coming down or not? It's an arm solution. Yeah, yeah, I understand. So how much is it? 2,250 for the armor mando. So all this stuff sounds like it's too expensive? No. Right? Yeah, that's one of the best parts. You have the best value? Is that what you're going to do? Yeah. I mean, he says it better than I do. That's the strategy. How do you make all these engineering... How do you do all this stuff? How do they do all this stuff? Just think. Just think about it. Just think. Yeah. And where's the headquarters? Shenzhen, China. So do you also keep up with the quality? You want to have the materials, right? How's the strategy to get the quality? Well, I mean everything that you see back there is designed by a small group of people that really care about stuff and want to make sure that it's the highest quality. And so how popular is this? Are there many, many customers around the world? Yeah. We have so many distributors all across the world. We're here at IBC right now. And we have headquarters out in the United States, California and Burbank. And... That's near the Hollywood stuff, right? Yeah. We tend to do a lot of work with big crews and other big companies that do pretty big productions and they like our stuff too. So I'm guessing you're busy? Yeah, pretty busy. Busy getting everybody hooked up with your solutions? Yeah, very much so.