 Thank you, I would thank you to be here. Sorry my English is not that good so there's my friend Isabelle, she will translate if I need, if you need. I'm Zuleikabou Abdullah, I live in Paris. I'm from Algeria. I moved with my parent for living for study in Paris. So I was born in Moscow so you can understand that it's quite complicated the question of identities for me. So that think you can see through my work but I hope that it's more complicated than this issue of identity. I'm gonna speak about the video that I show here in the Global Feminism. It's Don Song, Let's Dance. You can see a belly of a woman come in the screen and she starts to wear a scarf. The first one is blue, the second one is white and the third one is red. I hope that you can show the French flag and after that she starts to, the sound of the Marseillais start and she starts to dance, to make belly dance. Yeah. I want to, in my work I used to mix things opposite. Here I opposite the two concepts of art. Eastern conception and Western conception. What I mean by the Western conception, it's conception of art that you can see in the painting when you can see the nudity and in the art Islam, the nudity, it doesn't exist. So in the painting here I'm making a relation, a link with this famous piece of de la Croix, La liberté guidant le peuple. When you see a woman, when you can see her breast and yeah and I make this opposition with the French-European painting and the concept, how can you say that? The art Islam style, which is the arabesque, it's a form make with curves. So I make here the opposition with horizontal line of the European painting and the arabesque, you know, which is with curves line in the art Islam. Of course, this video talk about, not only about this question of painting and the conception of art in Islam world and in the Europe and the Western world, but again about the question of exotism and nationality. So because I'm Algerian and I'm French both, I'm both and but in France I stay, I still Algerian because my face or because how I look, but for me I'm both and don't want to make any any any choice and people don't really understand that because for people I have to choose. So I made this video, it's like for saying that I really like the concept, the principle of French flag that wishes liberty, freedom, equality, and I think that those three principles are very exotic for people all over the world because I think that no one respect that really. So for me, I make this issue with the exotism of the belidance. Yeah, in this video, it was the first, sorry, this, the name, okay don't sound in French, in English, let's dance, make let's dance. Okay, sorry am I English so not that good, that good, sorry. And this is the first video that I made and it was shown in Biennale of Dakar in 2002 and here you can see that I start to work with this question of opposite, two things opposite, here dark and light, women and men, and this question of men and women. It's a really short video so I'm gonna, come on, do you see full screen like this? So as you see in this video, a man is on the light side and women in the dark side and when she decided to cover his face, she covered herself as well. So she put him, she put herself and him on the dark, in the dark. This is another piece with the light and dark, she's a wedding dress and in three minutes she became dark. A symbol of l'odeuil. Yeah, thank you. So what I can show you because I just have two minutes now. Yeah, this is another work with question of veil but it's a veil of bright, thank you. Yeah, the woman, she looked, she looked her face and she took off her veil and she put it in on the, the reflection of her face. So the situation here is still the same and the end of the video. I mean she's still in the prison, you know, like veil, I like prison. Is that not, that doesn't mean that I'm against marriage or something like this but of course for women, in the woman life, like the question of marriage still in Arabic world or even in Europe, even in America, it's still like the step that woman should pass through it. And yeah, and I of course as a, as a woman, I asked, I made the questioning of this, of this, yeah, of this situation. So I just, we're gonna show you some other words like photography. This is a couscous spot. I don't know if you know the couscous, it's a famous place in North Africa. And I put the, I made these photos with the, with the post, like to be present, you know, in the cliche, you know, like when people see you, look at you, look at you as a North African at all and it's all. And that's, it's for me quite stupid because when I, I lived in, when I, I had a residency in South Africa where I stood there like for three months. And the question of identity and the, for, for, for what we look for the physical, physical question, it's for me quite stupid because there white people considered me like French, black people considered me like African and colored people thought that I'm colored as them. So you see that the question of color and physical, typical physics now it's not, yeah, it's not for me the issue that we have to struggle with at our time, you know, but it's not the case. It's not the case. Yeah. This is again question of black and white. You know, the, the speaking, the TV host, no, she's, she's, she's a journalist. She's very famous in France. She's very famous in France. In France, her name is Claire, what does that mean, light, you know, and down you see a black Lex and the middle there is Claire, that means light is black, you know. Yeah, I have to finish. This is a photography of my family at this wedding, and there's only women in this, no, this wedding, this party. And I put the name of, I don't know if you recognize Lady Jessica Suelen Pamela, the actress of the, this famous Dallas, TV show, thank you. And the name of this piece is City Dallas at Wadzinati, Wadzinati is a village in Algeria. So you see that all over the world, the women are like still the, yeah, I mean, I want just to, to say in this photo that even in Algeria or in, in USA, the, the, the question of group of women still the same. I don't know if I'm disabled. Thank you very much.