 There are many intriguing ancient ruins still to be explored, still in existence dotting our planet, many of which are yet to be fully explained. Enigmatic stone carvings, and often tool marks left upon quarried or cracked or broken stones, each indicative of lost technology and thus a lost civilization. We have in the past covered a number of these ancient anomalies, the plain of jars located in Laos, being but one of these extraordinary sites. Enormous stone jars that would simply be illogical to create in the modern era, yet would have been even more illogical for our well-studied, yet far less capable ancient ancestors to have created them. Why these mysterious sculptures were created, and possibly most important of all, when they were made, is an enigma still left within our past. Even the Kachari ruins are of no exception, a set of stone ruins located in Dimapur Nagaland northeast India. According to academia, their history dates back to the 10th century, when they apparently appeared during what is now known as the Kachari civilization. According to this hypothesis, they were created by the Kachari Kingdom, which ruled the area before the Anam invasion during the 13th century AD. They are a series of mushroom dome pillars, which, just like that of the ancient jars of Laos, their original purpose remains a complete mystery. And although of considerable size and weight, are still considered to have once been a part of a game similar to that of chess, yet any explanation of how these enormous statues were moved remains conveniently unexplained. As expected, due to their inexplicable nature, the site has been largely overlooked by funded academia. It seems that the fact that these remnants are clearly indicative of a civilization of tremendous capabilities, including the refined finish of the sculptures, has meant that academics simply avoid discussing or exploring the site in its entirety. Not only is the site neglected by academic study, but the vast majority of these ancient artifacts have unfortunately crumbled during their long life, which has led many alternative researchers to volley against the Indian government, demanding that more be done to protect the site and to subsequently avoid the ancient site from suffering even more erosion or of unfortunate vandalism. Who created the Kachari ruins? When were they created? What was its original purpose? What seems, regardless of these questions being of great historical importance, what is apparently more precious to funded individuals and the institutions in which their conformity to existing? Yet highly disputed chronologies of man subsequently prop up their selected fields of apparent study, and are more than willing to aid in the continuation of fallacies, if that means the continued survival of their field of choice. It would appear that these ancient stoneworks, each of an enormous size, are all ancient uparts, whose sheer existence is enough of a deterrent for academia to even mention the existence of, let alone publish any explanatory studies of the ruins, absent any published journals. Away from academic ignorance, however, the local population inevitably has their own supposed surviving story regarding the creation and origins of the stones, which now forms a nice amalgam of Indian mythology, as per this mythology, Bahim and Hadimba got married at the site in antiquity, later giving birth to Gadokat at the site. And according to this local folklore, it's said that Bahim and his child used to play chess here with these pieces. And although clearly of mythology, it is better to attribute the ruins and to attempt an explanation in regards to a creator of tremendous capabilities, we feel, better this than what we currently experience, complete ignorance of this precious yet highly delicate still surviving ancient ruins. It is a place which we find highly compelling.