 Hello, oscillator sync here and working to another video in the series looking at some tips and tricks that you might want to Think about using when you're building sounds for the wonderful Korg monologue Now today's trick is born out of a family feud So as you probably are aware the Korg monologue has an older brother called the mini log And the mini log is polyphonic, which obviously the Korg is jealous of but on top of that It also has a built-in delay circuit so it can mix in echoes in with its sound Now we can't do anything about the polyphony on the monologue But maybe just maybe we can help it feel a bit more at home when it comes to that echo issue So we've got an initialized patch here What we want to approximate is this idea of an echo sound so So an initial sound Followed by a number of repeats which get quieter and darker Okay, so we're gonna have to approach this in a couple of different Stages so the first thing we're going to do is get to a point where we've got a sound which starts bright and Loud and ends up Quiet and dark and that's pretty straightforward. We can just go over to our envelope generator section here We make sure that our attack is At Zero so it's an immediate attack. We're gonna set it on to this top setting here, which is the sort of the one-hit Envelope and we're gonna set a delay which we like so now we have a sound which starts loud and gets quieter And crucially for this sort of trick to work. It does it without us having to hold down the key Okay, so that's loud quiet. We also want to get bright to dark so the way we can achieve that quite simply is if we set our Filter a little bit darker and We just increase our intensity knob on the envelope gen generator making sure that we're on cutoff mode and that's going to send the envelope to the cutoff as well, which is going to have the effect of Turning the cutoff up at the starter note and then bringing it back down over the course of the decay Maybe a little bit more Great. Okay, so we've got a sound which starts loud and bright and makes its way to quiet and dark What we want to approximate now is this idea of these repeats So to do that we're going to turn to our LFO section now we've got A number of different waveforms available to us on the LFO section, but I'm going to go to the sawtooth so sawtooth wave starts high and Gradually goes low over time then jumps back up to high and goes low And I'm going to send that to my cutoff Okay, so as we turn up the intensity here just put the rate somewhere high rates And we can begin to hear something which approximates a Decay a delay rather or an echo now this always sounds better with a slightly richer sound behind it So I'm just going to throw in the other VCO and just detune a bit It's a fairly Convincing Delay maybe give it just a tiny bit of resonance and maybe make it bit dark to you with Great so One other thing that we need to consider if we're doing this fake delay Is that we use it in a sequence? So if I just Play in a little sequence here Because it's not a real delay. We're getting some slightly in unconvincing sounds there When the LFO isn't totally syncing up to when we're playing the first part of the night But of course we can fix that on the monologue quite easily if we go into edit mode and over Into the other sec other settings section, which is the fourth Light along the very first thing that we get is the LFO BPM sync now if we turn this on and Try this sequence again Can't really hear anything because we happen to have synced up the LFO exactly if we mess with the right now So we can get a fairly convincing and usable within a sequence delay sound despite the fact That unlike the mini log the monologue doesn't have a built-in delay I hope that was useful guys if you enjoyed the video if you learned something Then please hit that like button the big thumbs up and also make sure you click on the subscribe button So that you don't miss out on any upcoming videos on the corg and lots of other synth stuff as well Thank you so much for watching. I'll see you again soon