 So welcome everyone to the 2021 SOAS Centre of Taiwan Studies Summer School. This is our 14th SOAS Centre of Taiwan Studies Summer School. So we first created the Centre of Taiwan Studies School back in 2007. And at that point in time, it was a very small event, usually only covering two days. And then gradually, over the last 14-15 years, it's expanded into a basically a five-day festival of Taiwan Studies. And I would say that along with the European Association of Taiwan Studies Conference, the SOAS Centre of Taiwan Studies Summer School I think has become one of the most popular Taiwan Studies events in the European Taiwan Studies calendar. This is the second year that we've run the event as an online event. But we do hope perhaps next year to do it as a mixed event. In other words, hopefully it will be on campus, but it will be also something that we can also run as an online event as well. Now for each year, we try to run a different set of themes for the conference. And this year we have two core themes. One of them is post-New Wave Taiwan Cinema, which is a programme that my colleagues, John Bayou and Jan Sowie have put together. And John Bayou is going to talk a little bit later about this cinema project. And the second big theme of this week is environmental issues in Taiwan. So we're returning to a topic that we looked at back in 2013. And we can see the continuity, both in terms of the scholars, but also in terms of the environmental issues that we're tackling. For example, back in 2013, we talked about the fourth nuclear power station. And today we're continuing that discussion, both with Wei Young and Simona, but also in Kojinyuan's documentary film. But we're going to look at environmentalism in Taiwan through a range of angles, through activist dialogues, such as the first session, through discussions with environmental scholars, such as Paul Joban and Simona Grano. But we'll also look at it through the lens of environmental literature and documentary makers, such as our session with Kojinyuan later this week. Another sub-theme that we have is we're going to revisit our popular lecture series, Taiwan Studies Revisited. But this time we're going to revisit it through the lens of environmental movements. So we will have two scholars revisiting their earlier work on Taiwan's environmental movements. Additionally, we tend to have a number of smaller sub-themes, and this year is no exception. For example, we will be looking at the topic of publishing in Taiwan Studies. So we'll have one session where we have book series editors talking about their experience of promoting Taiwan Studies publications. But we'll also have a session where we'll look at writing Taiwan for general audiences. We will have some practitioners talking about their experience and advice. And a further constant feature of the SOA Centre of Taiwan Studies Summer School has been student research presentations. And these will be held on the Thursday. And most of these presentations will be students presenting their works in progress that they're working on for their dissertation projects on Taiwan. And the aim of these is to gain feedback from the teaching team, but also from their peers. And one of the things that I think is always really exciting is to see the way that students' research that's presented at the summer school often will be the starting point for more in-depth studies. And every year, including this year, we have people coming back who formally presented at the student panels, such as Isabel Chung, who presented back, I think, in 2008, and is now part of the teaching team. Or Chen Xin, who we have in our book launch this afternoon, who is now a parliamentarian in Taiwan and first presented at our student presentations. Of course, we also have some standalone events, such as our dialogue with the Taiwan's digital minister, Audrey Tang, I think on Wednesday. And we also have a single standalone event looking at the topic of Taiwan's campaign against the death penalty on Thursday. So we have a really packed and exciting program, and we hope you will enjoy the program. And now let me hand over to my co-director, Jumblyu, who's going to talk a little bit more about the Taiwan cinema project. Thank you, Gavin. Can everyone see me well? Hello, everyone. So I'm Dr Jumblyu. I'm not the co-director. I'm the deputy director of the Center. In the next five days, we will be seeing a lot of each other, right? As David just mentioned, that really amazing lineup of lectures, book launches, activists' discussion. He covered the first part of this year's theme, and I'm covering the second one. Two major themes of this year, as Davies mentioned, is Taiwan's environmentalism, and the other focus is plays on Taiwan's contemporary films. Indeed, for many of us, this year's summer school has already started last week with the 2021 Taiwan Post-New Wave Cinema Series. We screened 23 films, it's record breaking. We are delighted to host so many amazing film screenings and film-related events. So this week, we have got a star-studded lineup of filmmakers and academics from directors, Q&As, roundtable discussion, to film analysis and lectures. So in the 2021 summer school, we have engaged seven directors. Can you imagine that? This is another record breaking, including more established directors such as Yang Yazhe, Chen Yuxun, Chen Xinyi, Ke Jingyuan, to much younger generation female directors such as Huang Xi, Li Yishan, and Chen Dingning. And also, we have three film academics, including Fan Qin, Wang Junyi, and Chen Ruxiu. So throughout this week, we will have at least one film-related event every day, apart from Thursday, of course. For Thursday, that's really your day. It's students' presentation and, of course, part of the environmental topics. But basically, Thursday, I will encourage everyone, presenter or not, you should really come, not only encourage your fellow students, but also you can challenge or support or make friends. Okay, so for the film session, you know, for this afternoon, we will be welcoming director Yang Yazhe this afternoon, right? You will have plenty of opportunities to ask him questions and especially discuss the recent really popular TV series, The Magician on the Skywalk. Similar Q&A sessions will be held in the next few days with prominent directors such as Chen Yuxun and Chen Xinyi. Tomorrow, we will hold a roundtable discussion exploring the long-overlogged issue about contemporary women's cinema in Taiwan. Women's cinema is also a new focus of this year, and this theme has aroused a lot of interest even before the summer school starts. I have received a lot of inquiry about this roundtable, so I encourage you to come and take part in the dialogue. And by Friday, we reached the high point of Taiwan Post-New Wave Cinema Series 2021 with a whole day of film lectures and director's Q&A session. So David, I'll stop here.