 Okay, I don't know if Silly was our first radio song. That was our first label check. Your first label check. My first label check. When the last time y'all walked out the studio and said, you know what, I can't do this right now with you. Me and you been together since high school, nigga, you tripping. I got to go. Yeah, well, yeah. Never. You know what it is? You know what it is? I'm going to tell you what it is. I'm going to make this. I didn't know y'all had disagreement. No, we're going to ground everything, but as a personality trait, we're not emotional guys. We're not emotional creatures. A lot of rappers are emotional. A lot of artists are emotional. He's sensitive about that shit. We're not really sensitive niggas like that. If I disagree with something he's doing, I don't have to fight him about it. That's what you think. That's how we... I feel like a lot of relationships could work because of that. You know what I'm saying? We don't fire off at each other. In no relationship in my life do I say something to somebody that I got a call back and say, all right, look, man. I was tripping. I didn't mean to say that. I'm not going to say it. Okay, well, have your sister ever pulled you up and be like, don't do, you work with this or you done that. I didn't like where you done that. She going to do that, but we don't do that. Yeah, because she emotional. I had to go to somebody that I know going to be emotional. She's not going to just... She do it as a show. We're not... Everybody say, y'all the most nonchalant producers I ever saw. Like, even when we play beach, you know, people be in your face. Yeah. We be sitting in the back of the room and one nigga might be talking whatever and it's like, y'all don't sell us to beat. No. Nigga, because if you like it, you like it. If you don't, don't you don't. Don't tell anyone. It's a meaning in the mouth. Right. Why? Which... Which beat you guys gave out? And y'all was like... We didn't never gave up either. No, not gave. I was just saying this. That there ain't no beat. The done ain't trying to be done like hell not. We ain't giving a nigga nothing. But I'm just saying one that y'all... Y'all, somebody picked that they got from you guys that y'all didn't know it was going to blow like it did. Rob and no Silly. It messed y'all head up. Your first one. It messed y'all head up. Sometime. Sometime. It messed y'all head up. It did. Okay, Rob and no Silly was our first radio song. That was our first label check. First label check. First label check. What did you know, bro? Rob and no Silly was before or after the plaque? Rob and no Silly was before the plaque? Nah, the plaque came first. Okay, so that was our second label check. But that wasn't... These weren't radio songs. On Toy's album. We just didn't get in trouble with our outro to that. You wouldn't have heard it if you didn't hear it. Right. Rob and no Silly here played every time we got in the car. Every time and that was a beat. We was going to sell to somebody for $300 a year prior. Wow. And Rayface cost to ask, man, well, y'all got one of the songs on Rob and no Silly. You know, they played it to the left when you got to sing. They always played it to the left. And then we was like, all right, cool. And then when we find out what it was and we heard it and then they put it out every day. That song played. BET, I come home and cut BET on you see the video playing. Yeah. That was like our first, like, I can say that was one of our first biggest song that got us like looks outside of Houston. Yeah. Because they were still huge. They were still signed at that time to get them. So that music was everywhere. Wow. People heard that. Our phone star ring. Oh, that's ho. Yeah, our phone star ring. I like it. We up doing some shit. Soldier boy, Gucci man back on that mixtape from Gangsta Grill back then. I ain't wrong. That was a mixtape era. Tell the beats that we play for people that when it's time to play beats, it's like, damn, I'm going to skip over this one. I'm going to skip over this one. And they pick the ones you skip over. And that being one of their favorite songs. That's happened to me in times. But as far as like Robyn O'Sill and Blue, we didn't think nothing of that song. We didn't think nothing of the beat. You know, beat jam. But it's like, we make beats. I don't know about you. I feel like that about summertime. It was coming from my trap. From my trap. Yeah. It wasn't known like when we did summertime with Zero and Snooker. Yeah. It wasn't known that it wasn't said that this is going to be our single. We were just working on a project. And we had them three days a week at the time we was working on it. That was just another song in the pop. Man, that's favorite too. No, no, no wrong. The night, the night, okay, it was a different beat. And they were like, we need something brighter that can play on the radio. So when we played that beat, and I remember Zero going in the booth and doing the swing. And then it was, I think I was recording. I was sitting at the, what's the name? You know, late night, you know, you tired. And he did that. What's the Folger's commercial? You heard something. Okay. But Zero's good for taking that, taking something from somewhere else and singing it on top of him going, oh, shit, that's the Nate dog. Okay. Now, did I think we was going to hear it to the point where it was every day. I remember walking in the club one time. And he was doing it. He was doing it to the DJ. He was doing it to the DJ. He was tired of hearing it. He was tired of hearing it. I didn't, I'm going to be real. When we first made this song, it wasn't one of my favorites. It wasn't one of my favorites. It wasn't one of my favorites. It wasn't one of my favorites. It wasn't one of my favorites. When we first made this song, it wasn't one of my favorites. It was one of my favorites. So that means that whatever your favorite might not be the hit. The second one was Loving You. Loving You is the song I wanted to run with first. Yeah. That's the one I thought, I knew that was going to do something. I was like, yeah, that's the one. And that other one stuck his head up and said, I'm here summertime. I'm here summertime. I'm here summertime. I'm here summertime. I'm in the city. So it was perfect. We're going to hear this song. They still play. They're going to hear it. They're going to hear it. They're going to hear it. So that song, come on and get hot. That song is not a Houston culture forever. That song is not going to work.