 I got into music through my parents, I guess. My mum always loved things like Elvis and stuff like that. My dad was really into Bon Jovi, David Bowie and you two and all that sort of bands. So I got into music then, then I started playing guitar. My sister got me into bands like Green Day and Blink 1A2 and I was like, hey, or something. Then just started there. Blackstar's pretty much perfect for any style of music. It's completely diverse. Even if you're not a fan of one particular amp, there's so many different amps Blackstar has. You can choose them. You can get so many different sounds. I've played in four different style bands since I've had a Blackstar and it's worked perfectly with everyone I've been in. It's just so diverse. You've got so many different channels, so many different ways of EQing it. And also it runs pedals great as well. I never really had my own amp, so I'd always never had enough money for an amp. My friend, when I was in one of my first bands, he had one of the Blackstar valve pedals. I always liked the sound of that. Our bassist used one as well. I think he used the distortion. Then one day I figured, well, I'm just going to stop using the pedals because I used to just nick them off of them. Whoever's amp I could borrow or just shove the Blackstar pedal over their amp. And then I was like, no, I need to actually get the real deal now. I think I've borrowed money and got one. Then, yeah, I had it ever since. So when I was younger, I always wanted to be a pilot. I've got pilot simulators for my computer. I've got everything. And then I went on holiday for the first time. I've got on a plane and I've never been more terrified in my life. Since then, I've still been terrified of flying and I've been to that off. If I wasn't being music, I guess I'd work in an office somewhere and just hate my life a lot. This is the amp I used for the Blackstar Series 100. It goes really high distortion, which is something else I've always really liked. A lot of amps I've played before don't have enough punch to it, not enough distortion. Yeah, for this, I can crack on the highest distortion and it feeds back really nicely compared to it. It doesn't just go straight to a squill. It's a nice build up to a feedback because that's 90% of a milky set. And also, it cleans up incredibly nicely. When we do lighter songs, the slower parts of the song, I can clean it up and it's not too crunchy. It can still go incredibly loud being clean. Best advice I give to a beginner, don't stop. Just keep playing no matter what. Someone says, oh, your band's bad. I've played so many terrible bands and still carry it on. You learn stuff each time you play in a new band. Don't listen to anybody else and just keep playing.