 I'm a champion boy. I'm an Afro-dansal artist and I'm happy to be here. Neme kujakulan, kujibamba, so happy to see for media faces. So, MCI ispani kwe very brief but we have only 4 questions. So panel is Tagawana and I'm quite sharp about it. So the first question is about some writing. This will go to Nadia. Most of our audiences are young people. So what are we looking at while making our music? Especially looking at exportation, teaching. Mziki sikwe tunikubamba. Are we building a generation? Are we looking at a marketable? Are we looking at how we are writing our songs? Do you know? Create something that can be, especially Piaw Mesema, we need government support. So the government, as we know it, cannot support something that is maybe valgan in a way. So tukia nga liya support kai zona generation tunachai kukuprinyu maetu. How are we supposed to write our music? Question number 2 is on how can we as artists find reliable management and build a team that aligns with our vision so that we can propel our careers. Question number 3 is on collaborations. I have been blessed in Mepata Kulaboskata two in Congo and one in Nigeria, one in Kenya and the U.S. Best Artist. But to make a challenge to get these songs out there, it's really quality music but they feel like they're not going to get revenue from this music. So they're reluctant to invest in putting this music out there and this notion about having a video to the music helps it get to a wider audience and just releasing an audio. So I need a comment on that. And lastly it's on the distribution platforms. We have what we've just had. We can use our distributors but there are these DIYs. We've got clarification from Dundo and Bayes. Are these really being... Are these involved in our distributors? Or we have to, you know, just handle, even audio mark, handle those separately from what the distributors are doing for us. Thank you. Number 1 champion boy, thank you for your question. That was well articulated. Thank you. So for me if I did get the content of your question was the direction of writing the music. That is what you said. One of the things I'm going to talk about my own personal experience. One of the things I feel and I believe makes an artist is branding goes fast than the music. If I'm wrong, please correct me. How? You look at yourself, what sort of an individual are you? What sort of a person am I as Nadia Mukami? I'm very, number 1, bubbly, I'm very, you know, sometimes serious. I'm very keen with things that I do. So that's when I was starting to do music I was like, if I have to do music I have to do music that can be lessened by older guys and the younger people. That means it has to be respectful. I just want to use your termo. To shatangereza brand. Anyway, but that was the basis. For me I believe it starts with personality. If I'm wrong, please correct me. It starts with personality. What is my personality? Because your personality needs to be huzed in your music. That's what makes it authentic. Like, usiji fanya weni barbi, weni wan geto lorajfanya barbi. Of course, to do na wanabi. To do na wanabi. You understand? I'll give an example of someone like Major. Why do you think Major has been in the industry for so long and he's still very relevant? His personality goes first. Me, I've interacted with Major on doing, we have done a lot of deals and gigs together and now we've collaborated on a song. The same person that he is on the song, he's the same person he is as a person. In terms of personality, kuna kutufo tika makuongeya isonivi tu different. But kuna ile what you huz as a person. Na wana, vengeyu kutu uta mpenas. I'll give you another example of let me use Otile Brown. Otile has a very mature brand and he has very mature music. That means he makes very good, let's just say, lonja vitiam zikiake ita kwa. Ita kwa boitaka for a long time. For me, I'd say it starts with your personality, who you are as a person, so that it gives out the authenticity of the product that you're going to give to the people. Na jua, if you meet Nadia, I don't know, maybe ok, so you come out shape, ato jeni una before, maybe jeni una before. Uskizem ziki na, usiangali height. And chana na height. Height and chana na yukamsa. I'm talking in terms of little personality or something. Una uneza, uneza reading between the lines. Na hia tige mene. Ina tige mene. But I don't know. Siji kama me jibusu ali ako, the right way. Have I answered the question? Maybe I'm just going round in sako. But for me, I'm a firm believer in you have to be authentic from who you are as a person. That's why unapata mimi, when I went to two in the U.S., my biggest firm is Inakukeni, our mama. That is one of the things ata tuki ka, even what kiyuak na lidia, she can tell you that. Ata si vijana, uneza expect. There is a way, ladies, such that ata ni kifanyaga kitu dapata, ladies, you understand? So there is a certain way that I have done with my music and my brand that even with women. Yes. I'm a feministish person. That I hope you will be able to do it. Thank you. Thank you.