 He figured that out, he called Slim, and Slim called us that morning, like eight o'clock in the morning, had Bootsie looking for the studio. We even got Gendres rushing to the studio at nine AM. You know, I don't hear from rappers till one to five PM, and that's the early ones. And he pulled up with his crew, and in a wheelchair, and they rolled him in there, and I think that first session, they rolled him straight to the booth. And he's sitting in the booth all day, behind the microphone and just wrapped. And I think then it kind of, that led to like, what, two months? Two, three months? Yeah, two, three months. Every day. The very next day, that's how we locked in. The first day we locked in with him, when he came to the studio, he don't know us from a camera package. Yeah, he gotta see it. Some thug refute us, referred him to the studio. He just thought, oh, y'all just stay in there, they work in the studio. Record me. The next day he came back, and they rolled him in the booth. Before they rolled him in the booth, he was trying to get the beats together. His team didn't have his beats ready, so he went off on the whole room, like on everybody like, how y'all ain't gonna have my beats ready? I'm in the studio, man, I can't get no beats for it. And we sitting there like, we got beats. Get on boss talk one on one, one on one. Yeah, we gonna talk. You gotta make a lot of money with relationships. You can go broke and come back and be a millionaire again, off a relationship. Working with Boosie. Boosie. After he had, while he was dealing with his chemo, or after he came off his chemo. That had to be tough. And how did you got, could you even tell? Cause I just seen the, I read that and I was like, he was in a wheelchair so we could tell. You could tell. They told us though, he was in Houston, he was in Houston cause we have the best medical center. Okay. Cancer center in the world. So when he got cancer, his biggest thing, which kinda mess you up in the world a little bit, when they told him, hey, we, it's gonna be six months. We booked up. We booked up, it's gonna be six months. He said, how much? They said 90,000, he said, I'll bring it to you tomorrow. We'll cut on you Tuesday. So he said he's moneyed that, that's a mess for him, yeah. So he stayed in Houston. Imagine all the people that had him passed away cause they didn't have the physical cash to get the treatment. I said, I don't think I'm gonna make it that long. Cause some people are like, I can't wait. Yeah, he's like, I can't wait six months, bro. I got the money, what you on with? And I'm fresh out of jail. I got money on me. I need to go, I need a bed to move around. I can't be sitting. Cause my life worth more than this, I can turn around and make that money back. Yeah, for sure. And then you guys started working with him at that for the first day. He on, he was learning the first day he got in Houston. He went to a studio, I think the first day, I don't know what studio it is. I don't want to bad talking about his studio, but the first studio he went to, I mean, you come here to get a chemo and, you know, get your cancer situation going and people are taking pictures of you. It's one of the studios people can pull up at. Our studio is how everybody knows, even our closest friends says, you don't pull up at our studio without a call, it's private. You gotta call somebody before you pull up. So when he figured that out, he called Slim and Slim called us that morning, like eight o'clock in the morning, hey, Boots is looking for the studio. We, you know, got Gendres rushing to the studio at nine AM, you know, I don't hear from rappers till one or two o'clock, PM, and that's the early ones. And he pulled up with his crew and in a wheelchair and they rolled him in there. And I think that first session, they rolled him straight to the booth and he's sitting in the booth all day and behind the microphone and just wrapped. And I think then it kind of, that led to like, what, two months? Two, three months? Yeah, two, three months. Every day, that's how we locked in. The first day we locked in with him when he came to the studio, he don't know us from a camera. Yeah, he got to see them all. Slim Doug referred him to the studio. He just thought, oh, y'all just stand in there, they work in the studio, record me. The next day he came back and they rolled him in the booth. Before they rolled him in the booth, he was trying to get the beats together. His team didn't have his beats ready. So he went off on the whole room, like on everybody like, hey, y'all ain't gonna have my beats for it. I'm in the studio, man, I can't get no beats for it. And we sitting there like, we got beats and played one beat and it was a rapper. He did 17 songs with it, 17, 18 songs. From that one beat, we did 17 more songs. He's like, play another one, play another one. He rapped to all of us, we made it all out with him. Man, now he's looking at us like, man, nobody rapping on y'all's shit, man, who y'all is? He used to be like, just what the other one at? If one not there, what the other one at? Now he can tell us the point at one time. We both GMB, hey, GMB. It went from where the other one to GMB. So he'll call me GMB, he'll call him GMB. Yeah, and now, now, we go down to the state of the house and they're talking about it. Yes, hall of man. There's hall of man. And how important is relationships and what you guys got, right? That's everything. We got to speak on that a little bit. So people get together like this. I'll borrow youngsters to know, because a lot of them think is, I know people who basically have, they meet somebody. I know these guys have done whole projects with major producers. And then after me and them coming together, they can't even make a phone call to them. No, they ain't got no personal connection. I'm telling you, I've seen this happen. I ain't gonna speak on it. Some people be too cool to talk to people, man. That's what it is. Oh, they're trying to stay so professional. We don't have management. They're trying to stay so professional. We don't have management. We don't have PR, we don't have none of that. So we don't say nothing nobody. We not gonna get to see this person again. Yeah. I'm gonna say something right here, right then and there. So that's how we build that. And a lot of times they make the person look at you like that, kind of bold. He'll take my number. Man, I'm gonna use it. That's hall of man. But you know what too, I know this. We have a lot of relationships with people that we haven't even worked with. So when you'll see us work, you don't even realize this is a relationship that's been going on for three years. That we would come by, come by the studio and we've never made a song. And then now we're making songs and you think, oh yeah, y'all met now. Nah, we've been rocking with them two years already. Just every time they come to the city, they come for us. Wow, that's cool. You know what I'm saying? We'll have those kind of relationships also. So, you know. Outside of yourselves, who do you think? And then this goes to both y'all because y'all are both not gonna have the same answer. Hardest producer ever. Ever? They might not have the same. That's what I said. They're not gonna have the same answer. I'm gonna go, I just wanna hear what they say. I'm gonna start with B. This is impossible to answer, but I have to break it down. Like, how hard is the producer era? Do I have to break it down? Like in our world? Yeah. You're saying in our world. Matter of fact, it's top three. Let's do the top three, because we do it all together. Every, every. Top three of all time, day, and all life. I think we can agree on one more. I'm gonna yield separate from yours. I would say, Drummer Boy. You like Drummer Boy? Let me tell you why. That's your number one. Let me tell you why. It's not number one, because I can't put them in order, but let me tell you why Drummer Boy is one of the greatest, because we are, we friends with Drummer Boy too, by the way. Let me just say that Drummer Boy was one night when me and you was in Vegas, and I shut it down. I had him all white and my guys with me. Wasn't an all white party, nigga. And you came to me and asked me, hey man, let's take this picture, nigga. Remember that, because the old man still got it, nigga. What nigga? Yeah, yeah, yeah. And the picture on the wall at the store, nigga, I got proof. Yeah. Yeah, we kicked it. All right, so boom. Drummer Boy, I'm gonna say this, because from in our era, we're the same exact age. We come up at the same time. He hard, man. He was jamming up. Like he tore up everything. He had an era, didn't he? He had a run, he had a run. He had a run. And you couldn't escape him. Yeah. And that man, he made a, he single-handedly made us, our gamer. Yeah. In producing. He's like, oh no. Because he's doing what we trying to do. Yeah. We were trying to be those guys that, I mean, that guy that he was, like working with everybody. Yeah. We were trying to do that already. That's whole. We had Houston on like, he just had the whole world. He was in Atlanta. We were in Houston. And the whole world was going to Atlanta at the time. Right. So yeah, he was here. We're thinking that the Isle were coming to Houston because of the steel tipping and all that. So we come in in Houston and we're gonna do what, you know what I'm saying? Yeah. He went to Atlanta and that's what the whole game went. There you go. That's good stuff. But drum boy, Dr. Dre, that third one gonna be hard, man. Because it's. Dr. Dre. Dr. Dre for sure. He's gonna always been. What's the hardest song he ever produced? Hardest song he ever produced? Let me see if the nigga gonna get it right. Nigga, I got mine. Let me see if the nigga gonna get it right. I'm gonna say to me, hardest song he ever produced. Let me see if the nigga gonna get it right. Hell no, man. Off the chronic. Hell no. Hell yeah. That's what he say. Hell yeah. That's my favorite. That's my favorite. Hell yeah. My favorite. Yeah, we on boss talk one-on-one, one-on-one. Yeah, we gonna talk.