 Section 7 of Farewell This LibriVox recording is in the public domain. Recording by Martin Giesen. Farewell by Honoré de Balzac, translated by Ellen Marrige. Section 7 The Baron de Sucy spent nearly a week in a constant struggle with a deadly anguish, and before long he had no tears left to shed. He was often well-nigh heartbroken. He could not grow accustomed to the sight of the Countess's madness. But he made terms for himself, as it were, in this cruel position, and sought alleviations in his pain. His heroism was boundless. He found courage to overcome Stefani's wild shyness by choosing sweetmeats for her, and devoted all his thoughts to this, bringing these dainties, and following up the little victories that he set himself to gain over Stefani's instincts, the last gleam of intelligence in her, until he succeeded to some extent. She grew tamer than ever before. Every morning the Colonel went into the park, and if, after a long search for the Countess, he could not discover the tree in which she was rocking herself gently, nor the nook where she lay crouching at play with some bird, nor the roof where she had perched herself, he would whistle the well-known air partant pour l'assirée, which recalled old memories of their love, and Stefani would run towards him lightly as a fawn. She saw the Colonel so often that she was no longer afraid of him. Before very long she would sit on his knee, with her thin, lithe arms about him. And while thus they sat as lovers loved to do, Philippe doled out sweetmeats one by one to the eager Countess. When they were all finished, the fancy often took Stefani to search through her lover's pockets with a monkey's quick instinctive dexterity, till she had assured herself that there was nothing left, and then she gazed at Philippe with vacant eyes. There was no thought, no gratitude in their clear depths. When she would play with him, she tried to take off his boots to see his foot. She tore his gloves to shreds, and put on his hat. And she would let him pass his hands through her hair, and take her in his arms, and submit passively to his passionate kisses. And at last, if he shed tears, she would gaze silently at him. She quite understood the signal when he whistled parten pour l'assirée, but he could never succeed in inducing her to pronounce her own name, Stefani. Philippe persevered in his heart-rending task, sustained by a hope that never left him. If on some bright autumn morning he saw her sitting quietly on a bench, under a poplar tree, grown brown now as the season wore, the unhappy lover would lie at her feet, and gaze into her eyes, as long as she would let him gaze, hoping that some spark of intelligence might gleam from them. At times he lent himself to an illusion. He would imagine that he saw the hard, changeless light in them falter, that there was a new life and softness in them. And he would cry, Stefani, oh Stefani, you hear me, you see me, do you not? But for her the sound of his voice was like any other sound, the stirring of the wind in the trees or the lowing of the cow on which she scrambled, and the colonel rung his hands in a despair that lost none of its bitterness. Nay, time and these vain efforts only added to his anguish. One evening, under the quiet sky, in the midst of the silence and peace of the forest hermitage, Monsieur Fonga saw from a distance that de Baron was busy loading a pistol, and knew that the lover had given up all hope. The blood surged to the old doctor's heart, and if he overcame the dizzy sensation that seized on him, it was because he would rather see his niece live with a disordered brain than lose her forever. He hurried to the place. What are you doing? he cried. That is for me, the colonel answered, pointing to a loaded pistol on the bench. And this is for her, he added, as he rammed down the wad into the pistol that he held in his hands. The countess lay stretched out on the ground, playing with the balls. Then you do not know that last night, as she slept, she murmured, Philippe, said the doctor quietly, dissembling his alarm. She called my name, cried the Baron, letting his weapon fall. Stéphanie picked it up, but he snatched it out of her hands, caught the other pistol from the bench, and fled. Poor little one, exclaimed the doctor, rejoicing that his stratagem had succeeded so well. He held her tightly to his heart as he went on. He would have killed you, selfish that he is. He wants you to die because he is unhappy. He cannot learn to love you for your own sake, little one. We forgive him, do we not? He is senseless. You are only mad. Never mind. God alone shall take you to himself. We look upon you as unhappy, because you no longer share our miseries, fools that we are. Why, she is happy, he said, taking her on his knee. Nothing troubles her. She lives like the birds, like the deer. Stéphanie sprang upon a young blackbird that was hopping about, caught it with a little shriek of glee, twisted its neck, looked at the dead bird, and dropped it at the foot of a tree, without giving it another thought. The next morning at daybreak, the colonel went out into the garden to look for Stéphanie. Deep was very strong in him. He did not see her, and whistled. And when she came, he took her arm, and for the first time they walked together along an alley beneath the trees, while the fresh morning wind shook down the dead leaves about them. The colonel sat down, and Stéphanie, of her own accord, lit upon his knee. Philippe trembled with gladness. "'Love!' he cried, covering her hands with passionate kisses. I am Philippe.' She looked curiously at him. "'Come close!' he added, as he held her tightly. "'Do you feel the beating of my heart? It has beat for you, for you only. I love you always.' Philippe is not dead. He is here. You are sitting on his knee. You are my Stéphanie. I am your Philippe.' "'Farewell!' she said. "'Farewell!' The colonel shivered. He thought that some vibration of his highly wrought feeling had surely reached his beloved, that the heart-rending cry, drawn from him by hope, the utmost effort of a love that must last for ever, of passion in its ecstasy, striving to reach the soul of the woman he loved, must awaken her. "'Oh, Stéphanie, we shall be happy yet!' A cry of satisfaction broke from her. A dim light of intelligence gleamed in her eyes. "'She knows me, Stéphanie!' The colonel felt his heart swell, and tears gathered under his eyelids. But all at once the countess held up a bit of sugar for him to see. She had discovered it by searching diligently for it while he spoke. What he had mistaken for a human thought was a degree of reason required for a monkey's mischievous trick. Philippe fainted. Mr. Fangé found the countess sitting on his prostrate body. She was nibbling her bit of sugar, giving expression to her enjoyment by little grimaces and gestures that would have been thought clever in a woman in full possession of her senses, if she tried to mimic her parakeet or her cat. "'Oh, my friend!' cried Philippe when he came to himself. "'This is like death every moment of the day. I love her too much. I could bear anything if only through her madness. She had kept some little trace of womanhood. But day after day to see her like a wild animal—not even a sense of modesty left—to see her. "'So you must have a theatrical madness, must you?' said the doctor sharply, and your prejudices are stronger than your lover's devotion. "'What, monsieur, I resign to you the sad pleasure of giving my niece her food and the enjoyment of her playtime. I have kept for myself nothing but the most burdensome cares. I watch over her while you are asleep. I go, monsieur, and give up the task. Leave this dreary hermitage. I can live with my little darling. I understand her disease. I study her movements. I know her secrets. Someday you shall thank me." End of section 7 Recording by Martin Giesen in Hazelmere Surrey Section 8 of Farewell This LibriVox recording is in the public domain. Recording by Martin Giesen Farewell by Honoré de Balzac Translated by Ellen Marridge Section 8 The colonel left the minorite convent that he was destined to see only once again. The doctor was alarmed by the effect that his words made upon his guest. His niece's lover became as dear to him as his niece. If either of them deserved to be pitied, that one was certainly Philippe. Did he not bear alone the burden of an appalling sorrow? The doctor made inquiries and learned that the hapless colonel had retired to a country house of his near Saint-Germain. A dream had suggested to him a plan for restoring the Countess to reason. And the doctor did not know that he was spending the rest of the autumn in carrying out a vast scheme. A small stream ran through his park and in wintertime flooded a low-lying land, something like the plain on the eastern side of the Beresina. The village of Satou on the slope of a ridge above it bounded the horizon of a picture of desolation. Something as Stujanka lay on the heights that shut in the swamp of the Beresina. The colonel set laborers to work to make a channel to resemble the greedy river that had swallowed up the treasures of France and Napoleon's army. By the help of his memories, Philippe reconstructed on his own lands the bank where General Ibley had built his bridges. He drove in piles and then set fire to them so as to reproduce the charred and blackened bulks of timber, that on either side of the river told the stragglers that their retreat to France had been cut off. He had materials collected like the fragments out of which his comrades in misfortune had made the raft. His park was laid waste to complete the illusion on which his last hopes were founded. He ordered ragged uniforms and clothing for several hundred peasants. Huts and bivouacs and batteries were raised and burned down. In short, he omitted no device that could reproduce that most hideous of all scenes. He succeeded. When in the earliest days of December snow covered the earth with a thick white mantle, it seemed to him that he saw the Beresina itself. The mimic Russia was so starklingly real that several of his old comrades recognised the scene of their past sufferings. Monsieur de Sussis kept the secret of the drama to be enacted with this tragic background, but it was looked upon as a mad freak in several circles of society in Paris. In the early days of the months of January, 1820, the colonel drove over to the forest of Li-Ladin in a carriage like the one in which Monsieur and Madame de Vendière had driven from Moscow to St-Janka. The horses closely resembled that other pair that he had risked his life to bring from the Russian lines. He himself wore the grotesque and soiled clothes, accoutements and cap that he had worn on the 29th of November, 1812. He had even allowed his hair and beard to grow and neglected his appearance that no detail might be lacking to recall the scene in all its horror. I guessed what you meant to do, cried Monsieur Vendière when he saw the colonel dismount. If you mean your plan to succeed, do not let her see you in that carriage. This evening I will give my niece a little londonum, and while she sleeps we will dress her in such clothes as she wore at St-Janka and put her in your travelling carriage. I will follow you in a berlin. Soon after two o'clock in the morning the young Countess was lifted into the carriage, laid on the cushions and wrapped in a coarse blanket. A few peasants held torches while this strange elopement was arranged. A sudden cry rang through the silence of night, and Philippe and the doctor, turning, saw Cheneviève. She had come out half-dressed from the low room where she slept. Farewell! Farewell! It is all over. Farewell! she called crying bitterly. Why, Cheneviève, what is it? asked Monsieur Vendière. Cheneviève shook her head despairingly, raised her arm to heaven, looked at the carriage, uttered a long snarling sound, and with evident signs of profound terror slunk in again. It is a good omen, cried the Colonel. The girl is sorry to lose her companion. Very likely she sees that Stiffanie is about to recover her reason. God grant it may be so, answered Monsieur Vendière, who seemed to be affected by this incident. Since insanity had interested him he had known several cases in which a spirit of prophecy and the gift of second sight had been accorded to a disordered brain. Two faculties which many travellers tell us are also found among savage tribes. So it happened that as the Colonel had foreseen and arranged, Stiffanie travelled across the Mimic Beresina about nine o'clock in the morning, and was awakened by an explosion of rockets, about a hundred paces from the scene of action. It was a signal. Hundreds of peasants raised a terrible clamour, like the despairing shouts that startled the Russians when twenty thousand stragglers learned that by their own fault they were delivered over to death or to slavery. When the Countess heard the report and the cries that followed, she sprang out of the carriage and rushed in frenzied anguish over the snow-covered plain. She saw the burned Bivouacs and the fatal raft about to be launched on a frozen Beresina. She saw Major Philippe brandishing his sabre among the crowd. The cry that broke from Madame de Vendière made the blood run cold in the veins of all who heard it. She stood face to face with the Colonel, who watched her with a beating heart. At first she stared blankly at the strange scene about her. Then she reflected. For an instant, brief as a lightning flash, there was the same quick gaze and total lack of comprehension that we see in the bright eyes of a bird. Then she passed her hand across her forehead with the intelligent expression of a thinking being. She looked round on the memories that had taken substantial form into the past life that had been transported into her present. She turned her face to Philippe and saw him. An awed silence fell upon the crowd. The Colonel breathed hard, but dared not speak. Tears filled the Doctor's eyes. A faint colour overspread stiff Annie's beautiful face, deepening slowly, till at last she glowed like a girl radiant with youth. Still the bright flush grew. Life and joy kindled within her as the blaze of intelligence swept through her like leaping flames. A convulsive tremor ran from her feet to her heart, but all these tokens which flashed on the sight for a moment gathered and gained consistency as it were when Stephanie's eyes gleamed with heavenly radiance, the light of a soul within. She lived. She thought. She shuddered. Was it with fear? God himself unleashed a second time the tongue that had been bound by death, and set his fire anew in the extinguished soul. The electric torrent of the human will vivified the body whence it had so long been absent. Stephanie! the Colonel cried. Oh! it is Philippe! said the poor Countess. She fled to the trembling arms held out towards her, and the embrace of the two lovers frightened those who beheld it. Stephanie burst into tears. Suddenly the tears ceased to flow. She lay in his arms a dead weight as if stricken by a thunderbolt, and said faintly, Farewell, Philippe! I love you! Farewell! She is dead! cried the Colonel, unclasping his arms. The old doctor received the lifeless body of his niece in his arms as a young man might have done. He carried her to a stack of wood and set her down. He looked at her face and laid a feeble hand, tremulous with agitation upon her heart. It beat no longer. Can it really be so? he said, looking from the Colonel who stood there motionless to Stephanie's face. Death had invested it with a radiant beauty, a transient aural, the pledge it may be of a glorious life to come. Yes, she is dead. Oh, but that smile! cried Philippe, only see that smile! Is it possible? She has grown cold already, answered Monsieur Fongiard. Monsieur Dixici made a few strides to tear himself on the site. Then he stopped and whistled the air that the mad Stephanie had understood, and when he saw that she did not rise and hasten to him, he walked away, staggering like a drunken man, still whistling, but he did not turn again. In society, General Dixici is looked upon as very agreeable and above all things as very lively and amusing. Not very long ago a lady complimented him upon his good humour and equitable temper. Ah, madame, he answered, I pay very dearly for my merriment in the evening if I am alone. Then you are never alone, I suppose. No, he answered, smiling. If a keen observer of human nature could have seen the look that Dixici's face wore at that moment, he would without doubt have shuddered. Why do you not marry? the lady asked. She had several daughters of her own at a boarding school. You are wealthy. You belong to an old and noble house. You are clever. You have a future before you. Everything smiles upon you. Yes, he answered, one smile is killing me. On the morrow the lady heard with amazement that Monsieur Dixici had shot himself through the head that night. The fashionable world discussed the extraordinary news in diver's ways, and each had a theory to account for it. Play, love, ambition, irregularities in private life, according to the taste of the speaker, explained the last act of the tragedy begun in 1812. Two men alone, a magistrate and an old doctor, knew that Monsieur Le Comte Dixici was one of those souls unhappy in the strength God gives them to enable them to triumph daily in a ghastly struggle with a mysterious horror. If for a minute God withdraws his sustaining hand, they succumb, Paris, March 1830. End of Section 8 Recording by Martin Giesen in Hazelmere Surrey End of Farewell by Honoré de Balzac Translated by Ellen Marridge