 all right let's check this out here so you mentioned splining Morpheus and I'm not sure I mean it definitely splined here I'm sure how much work you put into this section only because it's you know the fingers and shoulders move at the same time everything kind of moves at the same time the facial stuff and and the arms things are kind of the same time there so I think it'll be time to offset some things a little bit and then you play this here same thing here as it reacts it feels like everything shoulders face the mouth the head everything's kind of the same time then same thing here with both arms can start moving at the same time and I'll be careful with intersections on this guy let's see and then as he turns I think you can have it's not like he has to swing that chair this way in a crazy way but it feels like it because you have that arm so close I think you can you can relax that guy and bring him down there's no need to be so close to the body there and then that drop feels pretty big because it's you look at this shape here and it all goes goes down at the same time so you would have to you know you have to start breaking up these sections here so if he's dropping is that because of the arm swings if are the arms leading this so then the shoulders go in first and then you'll have the chest coming in but then the head will be delayed so you gotta think about physically this is about a mechanics what is going on during this section hey sports that was pretty good my only thing would be there some moments where again things move at the same time you got this guy going over this way and then the roots going to the right at the same time and I just rolled over my headphone cable with my chair so just be careful where as you start spying now it you can start offsetting things if it's like those arms are kind of together I mean this guy moves more but they still kind of swing and go to the right at the same time I think you're a bit too it's too stretched I think you can be just a tad bent with that guy then as I go forward it just feels like moments where it's like you almost over-stretching and it's kind of it's almost it's a bit jittery I heard someone got in pops there and some pops and then he's there engage dog there's some craziness going on here what's going on there's a lot of separate rotation going on that's not really reflected in the body or in the hips to be curious to see these arms are better that stuff works good and like how it's offset there they just end a bit in a linear way like this guy goes up here and hits a wall goes up and just stays there same thing with this arm kind of comes down and then it's locked there's nothing then they both go up at the same time through the shoulder movement and then here they drop at the same time so everything is kind of moving at the same time again I would delay this guy because the punch has to come through so the punch that initiates the movement back here so this goes first so I would have these guys it's more like this and then with that punch here you barely go back there's not that much back it's more in here but I would find a way to go and then bend it more this way and still be like this so that's it's this middle section that goes back because of the punch contact and careful how these arms to kind of start swinging and changing direction over one frame especially this guy here goes here here and back over one frame then watch out you got your leg that pops into a bend and I think this could be about 20% slower just a bit fast combine that and I think I'm probably putting that head back a bit more not that crazy but just it's it feels a bit I know there's a bend but I think we can bend it even more feels almost straight with the head like that it's a different shape in there see gotta switch to my guy here all right just this drop the thing is you got the spacing is fairly small here and then you got a massive and then the thing is it's big here and then suddenly smaller then kind of the same and then a bit bigger and then that and then you got a sudden up and then now it's just this suddenly accelerates you gonna have to ease out of that more and then the bounce needs to be just a bit slower feels like he's being pulled down at the end so he goes up so you know you go from here to here and then you kind of go down already and then it's only go down and out and then that's it it's a bit too fast it's definitely looking better just moments gonna check out your offset your timing and just make sure that especially on the drops here that doesn't feel like he's being pulled down and even if you do a leg thing like that for comedic effect and he goes back you still want to have some sort of hip involvement where the hip rotates you know and then even with some little bit of weight shifts I mean it's not like there's crazy stuff it's very stylized but it just feels so isolated so you're gonna have some Y movement in the hips as this happens and careful with the arm being kind of the same height and then Pam suddenly goes up so that's fairly big there it's as if you know the landings and stuff with his arm it's all good since the poses are right it's just timing in the spacing feels a bit off all right that is for this shot all right back to this guy a couple of things here the thing that stood out to me was this section where it feels like this section is really moving separately compared to the chest and it's kind of I'm sure I've mentioned before I know if it was like that before as well but it feels like it just goes up and like that just arc-wise I think it's just really gliding it's rallying right over that I could be just a bit more of an arc I think even on this lean again I like what you have here but I think as you continue down here it suddenly feels very isolated in here and here and I think this could be the last compression where I think part of the chest could go from here to here just you want to feel a bit more compression up and just a bit more of that spine reacting to that and then the head that part still feels very I see I know we talked about adding things in there see it just feels a bit minimal I think it's mostly because of that there's so much head movement yeah there's just something about just at the very end because you got that that sharp what's called the eye dart and then with that big move but then nothing else is going on in here I know you have a little bit in there but I think you could either either lessen the head and the eye and I think it would help to lessen that I think you might go from here to here max or even half that it just feels like a big move just because of that yet yeah it just it just accentuates that head move by having such a big eye movement again which can work but then it feel like then you need to pump up the movements in here and then the chest especially if you want to keep that so either you you match things that are going on here visually to pump this up or you keep that and then tone this down and then you mentioned I thought you mentioned an email something about the chair so I'm not too sure pause this quickly so I was just checking your mail and you mentioned that I didn't see anything about the chair I mean it's this is definitely an area that you're gonna have to put in some chair wiggle so let me know in email what your plans are on that there's definitely more hip movement which is good and you got all the the knee stuff which is great that definitely helps yeah it's all good I mean the only last thing there are two things one would be the chair if that's doable and then the lip-sync there's some moments when he relaxes here that feels a bit too even like system you're floating into that pose here those women were into us and I think those women that's a bit chattery right here it's a really big what's it called jaw drop and it feels like you're going spacing wise you drop down and then you stay put and then you go back up fairly sharp and then you stop in a sharp way so it feels like your keys are a lot like that or your curves so be careful to just smooth that out a tiny bit those women were into what it was too chattery those women were into us because we were into us but then the in into us I feel like the in could be a bit more not in here but more in shapes up here so we can kind of see that those women were into us because we were artists and then artists we were artists and then read and it just is a tiny thing but when he goes because we were artists and artists just right there you could have a little bit over two three frames a little jaw down so you can see more separation and see more of the white part of the teeth just so you can see the artist just that part you want to have a tiny bit so it's subtle but so we can feel it was because we were artists and then reality artists and then I think and then and then see how you are kind of the same width and I feel like and then and then you can expand those guys a bit more so it might mean that you're maybe not as far or you bring this guy out and up a tiny bit just for the end then because we were artists and then yeah just for and then was it's and then it's you have one jaw moving and then close it feels a bit simple and then reality and then reality and this feels really late maybe it's my quick time but and then reality I'm into and then reality hits but you're just this is all closed and then artists and then reality hits it's just late I think you just have to slip that couple of times earlier and then reality hits and no money and no real future and then you know what and I think that you know this feels late there is a lot of emphasis on this part and then you know what yeah you know it should be just you know and then relax honey not close the mouth but just you get into that shape of you know and then you're out of it no money and no real future and then you and right now it feels more like you know so you go from as well as one I think if you go in you know and then relax back to something like this and that way you have somewhere to go to go into this shape so it doesn't all blend into one mushy thing there yeah that would be it let me know if you do have any questions thank you all right there's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions either way like and subscribe would be awesome all right thank you