 The bell invites me, here at night, don't get poor, it is a nail that summons thee to heaven. The fatal bellman, which gives the sternest goodnight. This is a sorry sight. A foolish thought to say a sorry sight. There's one who did laugh in his sleep, and one cried murder, that they did wake each other. Not as pictures. This, my hand, would rather the multitude in the seas incarnate, I'm making the green one red. It's a rub of your color. Oh, my deed, to a best not know myself. And I'm against God, but couldn't that equivocate you in heaven? Come hither for stealing out of a French house. Roast your goose. Confusion now has made his masterpiece. Most sacrilegious murder has broke up the laws of the Temple and Stone Amendment, the life of the building. Why, is it you say the life? The spring, the head, the fountain of your blood is stopped. The very source of it is stopped. Your royal father was murdered. By whom? But I repaired me, my fury, that I did kill them. Did you so? Upon my head, they placed a fruitless crown and put a baron scepter in my grip. Hence to be arranged with an unlinear hat. No son of mine succeeded. For Banquo's issue, have I filed my mind? Duncan, have I murdered? In my eternal jewel, given to the common enemy of man, make them kings. Banquo. What's the time, please? All this shall give way. I am in blood stepped in so far, and self-amuse is the initiative he wants, hard use. And what we all speculative, they're unsure, hopes relate. Certain issue, strokes must arbitrate. Twirl the war to the last syllable. Lead us to our first battle. Macduffin, we shall take upon us what remains to do according to our order. Very well. Do we find the time to power tonight? There's the meaning if we cannot fight. Turn, kill, harm. Do each one, when we invite to see us crowned at school. And to emphasize the fact that Macbeth is really a timeless play, not just about Scotland in the 11th century, which is when it's set, but it's also about our own times. Shakespeare is making a statement about human nature, which is timeless and universal. And he's talking about issues of leadership, which are timeless, and issues of power and how it can be corrupted. So I think the modern dress really helps to just make people aware of that and make those connections. And they go and they see what's happening in the world. And then they go to see a play about something that happened a long time ago, but it's set in current times. And they say, aha, this is not really that distant from us at all. It's not just a period piece. It's now. It's happening now.