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Tabuh Kreasi Kontemporer Puser Belah ( 2 / 2 )

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Published on Oct 21, 2008

21 Juni 2003


Eksibisi Gamelan Internasional ( International Gamelan Exhibition )
Pesta Kesenian Bali ( Bali Arts Festival )


Panggung Terbuka
Sekolah Tinggi Seni Indonesia, Denpasar


Sekaa Gong Sanggar Seni Çudamani
Pengosekan, Mas, Ubud, Gianyar
Bali, Indonesia

Sekaa Gong Genta Buana Sari
Peliatan, Ubud, Gianyar
Bali, Indonesia

Gamelan Gita Asmara, members
University of British Columbia
Canada

Gamelan Sekar Jaya, members
Oakland, California
United States




Karya ini mengisahkan dua kebudayaan atau dua kesatuan yang dilambangkan leh dua barung gamelan Semarandana. Semula keduanya bergerak dan berpikir tanpa kesadaran bahwa gamelan yang lain juga menduduki dunianya. Sedikit demi sedikit mereka mulai memandang pendampingnya masing-masing. Di dalam akar pergaulannya ada unsur-unsur kerukunan sekaligus inti perang juga. Pada bagian pengawak gending mereka akhirnya berhasil main bersama-sama secara akrab dan gotong-royong. Akan tetapi sehabis itu, akibat kesulitan dan tantangan dalam mencapai ketentraman yang mantap, persahabatannya seolah-olah meledak. Pada bagian pekaad karya ini, unsur-unsur peperangan muncul kembali dan berlangsung sampai selesai. Peristiwanya menimbulkan sebuah pertanyaan yang berbobot. Apakah dua kebudayaan mampu hidup bersama dalam keadaan damai?


This new work depicts two entities or two cultures, each symbolized by a full gamelan Semarandana. At first the two behave and act without any consciousness of the other gamelan also inhabiting its world. Little by little the two become aware of each other. At the root of their interaction are elements of both cooperation and conflict. Just after the midpoint, in the pengawak section, they are at last able to truly play together. But after that point, because of the difficulty and challenge of attaining and preserving a lasting peace, their relationship comes to a kind of explosive end. In the closing section, the elements of conflict return and remain dominant. The narrative raises a profound question: Are two different cultures able to live together peacefully?

- Michael Tenzer, komponis ( composer )




penabuh ( musicians ) :

Gamelan I

I Kadek Artika, pemade
I Komang Widana, pemade
I Made Sukarda, pemade
I Wayan Agus Satya Putra, pemade
I Wayan Kioana, kantilan
I Wayan Murtika, kantilan
I Nyoman Sukarta, kantilan
Nicole Walker, kantilan
Jeff Purmort, ugal
I Made Sudarna, reyong
Cok Alit Juliawan, reyong
Pande Putu Suardana, reyong
Leslie Tilley, reyong
Pande Nyoman Budiana, kempli
I Ketut Wirawan, ceng-ceng
I Wayan Juniarta, kendang
I Nyoman Putra Lastana, kendang
I Komang Putra, suling
Gusti Ngurah Ketut Astana, penyacah
Pande Made Leo, penyacah
I Putu Parmanta, calung
Rich St. Onge, calung
I Wayan Eka Pertama, jegogan
I Ketut Artana, jegogan
I Nyoman Kantra, gong


Gamelan II

I Dewa Made Suparta, pemade
I Dewa Putu Sudiantara, pemade
I Made Karmawan, pemade
I Wayan Sudirana, pemade
I Dewa Ketut Alit Adnyana, kantilan
Leo Pedersen, kantilan
I Made Mahardika, kantilan
I Dewa Gde Gunarta, kantilan
I Dewa Made Suardika, ugal
Gusti Nyoman Darta, reyong
Colin MacDonald, reyong
I Made Sulaeman, reyong
I Made Pasta, reyong
I Made Karjana, kempli
I Made Suandiyasa, ceng-ceng
I Dewa Putu Rai, kendang
Michael Tenzer, kendang
I Made Widana, suling
I Putu Eka Saputra, suling
Sutrisno, suling
I Dewa Ketut Alit, rebab
Eka Mardiana, penyacah
I Ketut Surya Tenaya, penyacah
Ida Bagus Putu Haridana, calung
Kim Kobayashi, calung
I Koming Wirawan, jegogan
Gusti Putu Ratna, jegogan
I Dewa Putu Cenik, gong

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