 Oh, okay. So this is my picture called Tributes. I was in Washington D.C. with a school trip last year and the World War II memorial. There was a whole bunch of flowers that people put on there and this one was actually not the code of it. So I took a picture of it in a warm side view because it gives you a different kind of look on it. And then I actually took a commercial class this year and they taught me a whole bunch of other jobs. So I was really impressed by that and the gradients changed a lot of things. It's nice to play it. I've not been here on the edges. It controls the eye, keeps the eye in the center. The weak area to me is that I don't know that's a little more. A little bit more than just a little engraving or something like that. That would pull it together. I should be asking, as a general viewer, I should be curious if you're not here, I don't have answers. I'm keeping an eye on everything. It all makes good sense. It's not necessarily always in the phone. And that's what you want to do. At least make people ask the questions. And answer the questions that you're not there to represent. That's the little piece that's missing. It's certainly high quality. It would be a little moving like that.