 Welcome to Henry Tutorial. I'm Valence Tien Ba Yang. Today, let's look into some details of the Cesar Franck Sonata. Now, in this movement, one of the difficulties in the technical aspect is for me to keep the musical line really smooth and long over the bars with all the bow changes. Because here in this movement, very often we have the bowings go like short, long, short, long. For example, in bar 8 to 10. So what I would suggest here is that we don't use the whole bow neither for the shorter ones nor for the longer ones. It's also very important that we don't use the same bow weight to play up and down bows because they're different long. So the shorter bows should kind of like fly over the strings and on the longer bows I would dig a little bit more into the strings so to slow down the bow speed and I can save some bows. This way we can keep the musical line seeing over more bars and not having too many waves in the dynamic.