 I was thinking of songs that have Fa in it, like Fa, a note to follow, so Fa-la-la-la-la. Psycho killer, kiss-a-say, Fa-fa-fa-fa, Fa-fa-fa-fa-fa, Fa-ba-da. Fasi-fasi-fasi, Madonna, Madonna. Not a song, but I'll take it. And Fa-qil. Hey, welcome back to our stupid reaction to some corp. I am not Fa-hat-fasil. Thank God. No, you would love that. He'd be here in the lair and you'd be talking to him. I know, but it'd be such a downgrade. That's true. And you go on Instagram, Twitter for juicy content. Thanks on Patreon, follow us through the accounts. Hey, Patreon, wink, wink, nudge, nudge. A downgrade as in, if he was Fa-fa, I just probably wouldn't like Fa-fa. It's not Fa-fa's fault. It's his fault. Look at his face. He's probably your favorite actor without a beard. He's a mustache. It's kind of a beard. No, it is. It is a mustache. If you had a beard with no mustache... Is that a beard? No, it's like... But a mustache is not kind of a beard. It's kind of a beard. No. Anyway, today we're doing a movie. And it is of the new film that just came out that is actually currently in theaters called Mala Yan Canju. Close enough for hand grenades. How would you say that one? Yeah, Mala Yan Canju. Which is directed by... Sajbon Prabhakar. Written by... And D.O.P. Mahesh Narayanan. Yes, and then composed by our nanbar A.O. And... Give it a rithic edge there. And I believe Fa-fa actually produced this one, because it did say Fa-fa in Friends in this one. It did, but also Fazil. Yeah, I don't know if that's Fazil. Fazil, forgive me for mispronouncing that. But it's starring Fahat Fazil. I mean, there's other people... There's other people, but they're co-stars. Yeah, this is a Fa-fa... I don't want to say star, because that makes it sound like a different kind of film. Right. But it's Fa-fa's film. Yeah, it's... There's films where the main character is the essential lead and everybody else is kind of supporting. And this is one of those films. Yes. So if you haven't seen it, go watch it. It's in movie theaters right now. It is own... It's really short. It feels really short. Yeah, it actually feels longer than it is, because the runtime is almost two hours, but it feels more like 90 minutes. Yeah, it's right under two hours. So you can go watch it. If you've seen the trailer, you'd think it's a kind of almost survival kind of film. Right. And it is that a little bit, but it is more than that as well. So and this will be mostly non-spoilers, just because it's new. Correct. And if you want to get into some spoils, we will warn you before we do that, we do not give stuff away like other reviewers. No, we shouldn't do that, because if they want to be storytellers, they should get into filmmaking, not making reviews. There's a lot of people that do like that. They all do it. And this is what happens in the film. They all do it. Blah, blah, blah, blah, blah. Seriously. Blah, blah, blah, blah, blah. Yeah. Serious plot point. Serious plot point. Yep. Without any disclaimers on the front. Now you can go decide if you want to see it, now that I've just told you the entire thing. Yeah, and they don't put spoilers at the front to tell you. They just take it upon themselves to just vomit out what they saw and write out the entire story. That's not a review. No, it's not a review. You're literally just telling the Wikipedia notes. Morons. Anyways, Rick, your initial thoughts. It's a big pet peeve. Yeah. I'll be surprised if you don't have the same thoughts that I do. So I could not just write a paragraph about this movie. I could write a fucking hate it. Oh, sorry. Shit. This is going to be a good one, guys. Yeah, it's over. Goodbye, everybody. Go on. This is the best film of the year. You put this one over the one we just saw. Yep. And the other one, in terms of artsy films, The Last Farmer. Yeah. And what about RRR? I know it's a very different film, obviously. Yeah. That's an entertainer. That's an entertainer because for us, for me, we're talking artistic-wise. We're talking about Elevative Artistry that hit all five of the buttons for me at a level of is it entertaining and engaging? Is it educational? Is it enlightening? Is it essential? And is it... I have so much to say. This movie is loaded with so much symbolism. In fact, it's really interesting that I've read some reviews like we saw Nope last night and I had messaged you that it was me, Indrani, Alexis, Melissa, and Micah. None of us liked it. Oh, really? Yeah. Wow. And I've read some reviews and it's mixed. If you see like there's the Rotten Tomatoes score, but then there's like a 2.4 score for audience meter. So it's... And the reason I'm bringing it up comparatively is like if someone were to say to me two things, first of all, which of the two movies should you go see? There's no question. See this. See this. Because the symbolism and the analogies and the metaphor of... Because you expect that from Jordan Peele giving nothing away. I mean, you've got to know you're going to get that going in if you've seen Get Out In Us where I've read what other people who've loved the film saw. And to me, it just it just it didn't work. Whereas with this, which I'll save most of it for the spoiler section, this movie is about everything. This movie is literally about everything. All at once? Yes. In a completely... It's really strange, but in a very different way. This is everything everywhere all at once in a completely different way. That's the tagline. This film is everything everywhere. There are so many categories that I feel this film would be... If this was just a normal release in the United States, this would have multiple Oscar nominations. So I absolutely love, love, love with all of my heart. Love this film. Yeah, I really, really, really enjoyed this film as well. No surprise there. I didn't expect to love... I expected it to be good because it's Fahad Fasil. He does good stuff. Now, we could also walk away and go, didn't like the film but loved him because he rarely ever does bad work. I don't think he can. But yeah, that does... This went way beyond my expectations. This film was very surprising because a lot of people, including I guess myself, thought it was going to be mostly a survival film. Survival film, exactly. Which it was. You do get that. Yeah. But it is a lot more. And in terms of... I don't want to give anything away, but they take their time in this film. So just know that going in, they take their time and build these characters and why they do what they do, why they're thinking what they're thinking. And kind of the... A lot of metaphors as you've talked about without giving anything away, that you need in the first half before you really get in. Because it's not a spoiler. Stuff happens. You've seen the... No, it's intelligent filmmaking. Yeah. Every little... Don't turn your eyes away and pay attention to every little thing because every little thing matters. One of the things I wrote right off the bat, and it just stayed that way the whole thing, one of the most underappreciated things in all of cinema is the work of the editor with the director and the cinematographer to maintain continuity. Guys. Well, it's one of the best editors in the business, I feel. Guys. It's obvious when you're looking for things like he has a blood stain on his left shoulder and you want to see that there later or there's a dent in the car and you want to see that there later. That's obvious. But the editing on this was so good, it made you think that a shot that had three setups was actually a three-camera shot. I was flabbergasted sometimes, almost to tears at literally... There was no way it was a three-camera shot because the desk is up against a wall and a window, but with his right hand, he does something and turns to the right and they edited it from the other side and matched it so perfectly. That's the only way I can say it. The editing in this is flawlessly showing you something that makes you think it's a three-camera setup when it's three separate stand-alones. Yeah, the... Unbelievable. The cinematography and editing on this, the cinematography done by the writer Mahesh, who we've seen many of his films. He was the director of Malak, See You Soon, Take Off. I don't think... Was he the director or was he the editor? No, he was the director of Take Off. Yeah, so you've seen quite a bit of him and... But I think he's a cinematographer editor first. Well, it shows. It's kind of why... But obviously it's not directed by... This is a... Right, right. But it's interesting because with the writing, clearly it's wonderful to have a cinematographer do the writing because obviously you're getting storyboard right in there. Because... I bet you're writing storyboard. Oh yeah, it's gonna make it really simple because when that script was written, all the shots were already in his head. And I bet if you saw behind the scenes or talked about that, it would shock me if he didn't already know exactly how he wanted to shoot this thing. Which is one of the best things, I think, because you don't get a lot of exposition with a cinematographer. Because they're like, I'm gonna show you this movie. Okay, I'm gonna... This is what I do. And show, don't tell. It'd be really interesting to talk to him. Because obviously, does he consider himself a writer first, a director first, an editor, a cinematographer first? Or just all of these things. But you know, it's just... In my mind, just like Vishal, he's always gonna have the music at the forefront. Right? Right. But it feels like he's always gonna be like, no, I'm gonna tell you what's going on here. Which by the way, we talk about this a lot, obviously, that you shouldn't have exposition in the script for talking. Very, very rarely is that needed. You have to justify it. Because if a character says something and the audience knows you're saying that to inform me as the audience member, you've obliterated the fourth wall, there is no more suspension to disbelief. It's just a poor way to carry the story forward. And that shouldn't be confused with dialogue-heavy films. Like Quentin Tarantino. You won't find heavier dialogue, but he never puts exposition in there unless it's a justified reason for doing so. Great writing. So yeah, Oscar-level cinematography editing and sound design. Yes, the sound... Oh my goodness. This film would win multiple sound design Oscars. This film would be, for me, this film would get picture. Okay, okay. Sorry about that, guys. So this would, I think, deservingly and not surprisingly get nominations for actor, picture, screenplay, direction, cinematography, editing, sound design. And you're including the films that have come out in American cinema. I'm talking if this thing was just made and released as a Hollywood film. I think this would get at least eight nominations. Yeah, I wouldn't be shocked in the slightest. Yeah, the sound design of this thing was it's... The same way you rave about it in war films, because it's so difficult and it's something that's so powerful in those films because it really puts you, like if somebody's getting shot or whatever's happening, it really puts you there. Especially in the second half of this, without giving anything away, it really puts you in the space that they're in. So many ways. And sound is such an important part of the storytelling in this film. How they shot some of those things. I know. Once again, not a spoiler. You've seen this in the trailer. Yeah, if you've seen the trailer. It's how they shot some of those things while they're under the ground. And not... I just... I know. I know we've seen the behind-the-scenes thing and I know what they did. It's still just crazy impressive. It really is. And also, how did they do that? It must have been a miserable shoot for Fafa. It was insane. Well, I heard he got hurt. Yeah, I heard he broke his nose. Yeah, he fell and broke his nose. And I'm sure he was freezing most of the time. He was... Second half of this film. Fafa was just wet. But I bet he wouldn't have had it any other way. Oh, yeah, I mean, it's like that helps. I mean, your character's suffering, so... Just like we talked about in the making of... Yeah. We could talk about Fafa right now. It was an impeccable performance by Fafa. And obviously, it was very different because he actually looked... Even though he had a mustache, he didn't look like... I'm actually fresh off of watching Kumbalanji Nights again just about a week ago. This is a completely different character even though the look is decently similar to a lot of his other characters. He was holding his body differently and he was moving differently. His mannerisms, his emotions were all different in this film. So it's... That's impressive enough. That's, I expect that right from Fafa. But what he did, I 1,000% believed he was trapped under the ground. I believed he was this person. Yeah, like the fact that when he was in pain, I didn't see any indicating. Never. I never saw a second of trying to make him look tired I literally saw him just struggling. It was so impressive. Obviously the first half was great as well but the second half is a totally different thing. It's a totally different animal. But by a lesser actor, you could... I know you're not actually doing this. Yeah. No. Which is why even though he looked miserable, he needed to do it. He needed to be wet all the time. He needed to be in there with the mud and the water and all that kind of stuff because it really... It didn't look like he was acting. No, and I can't remember a character... It's one of his better performances, I think. I can't remember a character whose arc is as dependent on the character thinking and being versus going through circumstances and talking to people and having things happen. Yeah. Because the majority of what you see happening that reveals who this man is and what he's dealing with and what is part of his backstory, his current challenges, and what is his arc, for the most part, what you get are him showing you... He's irritated about something or showing you... He just had a thought about something and got frustrated. You could see that thought. Yeah. And he doesn't have to... No, with very, very few words spoken. I can't recall... Other than a film where there's no talking, like the film with Robert Redford, it starts with an A where he's shipwrecked. And he only has one line in the whole film and it's, fuck. That's it. It's a one-man thing and he's shipwrecked. Is that what it's called? He's stranded at sea. No, it starts with an A. Anyway. Anyway? That... No, no, no, no, no. That's the last time I remember seeing a character go through a character arc. But even then, while there's similarities, it's not nearly as complex and complicated as what you see depicted in this film. With, again, in the spoiler section, the amount of symbolism that is profound. And I mean, this film doesn't just have symbolism in it from moment to moment or as a whole. There's almost frame after frame after frame of symbolism of things that are speaking to the very deepest, most important things about life now and always. I can't say more than that. Yeah. You don't want to. But see this frickin' movie. Yeah, see this movie. The one of the only things that I could, that in my personal preference, wanted to do differently, I would have liked, even though Aramon did an impeccable job with the score, I thought the score was magnificent. I thought a lot of the music was absolutely beautiful and gorgeous. There was just some times that I wished it was almost silence more. And there were times that there was silence. I'm not saying there wasn't. But it was just, there were certain times that there was score behind it. And I was like, I kind of just wish this was. If I was doing this, I would have put no score just so you can feel a little more claustrophobic, a little more or whatever at the moment. It was first and second half. That's like the only thing that I could have nitpicked at. Yeah. The reason it worked for me is because I don't think that claustrophobia was the primary communication device. Oh, I'm not just talking about that part. I'm talking about the rest of the film too, in terms of, I think sometimes no score under stuff makes a moment more powerful. It can. A lot of times. But that's like, that's me nitpicking. There's literally nothing else I can nitpick about this film. Yeah, I have no nitpick. It's a really, really, really, really, really, really good film. And please go watch it in theaters. Because I wish we got it in theaters here. The closest theater was 50 miles away, 80 kilometers. And it was at 9.45 at night. I would have fallen asleep on the road and died. Yeah. I have two newborn twins at home. So unfortunately, but if you have an opportunity to go see it in theaters, please do. Because one, the sound design in a theater and the cinematography of this thing needs to be seen in a theater. Yeah, because you can feel it at a level that we can. I mean, we do everything we can to, I do everything I can, like my headphones and volume. And I have a good sense it's all mixed that way. Yeah, so, but yeah. And the other reason, not just for the experience of it in theaters, but to give everyone who put their life into this thing back money so that everybody can see the box office receipts show this is what audiences want to see. They'll make more of them. I mean, Fafa is going to make what he's going to make regardless of whether you buy a ticket, because he's an artist and that's what artists do. However, the people that he talks to who will give him bankroll when he doesn't bankroll it himself need to know they'll get money on their return. This movie deserves multiple, multiple, multiple times over what was spent to make it. Yeah, I totally agree. So please go watch it. We're going to get into spoils now, so if you haven't seen it, please go watch it. Yeah, go watch it, come on. Come in. So I know the stuff you want to talk about when you want to talk about. Because you would just, let's talk about the thing you were just asking about, the symbolism of this. Okay. Of it all. So it's got, where do we start? I don't know if there's a lot. Once again, spoilers. Because this has everything. This has personal morality. This has cultural acceptances and prejudices. This has religious biases. This has generational aspects of connectivity. This has climate change. This has... Some of the symbolism goes across the gamut in multiple religions. There's a lot of Christian symbology. I guess the one to start off with, first of all, would be the personal journey of Fafa's character. Yeah, and that's why the first half was so incredibly needed in this film. Because it all hinges on his journey. So everything else is kind of off-shooted. I saw some people say that the first half was slow, which I didn't believe so. And they were like, they could have cut it. I'm like, it was, if you were paying attention, it was incredibly needed. And it's the reason why this isn't just a survival film. This is a lot more than a survival film. Some things in life are meant to be slow. Yes. Like sex with your mother. Anyways. You don't gulp down a glass of wine unless you're a freaking barbarian. You don't gulp down a glass of scotch unless you're Corbin Miles. Yeah, that's true. You don't just make love to your wife by just sticking it in for two seconds and getting it over with and she doesn't care. What? You don't. Damn. I'm doing it wrong. And some, there's a reason that a lot of people can go to a museum and stand and look at a piece of art for a half an hour. And nothing happens but you looking at this piece of art for half an hour. If you think that's too slow, you're uncultured, period. Yeah, so I just wanted to say that. Sorry. But yeah, the journey he took and the symbolism that happened throughout this film in terms of his journey and then the symbolism of the little girl and Fafa almost becoming the child again, which obviously we kind of picked up on in the trailer a little bit. But it was incredibly powerful in this. Yeah, some of my notes I just wrote in the sporadic moments because I didn't want to take my eyes off the screen. First of all, in sound design because you guys who worked on sound design and I'm sure it was under the specific direction, I don't know. It was collaborative for sure. But the symbolism, the constant combating of not just the sound but what we got to see, there was this constant fight going on between electronics and nature, between the electrical and the water. And there is big symbolism and it's a massive part of Fafa's character's arc. There's a reason at the end of the film he doesn't need a phone. That's not a mistake. And there's a reason he was so absorbed in the technological and there's a reason why he has that flashlight with him through the whole thing. And there's a reason why there's lights that work in the water that shouldn't really work that way. So that in and of itself was a lot because water and electronics don't go well together. There was lots of food and drink. Do you notice there's just a whole lot of food and drink? Stubbornness, selfishness, bitterness, isolation, prejudice, all result in self-created crushingness. That alone is emblematic within the film of his character being a guy who's very... It's wonderful because as much as he can be a dick, your heart goes out to the guy because he's had a hard life. His sister? He's had a really hard life. Blames his sister for the death of his father. Yep. Now he has killed his mother because of his stubbornness. I don't think he likes doing what he does other than it's a distraction from that life didn't go the way he wanted it to go. He's prejudicial. He doesn't like people based on cast at the beginning of the film. And the fact that he gets where he is, there is... I mean, he literally is where he is because of what he's done. He's the one who said, we're not going anywhere. But that's just the small decision. The larger thing is that metaphor of these attributes in your morality will only result in crushing, death-dealing isolation. Yeah. Yeah. What did you think about the scene with his father when he first got down there? That's magnificent. I thought that was... Because it was so unique because I was like, what is this? What is going on? And I was like, this has to be just in his mind of what's going on. But it was a brilliant scene between those two actors. Yeah. I thought it was a great symbolism, a good use of some... Something like that. It was. And so the symbolism there of also... We talked about this of the... And it was really big in the film is the embryonic aspect, right? So that moment with his dad, I wrote down on my notes, embryonic, in order for him to see beyond himself and his prejudices, he had to die to self and be reborn. You don't have to wait for another life to evolve. And that was something where... Like, I don't remember the exact line, but the line of his dad says, when we're dead, there's no more cast. So in other words, when you measure things based on life and death, what good does discriminating against anybody? And I thought about that. In a natural disaster, does anybody stand outside of a natural disaster and decide who to save based on their cast or their skin color or their gender? You'd hope not, but who knows? You would hope not because they're human beings. Yeah. And the fact that this was... This is not like a true storytelling, but this is based off of a real event that happened that they put a fictitious story on. And I wrote, it ought not require the earth to move to get us to change our perspectives, but that's literally the earth needed to move under his feet to get his perspectives to change. And hopefully, you don't need to go through that experience. You could just watch this film and have it rattle your cage. It's too late to show respect when they're dead. The stuff that was the... A lot of... I know there was a lot of symbology of Hinduism throughout this as well, as there may have been as well of other things like Islam, but I'm most familiar with Christianity. And the things that... I don't know if it was intentional, but this little light of mine was shining the whole time. They have pierced my side and he kept saying his hands were also hurt. A little child shall lead them. The scripture that talks about Jesus to sending into the lower parts, and then he literally is risen from the dead. Literally watch him raise from the dead. And there was multiple times where it almost looked like he was being birthed. Yes, exactly. And I understand that the resurrection, that the story and symbology is not exclusive to... I know about Osiris and all of those things, so I'm not making it exclusive to that. I'm just telling you what I'm most familiar with. When Kerala does have a big Christian population. Yes, yes, yes. And I think that would make sense. It would make sense. And then for all of our technology, we've not only lost touch with humanity. This is the electronics versus earth. That for all of our technology, we've not only lost touch with humanity, but we've damaged it. And the earth itself is revolting against us. And Pawnee represents not only the next generation, but the very thing he wanted to shut up, he now wants to hear the most. And I looked it up. Do you know her name, what it means, the symbology? No, I didn't know that. It means Golden River, but it's referring to the Kavari River that runs through South India. It almost runs through the whole of South India. Oh, really? And so she is like representative of the... This life beginning, and it's also connected to goddess that connects everybody. And how the very thing, it's interesting, he was playing worship music to stop hearing the sound of the representation of all things good and connected. You know, he was playing that to stop to annoy the neighbors with the crying baby. He's playing... It was a worship song that he was playing. Was it? Yeah. Oh, okay. I didn't catch that part. So when that symbology for me, I'm sure you didn't, but I cried twice. Oh, no, I did not cry. I cried when he finally gets to her. Yeah. Because when he cries, he's not just crying because, at least I don't believe he's crying because he found the baby. Yeah. He's crying because he's repentant. He's recognizing what he almost lost and what it took for him to finally see the world through the eyes of love in the right way. And how he led his bitterness and his brokenness and his prejudices to miss possibly the most important lesson in life. And there she was. And then it got me again. Like after they pulled back, I thought, and I saw them come on a new scene. I thought, oh no, what are you gonna do? Yeah. You could have ended it right there. But when he sees her and goes into the room and says her name again, it just, it hit me again. And that's because of Fafa. That's because of how good Fafa is. I was so entwined with him. Just an incredible point. When they pulled back and it showed the magnitude of the landslide, I was like, holy shit. Yep. And apparently landslides are a thing in Carol that happened a lot. That whole yellow warning, red warning, that's like standard normative life for them during the rainy seasons. And these things happen. In shout out to the set design people, I know we talked about it in the making of video. But man, did that just look so good and authentic. Not a flaw. What they created. And it was probably such a blessing for Fafa. Oh yeah. To have something that practical. Yeah. And it not be like green screen or whatever. Yeah. But that's difficult. That's not an easy undertaking. No. And all of the debris which they needed to make look real and it conveyed the symbolism of man's just horrific waste like the plastic bottles. That's intentional. That wasn't just put in there to make it look like junk. That was to show you that here's mud and water and human and plastic as well as electrical lines. And it's truly astonishing that they got that look because every frame looked and felt like we were underground with him. Yeah. And the way it was brilliant. So if you're writing this, one of the challenges you've got to be thinking about is so how do I make this lit for everybody to see and justify it? Without showing all the lights of course. Yeah. Without showing all the lights, how do I make it lit under there with all this water so I can't have a fire or a flame? If I have electricity, why isn't he getting electrocuted? They did it. Yeah. They did. Then that's so many people obviously from the director to the cinematographer to the production design people to Lots of eyeballs on that. So many people it takes. Those are some of the most talented and some of the most underappreciated people. The people that build sets and also the camera work people to that especially in stuff like this, that is such a enclosed space. And you just you feel claustrophobic in it. And it's just it's so powerful and just works incredibly well. But it's also not easy to shoot because if it's not shot well in terms of the cinematography and the camera work and the directing, it could look fake. It really can. It could look terrible. And you could have continuity issues where you had to do two completely different setups on maybe two different days. But the debris and stuff has to be in about the same spot. You can't just suddenly have something floating next to his right side while you're here. And on screen time, it's one second. But then the next day you shot from over here and the bottle that was by his side is now way over here where you didn't see it move. It's a credit to everybody as well as just and sincerely, not just for the visual aspects, but for the best boy and everybody involved in the engineering of the electrical. I don't know what y'all did to keep everybody safe in the water and still have electric light, but kudos to you. I'm assuming nobody had any problems because you guys were literally dealing with life and death in there with all of that water and all that electricity. Incredible. You know, it's one of Ehrman's first Malayalam films in a long, long, long time. I did not know that. I want to say like, no, at minimum 15 years. No, but I found his... I wonder what made him want to go back. The score was so good that I sat through the totality of the credits just to listen to the score at the end. Yeah, it was a beautiful score. I listened to the entire credits as well, just because it was one, it was a powerful film in terms of just... Yeah, you want to meditate on it for a little while and really think about what you just watched. And then, but obviously Ehrman, he puts so many unique touches on his compositions and it was so different from everything he's ever done, which is no surprise, but it was just... Like they said, the only gripe is that sometimes, not that it was... I didn't like it, it's just I wished there was less at certain points because maybe I think it's just a style preference for me. Sometimes I just want a little silence because I think that helps a little bit. I can't think of anything else in this film that I could gripe about. No VFX, no nothing. Yeah, you had said, comparing it to RRR, which is the one I want people to come over and we're going to have a really good time and drink some beers and laugh and enjoy and be mesmerized by the performances? What's the one that I want everybody to watch forever and not forget because the message is so important for people to be better people? Yes. Well, it's been an incredible week for us in terms of just the two films that we got to see. It's just two small films as well, but two incredibly powerful different films. That's wonderful. I just wish we would have gotten to see both of them in theaters as well. I know me too. I think that would have been really, really cool and also be able to support like we want to. But very, very, very grateful we got to see it. Yes. So let us know what you thought about the film. And to everybody, because a lot of times like DPs or the supporting actors or whoever will comment on these videos, it's like if you worked on this, you should be proud. You should be very, very proud of yourself. Very, very proud. And I hope, because I know obviously Indian cinema is going through something right now in terms of what's working at the box office, what's not working at the box office. I know this doesn't have the budget of like a Brahmastra or anything like that, but I hope this makes a ton of money. So people in the industry realize that people want to see original good stories like this. But I feel like the Malayalam industry knows that already. They know that. And the thing that also lets me sleep at night knowing that this art form is in good hands is that this man Fahat Fasil has said he makes movies based on the stories he wants to tell. He doesn't make decisions based on box office. While he does have to think of it as a business, I am convinced that this man's heart is an artist and he will never make a decision about something whether or not it's going to be making money. It's going to be whether or not he thinks it needs to be made. And I love that about him. So irrespective, I think nobody could see this. It doesn't change a thing about how he feels about it. It doesn't change a thing about what he's going to do next. And that makes me very happy. Yeah, I'm glad because obviously it was word there for a while if it would come out or not. We saw the trailer in the beginning of the year, remember? I do, yeah. Push-Bot 2 is not coming out this year. That's a lie. That is a lie. There's no way Push-Bot 2 is coming out this year. Unless they filmed at the same time. That's possible. I'm just trying to, I'm looking at what he's doing next. He has two other films that are slated for 2022. Not a surprise. He doesn't need to do... He maintains the pace that all the Indian actors used to do back in the 90s. But you know what's impressive about that? Like it's all good. I know, it's really astonishing. It's incredible. It's really astonishing. It's really incredible. Anyways, let us know what you thought about the film, which will be our next fa-fa film down below.