 So here we have a new Canon camcorder so hi so who are you I'm Paul Atkinson I'm the product specialist for Canada Europe for the pro video camcorder range of the Cinemareos range And this is a very anticipated very exciting camcorder for their pros. Yep This is the long-awaited replacement for the XF 305. This is the XF 705 Yeah, a bit of a world-first for us. This is the first pro level camera It actually uses H.265 HEVC compressions. It's recording format or main recording format So that saves bit rate. Yeah, absolutely. There's lots of advantages to this We're still recording 160 makes per second Onto SD card at 4 to 2 10 bit 4 to 2 10 bits. Yeah 4k 60 and 50 right? Yeah, and you can switch Yes, you can yeah, you can switch this one Go to a service center. So 4 to 2 10 bit internally to dual SD UHS 2 cards. Yes, and then How's the sensor is it one inch? It's a one inch sensor We can do some other things with this as well. We can also record direct HDR and we can do both flavors We can do PQ and HLG. We can also by fitting an external recorder We can record simultaneous HDR and SDR streams Even more clever we can also add on to that the ability to adjust the exposure to one or the other So if you expose correctly for HDR the camera will automatically Reset for the SDR Plus or minus up to 7.5 decibels, but it doesn't let you do both at 4k 60, right? Yes, it will be both really you can do HDR and SDR two streams at 4k 60 at the same time It's one into the SDR will always be external the HDR internal. Oh, wow cool, but We need to HLG format is kind of Compatible with both with SDR displays and HDR, right? That's correct in one file Yeah, that's the beauty of the HLG system So for broadcast in particular where you can't guarantee that people are going to have a full PQ capable monitor The HLG is the one to use. We can also on the back. We've put a 12 G SDI output Which means we only need one cable And again, that's 42 10 bit in HEVC and we can do a full HD in the same as well So there's all the ports you want down here. Yep So we have said we have 12 G SDI for a single connection to external use You can take the same amount of HDMI as well also IP streaming at 16 makes per second So we can open up all these little caps for you. You'll see you have a gigabit ethernet right there Yep, so that'll do 16 makes per second live IP streaming in 4k HDR H265 4 2 2 10 bit streaming that's pretty awesome. Yeah, I mean it's 60 only or 160 16 makes per second 60 makes 60 megabit 1 6 Ah 1 6 so it's not 4k 60 and all that stuff. It's still 4k So it's still 60p, but the data transfer rate is 16 makes per second 16. Yeah, so it's very compressed, right? Yes, but it's kind of like what they do a Netflix Netflix is that kind of bit rate It's H265 is 15 megabit. So that means it has a very strong compression right there Maybe it does but it's also if you think of this being used in documentary or news gathering It's a deficient way to get stuff back to your studio to use room You could also stream it over LTE and stuff like that If you use one of those external things again, that's the beauty of the connectivity of the camera and lots of XLR Yeah, we've got two XLRs one at the front and one at the back and the reason behind this is If you put a radio mic here, you've got four-channel audio You've got a radio mic here that connects in that helps with the balance of the camera And then a wired one or another wireless at the front So you could you could also perhaps The interviewer can have a label correct and then to have the other one as a shotgun Yeah, absolutely, and that's kind of like the perfect combination But it is a kind of big right is that the 305 was smaller or this is slightly smaller than the 305 Slightly lighter We've got the multi-position screen as well So we can have it this way up Let's turn it on for you and get an idea of what the screen looks like I can have this through on this side as well If I was self shooting I can turn it that way It looks like there's two displays, but it's not. No, it's not. It's just the one the other feature that we've put on this is We've incorporated dual-pixel CMOS autofocus And as a benefit of that for those that want to manually focus you've got the focus assist system on there as well And that uses the dual pixel AF technology to give you manual focus confirmation So you can use the dual pixel just to make sure your manual is well made So if you look at zebra kind of stuff if you look on the screen here You see this little GUI here and that tells me whether I need to move the lens the focus left or right And as soon as everything goes green, I'm in focus The importance of that is because you are filming 4k. It's absolutely imperative that your focus is exactly accurate There is no room for error in 4k filming Yeah, and it's the fastest dual pixel implementation in Canon's history. I mean you have different kinds of dual pixels I mean this this is comparable to the C700 C200 speed and Is it like tap to focus also Yeah, absolutely when you tap to focus do you have to tap something to tap something else? You can just tap the GH10 Seems that the UI has something where you have to exit and come back to the next now All I need to do is need to make sure that I'm in autofocus I can press that one as well, but I don't mean one for you that I can go towards the focus I now have my cursor here I can make that a small area or large area I don't want to choose my point of focus if I go on to the stand I can say, okay, I want to focus here a touch It focuses touch And it's instant And What's the price? The price on launch is going to be around about 7,000 euros plus tax Which again for this kind of level of camcorder, I think it's fairly competitive There's been a massive amount of interest from right across different speeds of the industry and it's already Buried in mind. We only announced it two weeks ago But some people in the professional areas think that the H265 is a little bit harder to do post-processing on right? By the time this goes on sale. We are working with partners creating editing systems We know that Avid will be available as a plug-in on launch. I'm unconfident the other providers of NLE will be following very closely behind and There's 160 but can you even tune it down? You said that the live stream was 16 only Yeah I mean you have options to go lower if you want to do 50 or when you it's all variable bit rate But when you are recording you if you record to full HD H264 Then you can bring it down to about 45 makes per second Nice, so that's very exciting to see some H265 happening So it starts here, but perhaps it might go in the more consumer-oriented cameras later I think I think it would be a Good thing to do because it gives you the ability to record a 4k file But to relatively low cost and very easily available recorded media And that's the big attraction that we can go we can buy an SD card pretty much anywhere these days Even the newer specification ones There's no need to use the v90 right? It's just a Little bit more for what SD card would be fine because it's only in a hundred and sixty megabit Yeah, I mean Be fine for it. Yeah, and it's got all the manual controls people want. Yep So you have three ring control at the front for focus zoom and iris The zoom rocker on the side here is the same as we find in our broadcast lenses So this is much stronger much more durable All the controls are logically placed again controls to the left of the camera connections to the right and it's little things it's little things like being able to find out What your audio status is and instead of having to go into a status menu and go find audio You just press the button you discovered there and your audio status is projected straight onto the screen And it's got a long battery day for yep around about 80 minutes of continuous recording is the best information I have at the moment and but until we start getting this out and using it and Get those fingers square away. There's no chance that this nice big beautiful screen is a 4k. No No, it's a that would be cool. Yeah, it would be cool But it's a very bright screen allows you to look at something if you record in HDR It allows you to get a good representation all that footage is going to look like If you didn't want to use the direct HDR recording You've also got the ability and this is a first on a non-cinema camera We've put Canon log 3 onto this as well So you can record in Canon log 3 and then to follow traditional workflow instead of going through the Direct system So I'm excited about the h265 I think is very cool But there there's no option for h264 for people who want that there is an h264 option That's xfavc and that will be the 4208 bit 428 so if you want 422 10 bit you go hivc hivc and it's 160 but did you say there was a lower in xfavc in 4208 bit? Yes But if you want to do the you can't tune the bit rate is fixed at the 150 So that's I think you can come down to 110 actually so what we'll do is we can go out of this one We go into our menu You can see all the menus is all very Logically based This is the cp so this is the preset And you can see the options we have in here So we have wine DR As we have with the other cameras PQ and HLG You can choose rec 709 or 20 20 straight in so these are all three sets You have the 110 option which still gonna be focused 60 nice and if you get if you can go back And there you have a Xf hivc and that's the one way you can choose the h2 6 4 there as well, right? Still on 50 But then then it would be external through the hdmi if you do the two streams or 12 gs di or the sdi Cool, so available Say I'll start is anticipated for early December and What are the customers a broadcast Broadcast independent filmmakers Anybody that's using Xf 305 and there are a lot of those people out there. It's been a really good workhorse camera It's been around a long time the 300 is already Discontinued the 305 will be discontinued fairly soon So, yeah, that was just a 1080p Yeah, that was four two two eight bit and pick two 1080p. Yep, and so there's a big jump big jump And I think so have manageable size for this kind of product I think hEBC is actually the logical thing to do Everybody's been waiting a long time for this. I really do believe that we've got it very right with this camera The the 405 was kind of like a different thing a little bit. It was smaller different markets. It's different. It's for It's perfectly fine for news gathering as a small news gathering camera. It meets The the required criteria 4208 bit, which is perfectly acceptable But this one gives customers About 4 to 2 10 bit option All right, so there it is hEBC focus 60 10 bit 422 hLg all this stuff to dual sd right here very exciting that That this comes out for this kind of market, but potentially could come out and you know for all the other kind of stuff I mean, obviously, I don't talk about future plans, but we've got this technology with the first Major manufacturer to have a camera at this level. Obviously. There are other cameras that record each 265 But by incorporating the MXF wrapper, hence the XF XF HEVC We're able to have all the metadata as well