 Affectionately known as the Badlands Guardian, it is located near Medicine Head, southeast Alberta, Canada. The feature is clearly of an uncanny likeness to that of a past Native American chief. Viewed from the air, the feature has been said by nearly all whom explore it to resemble a human head wearing a full traditional headdress with his face gazing precisely westward. Although the chosen argument for its existence is it being the result of heavy rainfall, subsequently a ground slip formation, those who use such dismissive techniques have forgotten to mention or deliberately ignore the formation's longevity and lack of morphing due to geological activity, a continual direct contradiction to these claims of geological culpability. There is a good reason we share and indeed find such curious features intriguing. We have for a long time explored many enigmatic possible ancient landmarks, many terrestrial and many much further afield. Denied dismissed on site due to cognitive dissonance, not only due to modern paradigm and inability to time travel back to their date of construction and photographs at undertaking. Yet most persuasive, the unthinkable, unimaginable mind-boggling feats that if real, many of these now classified earthworks would have taken to achieve. There are few fields of study in our experience which causes such a divisive reaction and difference in opinions within antiquarian research, as there is within the field of ancient questionably possible peridolia. We recently shared an ancient mountain known as Pedra de Gavia, and although the claimed face's erosion, regardless of geological or of artificial origins, is in the most severe final stages of natural entropy, with this eventual likeness fading into a geological feature to no longer distinguishably recognizable as a possible pre-Columbian face in the near future. We cited and shared other research, the geological evidence of the face's surface seemingly cut later, being far more recently exposed to the elements. Yet, regardless, many simply dismiss the feature due to its lack of any visually distinguishable features which, regardless of this site's possible natural origins, is a fate bestowed upon many of the truly oldest legacies of a lost world here on our planet. It must be noted that we do not claim to know these curious, often enormous landmark or stone-cut supposed monument or Earthworks' true origins, but the evidence to support it as indeed a possible achievement is enormous. The Nazca Lines, Derinkuyu, the wonders of Egypt, the astonishing acoustic marvels of the caverns created in Malta, and so on. Not to mention that countless demonstrative feats, evidence of their capability to indeed work and eventually transport stones of mammoth proportions, molded into blocks and astonishingly ancient displays of decorative artworks found all over the world. Thus, regardless of the dismissals, we find the Badlands Guardian highly compelling. There are many ancient relics strewn across our planet which are unimaginably ancient, hidden from inquisitive minds often by a variety of factors, millennia of undergrowth, conspiratorial bodies, or even personal perceptions of historical truth. However, there lay a far more interesting, far more inspiring tale resting just beneath the surface of this illusion, just waiting to flourish. Previously, we covered some of the amazing discoveries made by a man known as Professor Pottini, in particular his extremely peculiar stone found in 1990 within a diamond mind in Sierra Leone within West Africa. It is known as the Sky Stone. Numerous specialists have analyzed the stone and concluded that it is somehow made of pure oxygen, with a color source which is, as yet, unknown. Unbeknownst to many, however, is that Professor Angelo Pottini had many strings to his bow. He was a geologist, a botanist, discoverer of emerald mines, an expert in the precious stone Lapis lazuli, along with many other talents. And although many perceive his Sky Stone as a defining discovery, we feel his actual defining discovery, his legacy left upon the unexplained mystery history of our planet, can be found elsewhere. He did in fact, during his lifetime of exploration, indeed discover something unique upon our planet. Something undoubtedly important, immensely ancient, and quite possibly, a last remaining remnant of an unimaginably old civilization which was once found upon the African continent. Found during his ventures deep within Sierra Leone West Africa. The Lady of Mali. He examined the land at the foot of her mountainous form, and according to his calculations, the stone monument was indeed man-made, and carved well over 12,000 years ago. Reaching an astonishing 1,500 meters in the air, it is an image of a woman's figure hewn from an entire face of Mount Lore. Predictably, due to modern academia and the entrenched, paradigmically cast spell upon many modern fields of study, the only explanation that can be ascertained for this clearly man-made, highly ancient artwork is that it is merely a coincidental, natural formation. In an interview with journalist Carmen Mercado, Pitoni explained that the statue is located to the north of the city of Conakry, and close to the country's border with Mali. The geologist estimates the Lady of Mali to be some 20,000 years old. This concluded through the observations of displaced motions within a natural rockfall he found within the lady's form. He also spoke of caves in the area, which contained mummies guarded by the locals who he claimed rumored of their, quote, Atlantean origins. Unfortunately, Professor Potini died in 2009, so any other invaluable information he may have acquired regarding the area went to the grave with him. However, the Lady of Mali remains and will undoubtedly live on for many years to come. Just who could have built the Lady of Mali? Is she really a 12,000-year-old relic left by a pre-flood, pre-cataclysmic civilization, or merely a natural formation? Do you believe an opinion based on a historical assumption? Or one based upon explorations, investigations, resulting in unexplained physical artifacts? We will let you decide. There are many baffling, anomalous artist depictions that litter the megaliths, all over the rainforests which now submerge the super-civilization, or mega-metropolis, which was once known as the Mayans. Pekal's tomb and the strange rocket designs we have shared before, location now unknown, the seal seemingly showing a craft of ancient high technology, indeed not to mention his choice to have a vivid green death mask. All mere coincidence? Even the stolen plaque fortunately photographed before its mysterious theft, depicting a doomsday event. Volcanic eruptions in the background, with drowning natives, which accompanied a mass submersion found and subsequently stolen from Tikal. Mere coincidence? Yet with all these compelling pieces of evidence, all these artistic accounts, whether through cover-up or lack of discovery, an accurate artistically created depiction. Of this event of a peaceful trade via ancient alien contact, what the argument needed to become unarguable may have just been discovered deep in the Mayan rainforests. Accurate depictions created in brittle, yet precious jade tablets of considerable proportions, artistic interpretations of these events, and the giving of gifts actually once occurring. A statement released by Julia Levy, the Minister of Tourism for the Mexican State of Campache, Luis Augusto Garcia Rosado, the highest-ranking government official to go on record confirming the discovery of this possible extraterrestrial life, said, quote, Guatemala, like Mexico, home to the ancient yet advanced Mayan civilization, has also kept certain provocative archaeological discoveries classified, and now believes that it is time to bring forth this information. Rosado spoke of contact, quote, between the Mayans and extraterrestrials, supported by translations of certain codices which the government has kept secure in underground vaults for some time. In a telephone conversation with the rap, he also spoke of, quote, landing pads in the jungle that are 3,000 years old, end, quote. The modern-day institution, man's way of organizing belief systems into their different clans, cult-like attitudes, often driven by an existential perception, specialisms of some form or merely a naturally occurring passion. They are either built around a certain series of events, or an apparent fact or claim, which stand as the cornerstones of said institution. It is therefore within the profiteers of said ideology's interests to not only suppress any evidence that may surface that would make their treasured institutions crumble to their very core foundation, but to actively destroy said relics whenever one gets an opportunity to do so. The Bamiyan Buddha, for example, apparently this monstrous carving, perfectly bored into a sheer rock face in the Bamiyan valley of central Afghanistan, is not only a relic, which we hypothesize, was left by a now lost civilization. Due to the facial features once masterfully depicted upon the statue, removed at some later time within history, carved flat, not only making its identification as Buddha questionable, it was for some reason completely destroyed during the Iraq War. Its destruction, I propose, supports our prior posit of it indeed being that of a lost civilization's work, this being the sole motive for such actions. Interestingly, hidden voids found behind the carving, if it were indeed a solid carving, as one would have once presumed when gazing upon it, how were these hollow chambers once placed behind said carving? Additionally, not only do most modern institutions deny any of the evidence we so often put forward on our channel, often in regards to a past lost civilization, but fields such as geology, is simply actively writing off countless ancient sites and anomalies as simply geological coincidences. Their existence being an impossibility according to already established, supposedly concluded chronology for human civilization. One reoccurring strategy, which I like to call the Paridolia effect denial, as befallen countless sites of interest. One of the most hotly debated, being the face on Mars, now simply dismissed as a trick of light, the intriguing pyramidal features nearby, which also somehow align with Pleiades. This denial strategy has condemned other said features here on Earth, some of which found in remote places that, according to modern academia, have simply never been inhabited. Thus, regardless of the artificial nature of such places as Gornia Shoria, must be dismissed as mere coincidental geological features. The ruins clearly immense age, often used in an unfortunate twist of fate, as support of such claims as nature eventually reclaims all, thus the older the ruin, the easier this said denial strategy is to argue. That is, until now, in a modern era, where modern technology now allows us to collect a massive amount of information on simply anything, unexplained features, booparts, and many other advanced unexplained legacies of an antiquity, once hidden, now shared far and wide, evidence which flies in the face of modern paradise. This Sharanian is yet another of these curious, clearly immensely old anomalies that, regardless of its form, once being carved from extremely tough rock, maybe this is why our lost ancestors built with such enormous stones and did so in an as yet unexplained yet clearly highly advanced way known as polygonal masonry. Perhaps they built like this so that their footprint here on our planet be long lived, designed to deliberately be resistant to the elements, to reach us now in the modern day. Having all of us an opportunity to understand the real history of our Earth, regardless of what others would like, we find all of these things highly compelling. We're countless yet to be explained ruins which can be found all over our globe. The proof of a now lost yet once highly capable possible pre-flood civilization, having once existed and subsequently vanished suddenly and inexplicably, has now been identified on reportedly every continent. It is a continual problem for an academic world stuck on a paradigm of primitive and incapable ancestors of modern man to explain these ancient anomalies, especially the many megalithic structures built using blocks, sometimes weighing upwards of a thousand tons in weight, cut, quarried, and then carried and lifted into place, all seemingly with ease. The only megaliths that any funded mainstream institution has ever attempted to explain are either those which are difficult to avoid, such as the ludicrous fictitious illustrations made as an attempt to visually explain the construction of the pyramids, or those that lay unliberated or seemingly abandoned suddenly. For example, the stone of the pregnant woman in Baalbek, long contested as abandoned due to the gradient of the geography, particularly due to its weight of an estimated 1,000 tons, which has since, however, been recognized as not abandoned, but part of an enormous prehistoric structure which, thanks to the partial excavations which revealed this, discovered an even larger block below it. This denial until excavation was a mainstream explanation for its existence. All the while, this conveniently ignoring the trilithon, also found within Baalbek, set aloft meters away, three 1,000-plus ton blocks, sit within part of yet another ancient structure. Another megalith, which requires explanation, is a statue, once claimed as Apollo himself, yet clearly cut with a technique reminiscent of the Moai, found on the incredibly remote Easter Island, which also possesses the lost technique of polygonal masonry, yet I digress. His proximity to the Greek town of Apollonis, being the reason for this claim of identity, although others have claimed that his actual identity is in fact Colossus of Dionysus, thanks to Wilhelm von Masau, who identified him as so in 1932. Today, it is simply classified as a kuros, a freestanding stone Greek statue, regardless of the fact that it is not freestanding, is carved from solid-grade Naxian marble and weighs around 100 tons. Predictably when such figures in terms such as 10 meter tall, solid marble, 100-ton standing statue enter the discussion, cognitive dissonance has seemingly overtaken the poor fellow who was responsible for its attempted explanation for transport on Wikipedia, specifically during the well-studied, well-understood ancient Grecian area, stating, quote, any explanation for how they intended to move the statue was not carved into stone, end quote. Short-circuiting during their contemplation of the gargantuan task, they had placed upon this well-known civilization. Thus the questions remain, who was the kuros of Apollonis? Who was cutting him free from the marble? And what happened to this civilization so suddenly? We find such questions highly compelling.