 So here we're doing a test the first time I ever filmed with the EOS R and we're filming with the this is a which film which lens am I using 24105 f4l is and it has a in-lens stabilization it has a five-stop image stabilization but it's also interesting the way where it is connected to the sensor of the camera so the sensor of the camera is detecting any camera shake they work with the gyroscope within the lens to give you a dual is much more accurate way of measuring camera shake than traditional gyroscope which are based on the lens on the body it's a pretty good stabilization for lens right it's brilliant with this dual system it's because it's looking at two different types of vibration normally you have the high frequency one which a gyroscope in the lens will and camera pick up was the low frequency one which is the camera shake that you kind of hand from heartbeat etc that aren't really testable in the seat for standards so this force system will give a much nicer kind of effect regarding to the camera shake really nice dual pixel face tracking yeah again the tracking your face yeah stay on my face but again it's coupled with a very nice dual pixel AF so if you want to override it you can talk the focus screen and you're a nice smooth focus change between me and the background nice and this is another lens that's coming this is the 20 to 70 this is coming a bit later this year this is a constant f2 zoom so which is amazing which is amazing it's gonna be fantastic for video operation etc or weddings or portraits because it's got that f2 lens aperture which will basically allow you to play the background very nicely which is not possible with any other zoom lens of this type this one is amazing but it's not stabilized right it's not stabilized again the quest for this was to make it the best image quality possible for this sort of focal photography mostly yeah photography but if you think about many video operations with a rig of this size this is no bigger than most cine lenses anyway you can put it on a gimbal yeah again if you look at the cine lens of the cine primes they're actually smaller than this so this kind of you know this can replicate many other sort of zoom lenses or still lens on the market again with the smart processing system that the lens has you know where's your zoom the focus breathing is minimized by the system compensating by itself so you know we feel it's got a feel to a wide range of people and it's again what we find with lenses are when you buy a lens you keep a good lens much longer than you keep your camera you invest in glass and people keep it as they transition through different cameras so you know a good lens isn't really just for one lens we want to have lenses for the future as well as for today to show people were committed and when you expand your grade will have some lenses for you rather than having to wait by a great body and have to wait for a lens to come along you want the lens there are you know the higher end customers when they're available so this for this 24 to 105 is f4 yeah f2 is a big jump oh yeah this is two different to the market this are L series this is almost one of the most popular lenses from any sort of system you know and this is like the kit lenses your starter obviously this sort of product is people who use camera lot for travel photography so this is fantastic range of focal lengths and it does a lot of very useful things so it's a good start it all around multi-purpose lens and then we are making specialist lenses as well such as this the 51.2 and the really nice compact 35 f1 8 nice just to test it quickly a little bit so because I'm at 24 and it's a crop right so it's kind of like a 50 or something so you're showing the USR to all the people can try it at the booth yeah we have the sardone over here so showing the camera and people can come and try we have a shooting subject we have a range of lenses they can try out we even have a dark room hidden over here so you've actually experienced what minus 6 EV actually looks like but what does it look like with what lens can you actually use it with what the minus 6 EV yeah is it any minus 6 EV is a 50mm f1.2 again with a slower lens as it won't focus in such low light the 50mm also no stabilization right no again that lens was chasing the image quality that's the priority of that lens was to demonstrate what the mount is capable of optically and what is possible there's not been number four but if I wanted to to have a much wider I could use EF what's called those other lenses you've got the adapter so you've got the EFS so a really great lens is sort of the 10 to 18mm which is amazing quality lens for the price it's really kind of beautifully kind of picture quality that's the kind of lens that goes in an M15 no it goes with the sort of 200D or the 80D so it's it's designed for entry-level users so it was new to dog what's very wide lens and for the smaller sensor size the APS-C but it fits perfectly for the 4k filming on this camera and optically it's really amazing it has IS for the price it's really one of those that not lens that we do but it's 10 to 18 and then when you put it on there will be a 17mm so it's gonna go to 17mm which is great for video blogging right so yeah it's kind of great for video and again how much is that lens the price? only 400 something? can we do quickly just around so just testing this now I can do the something that a lot of people want to do they want a video blog so right now I'm holding it doing the video blogging which is that's what people called video blogging is selfie yeah so yeah that's a very popular mark we see it's kind of very popular in the US this sort of high-end video blogging where this kind of product will watch out because it's kind of quite popular but yeah obviously Europe doesn't have quite the same breadth of video bloggers as they do in the US but again the product is a global product and will be able to different users in different customers in different markets the Canon booth is so big you even have a huge map for all the stuff what's happening guys you want me to tell you what's going on around the booth so there's the ESR here in the camcorders over there so really we've got our whole EOS R system is dedicated to this whole area which you can see behind us now over here this is our entire eco booth ecosystem this is gonna have all of our other products backs lenses video cameras camcorders there this is a business lounge this right here is the huge spotlight theater and then very busy conference right yeah we were showing the full range of kind of products we have the print gallery with all our printers over here as well so we're showing all the work by our ambassador we have ambassadors on the stage talking about their work and how using the ESR in their professional environments and we also have an expert bar where basically we have the camcorders and every product so you can go over there you can speak to a Canon expert and you can touch and try everything you put anything on any camera you know if you want to try eight of the mail and put it on our 4000d entry level camera you can do that over there it's like basically it's where you can get any sort of question answered I think the dual pixel looks amazing on the lc right now yeah very very stable very perfect and then just wish it had no crop on the video and then the video for this feature this product was a key market video wasn't a key feature of that the market so the lens is very stable but it would be nice I guess with the IBIS also yeah but even more stable right this lens will work on any kind of future body as well that's the joy of the your system everything works with the us everything so yeah the reason it's called an EOSR is because it's part of the EOS system so any lens in 1987 will work with this camera any flash gun we've introduced will work with this camera it's it's part of the us family so everything is interchangeable with each other