 CHAPTER 10. THE PRINCESS'S KING PAPA. The weather continued fine for weeks, and the little princess went out every day. So long a period of fine weather had indeed never been known upon that mountain. The only uncomfortable thing was that her nurse was so nervous and particular about being in before the sun was down, that often she would take to her heels when nothing worse than a fleecy cloud crossing the sun through a shadow over the hillside. And many a evening they were home a full hour before the sunlight had left the weather cock on the stables. If it had not been for such odd behaviour, Ireney would, by this time, have almost forgotten the goblins. She never forgot Curdie, but him she remembered for his own sake. And indeed, would have remembered him, if only because a princess never forgets her debts until they are paid. One splendid, sunshiney day, about an hour after noon, Ireney, who was playing on a lawn in the garden, heard the distant blast of a bugle. She jumped up with a cry of joy, for she knew, by that particular blast, that her father was on his way to see her. This part of the garden lay on the slope of the hill, and allowed a full view of the country below. So she shaded her eyes with her hand, and looked far away to catch the first glimpse of shining armour. In a few moments, a little troupe came glittering round the shoulder of a hill. Spears and helmets were sparkling and gleaming, banners were flying, horses prancing, and again came the bugle blast, which was to her like the voice of her father calling across the distance. Ireney, I'm coming! On and on they came, until she could clearly distinguish the king. He rode a white horse, and was taller than any of the men with him. He wore a narrow circle of gold set with jewels around his helmet. And as he came still nearer, Ireney could discern the flashing of the stones in the sun. It was a long time since he had been to see her, and her little heart beat faster and faster as the shining troupe approached. For she loved her king, Papa, very dearly, and was nowhere so happy as in his arms. When they reached a certain point, after which she could see them no more from the garden, she ran to the gate, and there stood till up they came, clanging and stomping, with one more bright bugle blast which said, Ireney, I am come! By this time the people of the house were all gathered at the gate, but Ireney stood alone in front of them. When the horseman pulled up, she ran to the side of the white horse and held up her arms. The king stopped and took her hands. In an instant she was on the saddle, and glasped in his great strong arms. I wish I could describe the king so that you could see him in your mind. He had gentle blue eyes, but a nose that made him look like an eagle. A long dark beard, streaked with silvery lines, flowed from his mouth almost to his waist, and as Ireney sat on the saddle and hit her glad face upon his bosom, it mingled with the golden hair which her mother had given her, and the two together were like a cloud with streaks of the sun woven through it. After he had held to his heart for a moment, he spoke to his white horse, and the great beautiful creature, which had been prancing so proudly a little while before, walked as gently as a lady, for he knew he had a little lady on his back, threw the gate and up to the door of the house. Then the king set her on the ground, and dismounting took a hand and walked with her into the great hall, which was hardly ever entered except when he came to see his little princess. There he sat down, with two of his counsellors who had accompanied him, to have some refreshment, and Ireney sat on his right hand, and drank her milk out of a wooden bowl curiously carved. After the king had eaten and drunk, he turned to the princess and said, stroking her hair, Now, my child, what shall we do next? This was the question he almost always put to her first, after them ill together, and Ireney had been waiting for it with some impatience. For now, she thought, she should be able to settle the question which constantly perplexed her. I should like you to take me to see my great-old grandmother. The king looked grave and said, What does my little daughter mean? I mean the queen Ireney, that lives up in the tower, the very old lady, you know, with the long hair of silver. The king only gazed at his little princess, with a look which she could not understand. She's got a crown in her bedroom, she went on, but I've not been in there yet. You know she's there, don't you? No, said the king, very quietly, Then it must all be a dream, said Ireney. I half thought it was, but I couldn't be sure. Now I am sure of it. Besides, I couldn't find her the next time I went up. At that moment, a snow-white pigeon flew in at an open window, and settled upon Ireney's head. She broke into a merry laugh, cowered a little, and put up her hands to her head, saying, Dear dove, you don't peck me, you'll pull out my hair with your long claws if you don't mind. The king stretched out his hand to take the pigeon, but it spread its wings and flew again through the open window. When its whiteness made one flash in the sun and vanished, the king laid his hand on the princess's head, held it back a little, gazed in her face, smiled half a smile, and sighed half a sigh. Come, my child, we'll have a walk in the garden together, he said. You want to come up and see my huge, great, beautiful grandmother then, King Papa? Said the princess? Not this time. Said the king very gently. She has not invited me, you know. And great old ladies like her do not choose to be visited, without leave asked and given. The garden was a very lovely place. Being upon a mountainside, there were parts in it where the rocks came through in great masses, and all immediately about them remained quite wild. Lots of heather grew upon them, and other hardy mountain plants and flowers, while near them would be lovely roses and tulilees and all pleasant garden flowers. This mingling of the wild mountain with the civilised garden was very quaint, and it was impossible for any number of gardeners to make such a garden look formal and stiff. Against one of these rocks was a garden seat, shadowed from the afternoon sun by the overhanging of the rock itself. There was a little winding path up to the top of the rock, and on top, another seat. But they sat on the seat at its foot, because the sun was hot. And there they talked together of many things. At length, the king said, You were out late one evening, Irene. Yes, Papa, it was my fault, and Lutie was very sorry. I must talk to Lutie about it. Said the king. Don't speak loud to her, please, Papa. Said Irene, she's been so afraid of being late ever since. Indeed, she has not been naughty. It was only a mistake for once. Once might be too often. Mermit the king to himself. He stroked his child's head. I can't tell you how he came to know. I am sure Curdie had not told him. Someone about the palace must have seen them after all. He sat for a good while, thinking. There was no sound to be heard, except that of a little stream, which ran merrily out of an opening in the rock by where they sat, and sped away down the hill through the garden. Then he rose, and leaving Irene where she was, went into the house and sent for Lutie, with whom he had a talk that made her cry. When in the evening he rode away upon his great white horse, he left six of his attendants behind him, with orders that three of them should watch outside the house every night, walking round and round it from sunset to sunrise. It was clear he was not quite comfortable about the princess. Chapter 11 The Old Lady's Bedroom Nothing more happened worth telling for some time. The autumn came and went by. There were no more flowers in the garden. The wind blew strong and howled among the rocks. The rain fell and drenched the few yellow and red leaves that could not get off the bare branches. Again and again there would be a glorious morning, followed by a pouring afternoon. And sometimes, for a week together, there would be rain, nothing but rain, all day, and then the most lovely cloudless night, with the sky all out and full-blown stars, not one missing. But the princess could not see much of them, for she went to bed early. The winter drew on, and she found things growing dreary. When it was too stormy to go out, and she had got tired of her toys, Lutie would take her about to the house. Sometimes to the housekeeper's room, where the housekeeper, who was a good, kind old woman, made much of her. Sometimes to the servant's hall or the kitchen, where she was not princess merely, but absolute queen, and ran a great risk of being spoiled. Sometimes she would run off herself to the room where the men at arms whom the king had left sat, and they showed her their arms and counterments, and did what they could to amuse her. Still at time she found it very dreary, and often and often wished that a huge great-grandmother had not been a dream. One morning the nurse left her with the housekeeper for a while. To amuse her she turned out the contents of an old cabinet upon the table. The little princess found her treasures, queer, ancient ornaments, and many things the use of which she could not imagine, far more interesting than her own toys, and sat playing with them for two hours or more. But at length, in handling a curious old-fashioned brooch, she ran the pin of it into her thumb, and gave a little scream with the sharpness of the pain. But would have thought little more of it had not the pain increased, and her thumb began to swell. This alarmed the housekeeper greatly. The nurse was fetched, the doctor was sent for, her hand was poltist, and long before her usual time she was put to bed. The pain still continued, and although she fell asleep and dreamed a good many dreams, there was pain always in every dream. At last it woke her up. The moon was shining brightly into the room. The poltist had fallen off her hand, and it was burning hot. She fancied. If she could hold it into the moonlight, that would call it. So she got out of bed, without waking the nurse who lay at the other end of the room, and went to the window. When she looked out she saw one of the men at arms walking in the garden, with the moonlight glancing off his armour. She was just going to tap on the window and call him, for she wanted to tell him all about it. When she we thought herself that that might wake Lutie, and she would put her into bed again. So she resolved to go to the window of another room, and call him from there. It was so much nicer to have somebody to talk to than to lie awake in bed with the burning pain in her hand. She opened the door very gently, and went through the nursery, which did not look into the garden, to go to the other window. But when she came to the foot of the old staircase, there was the moon shining down from some window high up, and making the worm-eaten oak look very strange and delicate and lovely. In a moment she was putting her little feet, one after the other, in the silvery path up the stair. Looking behind her as she went, to see the shadow they made in the middle of the silver, some little girls would have been afraid to find themselves thus alone in the middle of the night. But Irene was a princess. As she slowly went up the stair, not quite sure that she was not dreaming. Suddenly a great longing woke up in her heart, to try once more whether she could not find the old lady with the silvery hair. If this is a dream, she said to herself, then I am the luckier to find her, if I am dreaming. So up and up she went, stair after stair, until she came to the many rooms, all just as she had seen them before. Through passage after passage she softly sped, comforting herself that if she should lose her way it would not matter much, because when she woke she would find herself in her own bed, with Lutie not far off. But as if she had known every step of the way, she walked straight to the door of the foot of the narrow stair that led to the tower. What if I should real reality really find my beautiful old grandmother up there? She said to herself as she crept up the steep steps. When she reached the top she stood for a moment, listening in the dark, for there was no moon there. Yes, yes it was, it was the harm of the spinning wheel. What a diligent grandmother to work both day and night. She tapped gently at the door. Come in, Irene, said the sweet voice. The princess opened the door and entered. There was the moonlight streaming in at the window, and in the middle of the moonlight sat the old lady in her black dress with the white lace, and a silvery hair mingling with the moonlight, so that you could not have told which was which. Come in, Irene, she said again. Can you tell me what I am spinning? She speaks, thought Irene, just as if she had seen me five minutes ago, or yesterday at the farthest. No, she answered. I don't know what you are spinning. Please, I thought you were a dream. Why couldn't I find you before, great-great-grandmother? That you were hardly old enough to understand, but you would have found me sooner if you hadn't come to think I was a dream. I will give you one reason, though, why you couldn't find me. I didn't want you to find me. Why, please? Because I did not want Lutie to know I was here. But you told me to tell Lutie. Yes, but I knew Lutie would not believe you. If she were to see me sitting spinning here, she wouldn't believe me either. Why? Because she couldn't. She would rub her eyes and go away and say she felt queer, and forget half of it and more, and then say it would have been all a dream. Just like me, said Irene, feeling very much ashamed of herself. Yes, a good deal like you, but not just like you, for you've come again, and Lutie wouldn't have come again. She would have said, no, no, she had had enough of such nonsense. Is it naughty of Lutie, then? It would be naughty of you. I've never done anything for Lutie. And you did wash my face and hands for me, said Irene, beginning to cry. The old lady smiled a sweet smile and said, I am not vexed with you, my child, nor with Lutie, either. But I don't want you to say anything more to Lutie about me. If she should ask you, you must just be silent. But I do not think she will ask you. All the time they talked, the lady kept on spinning. You haven't told me yet what I am spinning, she said. Because I don't know. It's very pretty stuff. It was indeed very pretty stuff. There was a good bunch of it on the disc staff, attached to the spinning wheel. And in the moonlight it shone like. What shall I say it was like? It was not white enough for silver. Yes, it was like silver, but shone grey rather than white, and glittered only a little. And the thread the old lady drew out from it was so fine that Irene could hardly see it. I am spinning this for you, my child. For me? What am I to do with it, please? I will tell you by and by, but first I will tell you what it is. It is spiderweb of a particular kind. My pigeons bring it me from over the great sea. There is only one forest where the spiders live who make this particular kind, the finest and strongest of any. I have nearly finished my present job. What is on the rock now will be enough. I have a week's work there yet though, she added, looking at the bunch. Do you work all day and all night too, great, great, great, great grandmother? Said the princess, thinking to be very polite with so many greats. I am not quite so great as all that, she answered, smiling almost merrily. If you call me grandmother that will do. No, I don't work every night, only moonlit nights, and there no longer than the moon shines upon my wheel. I shan't work much longer tonight. And what will you do next, grandmother? Go to bed. Would you like to see my bedroom? Yes, that I should. Then I think I won't work any longer tonight. I shall be in good time. The old lady rose and left her wheel standing just as it was. You see, there was no good in putting it away. For where there was not any furniture, there was no danger of being untidy. Then she took Irene by the hand. But it was her bad hand, and Irene gave a little cry of pain. My child, said the grandmother, what is the matter? Irene held her hand into the moonlight, that the old lady might see it, and told her all about it, at which she looked grave. But she only said, give me your other hand. And having laid it out upon the little dark landing, opened the door on the opposite side of it. What was Irene's surprise to see the loveliest room she had ever seen in her life? It was large and lofty and dome-shaped, from the centre hang a lamp as round as a ball, shining as if with the brightest moonlight, which made everything visible in the room, though not so clearly that the princess could tell what many of the things were. A large oval bed stood in the middle, with a cover lid of rose colour, and velvet curtains all round it of a lovely pale blue. The walls were also blue, spangled all over with what looked like stars of silver. The old lady left her, and going to a strange-looking cabinet, opened it and took out a curious silver casket. Then she sat down on a low chair, and, calling Irene, made her kneel before her while she looked at her hand. Having examined it, she opened the casket, and took from it a little ointment. The sweetest odour filled the room, like that of roses and lilies, as she rubbed the ointment gently all over the hot, swollen hand. Her touch was so pleasant and cool, that it seemed to drive away the pain and heat wherever it came. Oh, Grandmother, it is so nice," said Irene. Thank you, thank you. Then the old lady went to a chest of drawers, and took out a large handkerchief of gossamer like cambrick, which she tied round her hand. I don't think I can let you go away to-night," she said. Would you like to sleep with me? Oh, yes, yes, dear Grandmother," said Irene. And would have clapped her hands, forgetting that she could not. You won't be afraid, then, to go to bed with such an old woman? No, you are so beautiful, Grandmother. But I am very old, and I suppose I am very young. You won't mind sleeping with such a very young woman, Grandmother. You sweet little pertanus, said the old lady, and drew her towards her and kissed her on the forehead and the cheek and the mouth. Then she got a large silver basin, and having poured some water into it, made Irene sit on the chair and washed her feet. This done, she was ready for bed. And oh, what a delicious bed it was into which her Grandmother laid her. She hardly could have told she was lying upon anything. She felt nothing but the softness. The old lady, having undressed herself, lay down beside her. Why don't you put out your moon? asked the princess. That never goes out night or day. She answered, In the darkest night, if any of my pigeons are out on a message, they always see my moon and know where to fly to. But, if somebody besides the pigeons were to see it, somebody about the house they mean, they would come to look what it was and find you. The better for them, then, said the old lady, but it does not happen above five times in a hundred years that anyone does see it. The greater part of those who do, take it for a meteor, wink their eyes, and forget it again. Besides, nobody could find the room except I pleased. Besides again, I will tell you a secret. If that light were to go out, you would fancy yourself lying in a bare garret, on an old heap of straw. I will not see one of the pleasant things round about you all the time. I hope it will never go out, said the princess. I hope not, but it is time we both went to sleep. Shall I take you in my arms? The little princess nestled close up to the old lady, who took her in both her arms and held her close to a bosom. Oh, dear, this is so nice, said the princess. I didn't know anything the world could be so comfortable. I should like to lie here for ever. You may, if you will, said the old lady, but I must put you to one trial, not a very hard one, I hope. This night-week you must come back to me. If you don't, I do not know when you may find me again, and you will soon want me very much. Oh, please, don't let me forget. You shall not forget. The only question is whether you will believe I am anywhere, whether you will believe I am anything but a dream. You may be sure I will do all I can to help you to come, but it will rest with yourself after all. On the night of next Friday you must come to me, mind now. I will try, said the princess. Then good night, said the old lady, and kissed the forehead which lay in her bosom. In a moment more the little princess was dreaming in the midst of the loveliest dreams, of summer seas and moonlight and mossy springs and great murmuring trees. And beds of wild flowers with such odours as she had never smelled before. But, after all, no dream could be more lovely than what she had left behind when she fell asleep. In the morning she found herself in her own bed. There was no handkerchief or anything else on her hand. Only a sweet odour lingered about it. The swelling had all gone down, though prick of the brooch had vanished. In fact, her hand was perfectly well. End of section 6 Section 7 of The Princess and the Goblin This is a LibriVox recording, all LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org Recording by Lizzie Driver The Princess and the Goblin by George MacDonald Chapters 12 to 14 Chapter 12 A short chapter about Curdie Curdie spent many nights in the mine. His father and he had taken Mrs. Peterson into the secret, for their new mother could hold her tongue, which was more than could be said of all the miner's wives. But Curdie did not tell her that every night he spent in the mine, part of it went in earning a new red petticoat for her. Mrs. Peterson was such a nice good-mother. All mothers are nice and good more or less. But Mrs. Peterson was nice and good all more and no less. She made and kept a little heaven in that poor cottage on the high hillside, for a husband and son to go home to, out of the low and rather dreary earth in which they worked. I doubt if the Princess was very much happier, even in the arms of a huge great-grandmother, then Peter and Curdie were in the arms of Mrs. Peterson. True, her hands were hard and chopped in large, but it was with work for them, and therefore, in the sight of angels, her hands were so much the more beautiful. And if Curdie worked hard to get her a petticoat, she worked hard every day to get him comforts which he would have missed much more than she would a new petticoat, even in winter. Not that she and Curdie ever thought of how much they worked for each other. That would have spoiled everything. When left alone in the mine, Curdie always worked on for an hour or two at first, following the load which, according to Glump, would lead at last into the deserted habitation. After that he would set out on a reconnoitering expedition. In order to manage this, or rather return from it, better than the first time, he had brought a huge ball of fine string, having learned the trick from Hoppo My Thumb, whose history his mother had often told him. Not that Hoppo My Thumb had ever used a ball of string. I should be sorry to be supposed so far out of my classics. But the principle was the same as that of the pebbles. The end of this string he fastened to his pickaxe, which figured no bad anchor. And then, with the ball in his hand, unrolling it as he went, set out in the dark through the natural gangs of the goblins' territory. The first night or two he came upon nothing worth remembering. Saw only a little of the home life of the cobs in the various caves they called houses. Failed in coming upon anything to cast light upon the forgoing design which kept the inundation for all the present in the background. But at length, I think on the third or fourth night, he found, partly guided by the noise of their implements, a company of evidently the best sappers and miners amongst them, hard at work. What were they about? It could not well be the inundation, seeing that had in the meantime been postponed to something else. Then what was it? He lurked and watched, every now and then in the greatest risk of being detected, but without success. He had again and again to retreat in haste. A proceeding rendered the more difficult that he had to gather up his string as he returned upon its course. It was not that he was afraid of the goblins, but that he was afraid of their finding out that they were watched, which might have prevented the discovery at which he aimed. Sometimes his haste had to be such that, when he reached home towards morning, his string, for lack of time to wind it up as he dodged the cobs, would be in what seemed most hopeless entanglement. But after a good sleep, though a short one, he always found his mother had got it right again. There it was, wound in a most respectable ball, ready for use the moment he should want it. "'I can't think how you do it, mother,' he would say. "'I follow the thread,' she would answer. "'Just as you do in the mine.' She never had more to say about it, but the less clever she was with her words, the more clever she was with her hands, and the less his mother said, the more curd he believed she had to say. But still he made no discovery as to what the goblins minors were about. CHAPTER XIII. THE COBS'S CREATURES About this time, the gentleman whom the king had left behind him to watch over the princess, had each occasion to doubt the testimony of his own eyes. For more than strange were the objects to which they would bear witness. They were of one sort creatures, but so grotesque and misshapen as to be more like a child's drawings upon his slate than anything natural. They saw them only at night, while on guard about the house. The testimony of the man, who first reported having seen one of them, was that, as he was walking slowly round the house, while yet in the shadow, he caught sight of a creature standing on its hind legs in the moonlight, with its forfeit upon a window-ledge, staring in at the window. Its body might have been that of a dog or wolf, he thought. But he declared on his honour that its head was twice the size it ought to have been for the size of its body, and as round as a ball, while the face, which it turned upon him as it fled, was more like one carved by a boy upon the turnip inside which he is going to put to candle, than anything else he could think of. It rushed into the garden. He sent an arrow after it, and thought he must have struck it, for it gave an unearthly howl. He could not find his arrow any more than the beast, although he searched all about the place where it vanished. They laughed at him until he was driven to hold his tongue, and said he must have taken too long a pull at the ale-jug. But, before two nights were over, he heard one to side with him. For he, too, had seen something strange, only quite different from that reported by the other. The description the second man gave of the creature he had seen was yet more grotesque and unlikely. They were both laughed at by the rest, but night after night another came over to their side, until, at last, there was only one left to laugh at all his companions. Two nights more passed, and he saw nothing, but on the third he came rushing from the garden to the other two before the house. In such an agitation that they declared, for it was their turn now, that the band of his helmet was cracking under his chin with the rising of his hair inside it. Running with him into that part of the garden, which I have already described, they saw a score of creatures, to not one of which they could give a name, and not one of which was like another. Hideous and ludicrous at once, gambling on the lawn in the moonlight. The supernatural, or rather sub-natural ugliness of their faces, the length of legs and necks in some, the apparent absence of both, or either in others, made the spectators, although in one consent as to what they saw, yet doubtful, as I have said, of the evidence of their own eyes, and ears as well, for the noises they made, although not loud, were as uncouth and varied as their forms, and could be described, neither as grunts nor squeaks nor roars, nor howls nor barks nor yells, nor screams nor croaks nor hisses nor mews nor shrieks, but only as something like all of them mingled in one horrible dissonance. Keeping in the shade, the watchers had a few moments to recover themselves, before the hideous assembly suspected their presence. But all at once, as if by common consent, they scampered off in the direction of a great rock, and vanished before the men had come to themselves sufficiently to think of following them. My readers will suspect what these were, but I will now give them full information concerning them. They were, of course, household animals belonging to the goblins, whose ancestors had taken their ancestors many centuries before, from the upper regions of light, into the lower regions of darkness. The original stocks of these horrible creatures were very much the same as the animals now seen about farms and homes in the country, with the exception of a few of them, which had been wild creatures, such as foxes, and indeed wolves and small bears, which the goblins, from their proclivity towards the animal creation, had caught when cubs and tamed. But in the course of time all had undergone even greater changes than had passed upon their owners. They had altered, that is, their descendants had altered, into such creatures as I have not attempted to describe, except in the vaguest manner, the various parts of their bodies assuming, in an apparently arbitrary and self-willed manner, the most abnormal developments. Indeed, so little did any distinct type predominate in some of the bewildering results, that you could only have guessed at any known animal as the original, and even then what likeness remained would be more one of general expression. Then of definable confirmation. But what increased the gruesomeness tenfold was that, from constant domestic, or indeed rather family association with the goblins, their countenances had grown in grotesque resemblance to the human. No one understands animals, who does not see that every one of them, even amongst the fishes, it may be with a dimness and vagueness infinitely remote, yet shadows the human. In the case of these, the human resemblance had greatly increased, while their owners had sunk towards them, they had risen towards their owners. But the conditions of subterranean life being equally unnatural for both, while the goblins were worse, the creatures had not improved by the approximation, and its result would have appeared far more ludicrous, then consoling to the warmest lover of animal nature. I shall now explain how it was that just then these animals began to show themselves about the king's country house. The goblins, as Curdie had discovered, were mining on, at work both day and night, in divisions, urging the scheme after which he lain weight. In the course of their tunneling they had broken into the channel of a small stream. But the break being on the top of it, no water had escaped to interfere with their work. Some of the creatures, hovering as they often did about their masters, had found the hole, and had, with the curiosity which had grown to a passion, from the restraints of their unnatural circumstances, proceeded to explore the channel. The stream was the same which ran out by the seat on which Irene and her king papa had sat, as I have told. And the goblins' creatures found it jolly fun to get out for a romp on a smooth lawn, such as they had never seen in all their poor, miserable lives. But although they had partaken enough of the nature of their owners to delight in annoying and alarming any of the people whom they met on the mountain, they were, of course, incapable of designs of their own, or of intentionally furthering those of their masters. For several nights after, the men at arms were at length of one mind as to the fact of the visits of some horrible creatures. Whether bodily or spectral, they could not yet say. They watched with special attention, that part of the garden where they had last seen them. Perhaps, indeed, they gave in consequence too little attention to the house. But the creatures were too cunning to be easily caught. Nor were the watchers quick-eyed enough to describe the head or the keen eyes in it, which, from the opening whence the stream issued, would watch them in turn, ready the moment they should leave the lawn, to report the place clear. CHAPTER XIV. THAT NIGHT WEEK. During the whole of the week, Irene had been thinking every other moment of her promise to the old lady. Although, even now, she could not quite feel sure that she had not been dreaming. Could it really be that an old lady lived up in the top of the house, with pigeons and a spinning-wheel, and a lamp that never went out? She was, however, nonetheless determined, on the coming Friday, to ascend the three stairs, walk through the passages with the many doors, and try to find the tower in which she had either seen or dreamed her grandmother. Her nurse could not help wondering what had come to the child. She would sit so thoughtfully silent, and even, in the midst of a game with her, would so suddenly fall into a dreamy mood. But Irene took care to betray nothing, whatever efforts Lootie might make to get her to thoughts. And Lootie had to say to herself, what an odd child she is, and give it up. At length, the longed-for Friday arrived. Unless Lootie should be moved to watch her, Irene endeavoured to keep herself as quiet as possible. In the afternoon she asked for a doll's house, and went on arranging and rearranging the various rooms and their inhabitants for a whole hour. Then she gave a sigh, and threw herself back in a chair. One of the dolls would not sit, and another would not stand, and they were all very tiresome. Indeed, there was one would not even lie down, which was too bad. But it was now getting dark, and the darker it got, the more excited Irene became, and the more she felt it necessary to be composed. I see you want your tea, princess, said the nurse. I will go and get it. The room feels close. I will open the window a little. The evening is mild. It won't hurt you. There's no fear of that, Lootie. Said Irene, wishing she had put off going for the tea till it was darker, when she might have made her attempt with every advantage. I fancy Lootie was longer and returning than she had intended. For when Irene, who had been lost in thought, looked up, she saw it was nearly dark, and at the same moment caught sight of a pair of eyes, bright with a green light, glowering at her through the open window. The next instant something leaped into the room. It was like a cat, with legs as long as a horse's, Irene said, but its body no bigger, and its legs no thicker than those of a cat. She was too frightened to cry out, but not too frightened to jump from her chair and run from the room. It is plain enough to every one of my readers what she ought to have done, and indeed Irene thought of it herself. But when she came to the foot of the old stair, just outside the nursery door, she imagined the creature running up those long ascents after her, and pursuing her through the dark passages, which, after all, might lead to no tower. That thought was too much. Her heart failed her, and turning from the stair she rushed along to the hall. Wents, finding the front door open, she darted into the court pursued. At least she thought so by the creature. No one happening to see her, on she ran, unable to think for fear, and ready to run anywhere to elude the awful creature with the stilt legs. Not daring to look behind her, she rushed straight out of the gate and up the mountain. It was foolish indeed, thus to run farther and farther from all who could help her, as if she had been seeking a fit spot for the goblin creature to eat her in his leisure. But that is the way fear serves us. It always sides with the thing we are afraid of. The princess was soon out of breath with running uphill. But she ran on, for she fancied the horrible creature just behind her. Forgetting that, had it been after her, such long legs as those must have overtaken her long ago. At last she could run no longer, and fell, unable even to scream, by the roadside, where she lay for some time half dead with terror. But finding nothing lay hold of her, and her breath beginning to come back, she ventured at length to get half up and appear anxiously about her. It was now so dark she could see nothing. Not a single star was out. She could not even tell in what direction the house lay. And between her and home she fancied the dreadful creature lying ready to pounce upon her. She saw now that she ought to have run up the stairs at once. It was well she did not scream, for although very few of the goblins had come out for weeks, a stray idler or two might have hurt her. She sat down upon a stone, and nobody but one who had done something wrong could have been more miserable. She had quite forgotten her promise to visit her grandmother. A raindrop fell on her face. She looked up, and for a moment her terror was lost in astonishment. At first she thought the rising moon had left her place, and drawn nigh to see what could be the matter with the little girl sitting alone, without hat or cloak, on the dark bear mountain. But she soon saw she was mistaken, for there was no light on the ground to defeat, and no shadow anywhere, but a great silver globe was hanging in the air, and as she gazed at the lovely thing her courage revived. If she were but in doors again she would fear nothing, not even the terrible creature with the long legs. But how was she to find her way back? What could that light be? Could it be? No, it couldn't. But what if it should be? Yes, it must be her great-great grandmother's lamp, which guided her pigeons home through the darkest night. She jumped up. She had but to keep that light in view, and she must find the house. Her heart grew strong. Speedily, yet softly, she walked down the hill, hoping to pass the watching creature unseen. Dark as it was, there was little danger now of choosing the wrong road, and, which was most strange, the light that filled her eyes from the lamp, instead of blinding them for a moment to the object upon which they next fell, enabled her for a moment to see it, despite the darkness. By looking at the lamp and then dropping her eyes, she could see the road for a yard or two in front of her, and this saved her from several falls, for the road was very rough. But all at once, to her dismay, it vanished, and the terror of the beast which had left her the moment she began to return, again laid hold of her heart. The same instant, however, she caught the light of the windows, and knew exactly where she was. It was too dark to run, but she made what haste she could, and reached the gate in safety. She found the house door still open, ran through the hall, and, without even looking into the nursery, bounded straight up the stair, and the next and the next, then turning to the right, ran through the long avenue of silent rooms, and found her way at once to the door at the foot of the tower-stair. When first the nurse missed her, she fancied she was playing her a trick, and for some time took no trouble about her. But at last, getting frightened, she had begun to search, and when the princess entered, the whole household was hither and thither over the house, hunting for her. A few seconds after she reached the stair of the tower, they had even begun to search the neglected rooms, in which they would never have thought of looking, had they not already searched every other place they could think of, in vain. But by this time, she was knocking at the old lady's door at the end of Section 7, Section 8 of The Princess and the Goblin. This is the LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer please visit LibriVox.org. Recording by Lizzie Driver. THE PRINCESS AND THE GOBLIN by George Macdonald. Chapter 15. fifteen. Woven, and then spun. "'Come in, Irene,' said the silvery voice of a grandmother. The princess opened the door and peeped in. But the room was quite dark, and there was no sound of the spinning wheel. She grew frightened once more, thinking that, although the room was there, the old lady might be a dream after all. Every little girl knows how dreadful it is to find a room empty where she thought somebody was. But Irene had to fancy for a moment that the person she came to find was nowhere at all. She remembered, however, that at night she only spun in the moonlight, and concluded that must be why there was no sweet be-like humming. The old lady might be somewhere in the darkness. Before she had time to think another thought, she heard the voice again, saying as before, "'Come in, Irene.' From the sound she understood at once that she was not in the room beside her. Perhaps she was in her bedroom. She turned across the passage, feeling away to the other door. When a hand fell on the lock, again the old lady spoke. "'Shut the other door behind you, Irene. I always close the door of my workroom when I go to my chamber.' Irene wondered to hear a voice so plainly through the door. Having shut the other, she opened it and went in. Oh, what a lovely haven to reach from the darkness and fear through which she had come. The soft light made her feel as if she were going into the heart of the milkiest pearl. While the blue walls and their silver stars for a moment perplexed her with the fancy that they were in reality the sky which she had left outside a minute ago, covered with rain clouds. "'I've lighted a fire for you, Irene. You're cold and wet,' said her grandmother. Then Irene looked again, and saw that what she had taken for a huge bouquet of red roses, on a low stand against the wall, was in fact a fire which burned in the shape of the loveliest and reddest roses, glowing gorgeously between the heads and wings of two cherubs of shining silver. And when she came nearer she found that the smell of roses with which the room was filled came from the fire-roses on the hearth. Her grandmother was dressed in the loveliest pale blue velvet, over which her hair, no longer white, but of a rich golden colour streamed like cataract. Here falling in dull gathered heaps, they are rushing away in smooth shining falls. And even as she looked, the hair seemed pouring down from her head and vanishing in a golden mist ere it reached the floor. It flowed from under the edge of a circle of shining silver, set with alternated pearls and opals. On her dress was no ornament whatever. Neither was there a ring on her hand, or a necklace or carkinet about her neck. But her slippers glimmered with the light of the Milky Way, for they were covered with seed-pearls and opals in one mass. Her face was that of a woman of three and twenty. The princess was so bewildered with astonishment and admiration that she could hardly thank her, and drew nigh with timidity, feeling dirty and uncomfortable. The lady was seated on a low chair by the side of the fire, with hands outstretched to take her. But the princess hung back with a troubled smile. Why, what's the matter? asked the grandmother. You haven't been doing anything wrong. I know that by your face, though it is rather miserable. What's the matter, my dear? And still she held out her arms. Dear grandmother, said Irene, I'm not so sure that I haven't done something wrong. I ought to have run up to you at once when the long-legged cat came in at the window. Instead of running out on the mountain and making myself such a fright, you were taken by surprise, my child, and you are not so likely to do it again. It is when people do wrong things willfully that they are more likely to do them again. Come. And still she held out her arms. But, grandmother, you're so beautiful and grand with your crown on, and I am so dirty with mud and rain. I should quite spoil your beautiful blue dress. With a merry little laugh the lady sprung from her chair, more lightly far than Irene herself could, caught the child to a bosom, and kissing the tear-stained face over and over, sat down with her in her lap. Oh, grandmother, you'll make yourself such a mess! cried Irene, clinging to her. You darling, do you think I care more for my dress than for my little girl? Besides, look here. As she spoke she set her down, and Irene saw to her dismay that the lovely dress was covered with the mud of her fall on the mountain road. But the lady stooped to the fire, and taking from it, by the stork in her fingers, one of the burning roses, passed it once and again and a third time over the front of her dress. And when Irene looked, not a single stain was to be discovered. There! said her grandmother, you won't mind coming to me now. But Irene again hung back, eyeing the flaming rose which the lady held in her hand. You're not afraid of the rose, are you? She said, about to throw it on the hearth again. Oh, don't please! cried Irene. Won't you hold it to my frock and my hands and my face? And I'm afraid my feet and my knees want it too. No! answered her grandmother, smiling a little sadly as she threw the rose from her. It is too hot for you yet. It would set your frock in a flame. Besides, I don't want to make you clean to-night. I want your nurse and the rest of the people to see you as you are. For you will have to tell them how you ran away for fear of the long-legged cat. I should like to wash you, but they would not believe you then. Do you see that bath behind you? The princess looked and saw a large oval tub of silver, shining brilliantly in the light of the wonderful lamp. Go and look into it, said the lady. Irene went, and came back very silent with her eyes shining. What did you see? asked her grandmother. The sky and the moon enter the stars. She answered. It looked as if there was no bottom to it. The lady smiled a pleased, satisfied smile, and was silent also for a few moments. Then she said, Any time you want a bath, come to me. I know you have a bath every morning, but sometimes you want one at night, too. Thank you, Grandmother. I will. I will indeed, answered Irene, and was again silent for some moments, thinking. Then she said, How was it, Grandmother, that I saw your beautiful lamp, not the light of it only, but the great round silvery lamp itself, hanging alone in the great open air high up? It was your lamp, I saw, wasn't it? Yes, my child, it was my lamp. Then how was it? I don't see a window all round. When I please, I can make the lamp shine through the walls, shine so strong that it melts them away from before the sight, and shows itself as you saw it. But, as I told you, it is not everybody can see it. How is it that I can, then? I'm sure I don't know. It is a gift born with you, and one day I hope everybody will have it. But how do you make it shine through the walls? Ah, that you would not understand if I were to try ever so much to make you. Not yet, not yet. But, added the lady rising, you must sit in my chair while I get you the present I've been preparing for you. I told you my spinning was for you. It is finished now, and I am going to fetch it. I have been keeping it warm under one of my brooding pigeons. I really sat down in the low chair, and a Grandmother left her, shutting the door behind her. The child sat gazing, now at the rose fire, now at the starry walls, now at the silver light, and a great quietness grew in her heart. If all the long-legged cats in the world had come rushing at her then, she would not have been afraid of them for a moment. How this was she could not tell. She only knew there was no fear in her, and everything was so right and safe that it could not get in. She had been gazing at the lovely lamp for some minutes fixedly. Turning her eyes she found the wall had vanished, for she was looking out on the dark cloudy night. But though she heard the wind blowing, none of it blew upon her. In a moment more the clouds themselves parted, or rather vanished like the wall, and she looked straight into the starry herds, flashing gloriously in the dark blue. It was but for a moment. The clouds gathered again, and shut out the stars. The wall gathered again, and shut out the clouds. And there stood the lady beside her with the loveliest smile on her face, and a shimmering ball in her hand, about the size of a pigeon's egg. There, Irene, there is my work for you. She said, holding out the ball to the princess. She took it in her hand, and looked at it all over. It sparkled a little, and shone here and there, but not much. It was of a sort of grey whiteness, something like spun glass. Is this all your spinning, grandmother? She asked, all since you came to the house. There is more there than you think. How pretty it is! What am I to do with it, please? That, I will now explain to you, answered the lady, turning from her and going to her cabinet. She came back with a small ring in her hand. Then she took the ball from Irene's, and did something with the ring. Irene could not tell what. Give me your hand, she said. Irene held up her right hand. Yes, that is the hand I want, said the lady, and put the ring on the forefinger of it. What a beautiful ring, said Irene. What is the stone called? It is a fire-opal. Please, am I to keep it? Always. Oh, thank you, grandmother. It's prettier than anything I ever saw. Except those of all colours in your—please, is that your crown? Yes, it is my crown. The stone in your ring is of the same sort. Only not so good. It has only red, but mine have all colours, you see. Yes, grandmother. I will take such care of it, but—she added, hesitating. But what? asked her grandmother. What am I to say when Lutie asked me where I got it? You will ask her where you got it? answered the lady, smiling. I don't see how I can do that. You will, though. Of course I will, if you say so. But, you know, I can't pretend not to know. Of course not. But don't trouble yourself about it. You will see when the time comes. So saying, the lady turned, and threw the little ball into the rose-fire. Oh, grandmother! exclaimed Irene. I thought you'd spun it for me. So I did, my child, and you've got it. No, it's burnt in the fire. The lady put a hand in the fire, brought out the ball, glimmering as before, and held it towards her. Irene stretched out a hand to take it, but the lady turned and, going to a cabinet, opened a drawer and laid the ball in it. Have I done anything to vex you, grandmother? said Irene pitifully. No, my darling. But you must understand that no one ever gives anything to another properly, and really without keeping it. That ball is yours. Oh, I'm not going to take it with me. You are going to keep it for me. You are to take it with you. I fastened the end of it to the ring on your finger. Irene looked at the ring. I can't see it there, grandmother. She said, feel a little away from the ring towards the cabinet, said the lady. Oh, I do feel it, exclaimed the princess. But I can't see it. She added, looking closely to her outstretched hand. No, the thread is too fine for you to see it. You can only feel it. Now you can fancy how much spinning that took, although it does seem like such a little ball. But what use can I make of it, if it lies in your cabinet? That is what I will explain to you. It would be of no use to you. It wouldn't be yours at all if it did not lie in my cabinet. Now listen. If ever you find yourself in any danger, such, for example, as you were in this evening, you must take off your ring and put it under the pillow of your bed. Then you must lay your finger, the same that wore the ring upon the thread, and follow the thread wherever it leads you. Oh, how delightful! It will lead me to you, grandmother, I know. Yes, but remember, it may seem to you a very roundabout way indeed. And you must not doubt the thread. Of one thing you may be sure, that while you hold it, I hold it too. It is very wonderful, said Irene thoughtfully. Then suddenly becoming aware, she jumped up, crying, Oh, grandmother, here I have been sitting all this time in your chair, and you standing. I beg your pardon. The lady laid her hand on her shoulder and said, Sit down again, Irene. Nothing pleases me better than to see any one sit in my chair. I am only too glad to stand so long as any one will sit in it. How kind of you! said the princess, and sat down again. It makes me happy, said the lady. But, said Irene, still puzzled, won't the thread get in somebody's way and be broken? If the one end is fast to my ring and the other laid in your cabinet? You will find all that arrange itself. I am afraid it is time for you to go. Might and I stay and sleep with you to-night, grandmother? No, not to-night. If I had meant you to stay, I should have given you a bath. But you know everybody in the house is miserable about you, and it would be cruel to keep them so all night. You must go downstairs. I am so glad, grandmother, you didn't say, go home. For this is my home. May and I call this my home? You may, my child, and I trust you will always think it your home. Now come, I must take you back without anyone seeing you. Please, I want to ask you one question more. Said Irene, is it because you have your crown on that you look so young? No, child, answered her grandmother. It is because I felt so young this evening that I put my crown on, and I thought you would like to see your old grandmother in her best. Why do you call yourself old? You are not old, grandmother? I am very old indeed. It is so silly of people. I don't mean you, for you are such a tiny and couldn't know better. But it is so silly of people to fancy that old age means crookedness and witheredness and feebleness, and sticks and spectacles and rheumatism and forgetfulness. It is so silly. Old age has nothing whatever to do with all that. The right old age means strength and beauty and mirth and courage and clear eyes, and strong painless limbs. I am older than you are able to think and— and look at you, grandmother, cried Irene, jumping up and flinging her arms about her neck. I won't be so silly again. I promise you. At least, I'm rather afraid to promise. But if I am, I promise to be sorry for it. I do. I wish I was as old as you, grandmother. I don't think you are ever afraid of anything. Not for long at least, my child. Perhaps by the time I am two thousand years of age, I shall indeed never be afraid of anything. But, I confess, I have sometimes been afraid about my children, sometimes about you, Irene. Oh, I'm so sorry, grandmother. Tonight, I suppose, you mean. Yes, a little tonight. But a good deal when you had all but made up your mind that I was a dream, and no real great-great-grandmother. You must not suppose I am blaming you for that. I dare say you could not help it. I don't know, grandmother, said the princess, beginning to cry. I can't always do myself as I should like, and I don't always try. I'm very sorry anyhow. The lady stooped, lifted her in her arms, and sat down with her in the chair, holding her close to a bosom. In a few minutes the princess had sobbed herself to sleep. How long she slept, I do not know. When she came to herself, she was sitting in her own high chair at the nursery table, with a doll's house before her, end of Section 8, Section 9 of The Princess and the Goblin. This is a LibriVox recording, or LibriVox recordings from the public domain. For more information on volunteer, please visit LibriVox.org. Recording by Lizzie Driver. The Princess and the Goblin by George MacDonald. Chapter 16 to 17. Chapter 16. The Ring. The same moment her nurse came into the room sobbing. When she saw her sitting there, she started back, with a loud cry of amazement and joy. Then, running to her, she caught her in her arms and covered her with kisses. My precious darling princess, where have you been? What has happened to you? We've all been crying our eyes out and searching the house from top to bottom for you. Not quite from the top, thought Ireney to herself, and she might have added not quite to the bottom, perhaps, if she had known all, but the one she would not, and the other she could not say. Oh, Lootie, I've had such a dreadful adventure! She replied, and told all about the cat with the long legs, and how she ran out upon the mountain and came back again. But she said nothing of her grandmother or her lamp. And there we've been searching for you all over the house for more than an hour and a half, exclaimed the nurse. But that's no matter, now we've got you. Only princess, I must say, she added, her mood changing. What you ought to have done was to call for your own Lootie to come up and help you. Instead of running out of the house and up the mountain in that wild, I must say foolish fashion. Well, Lootie, said Ireney quietly, perhaps if you had a big cat with all legs running at you, you might not exactly know what was the wisest thing to do at the moment. I wouldn't run up the mountain anyhow, returned Lootie. Not if you had time to think about it. But when those creatures came at you that night on the mountain, you were so frightened yourself that you lost your way home. This put a stop to Lootie's reproaches. She had been on the point of saying that the long-legged cat must have been a twilight fancy of the princesses. But the memory of the horrors of that night, and of the talking to which the king had given her in consequence, prevented her from saying what, after all, she did not half believe. Having a strong suspicion that the cat was a goblin, for she knew nothing of the differences between the goblins and their creatures. She counted them all just goblins. Without another word she went and got some fresh tea and bread and butter for the princess. Before she returned, the whole household, headed by the housekeeper, burst into the nursery to exult over their darling. The gentleman at arms followed, and more ready enough to believe all she told them about the long-legged cat. Indeed, though wise enough to say nothing about it, they remembered, with no little horror, just such a creature amongst those they had surprised at their gambles upon the princess's lawn. In their own hearts they blamed themselves for not having kept better watch. And their captain gave orders that from this night the front door and all the windows on the ground floor should be locked, immediately the sunset, and open after upon no pretense whatever. The man at arms redoubled their vigilance, and for some time there was no further cause of alarm. When the princess worked the next morning, her nurse was bending over her. How your ring does glow this morning, princess? Just like a fiery rose, she said. Does it, Lutey? returned Irene. Who gave me the ring, Lutey? I know I've had it a long time. But where did I get it? I don't remember. I think it must have been your mother gave it to you, princess. But really, for as long as you have worn it, I don't remember that ever I heard, answered the nurse. I will ask my king papa the next time he comes, said Irene. Chapter 17 Springtime The spring, so dear to all creatures, young and old, came at last, and before the first few days of it had gone, the king rode through its budding valleys to see his little daughter. He had been in the distant part of his dominions all the winter, for he was not in the habit of stopping in one great city, or of visiting only his favourite country houses. But he moved from place to place, that all his people might know him. Wherever he journeyed, he kept a constant lookout for the ablessed and best men to put into office. And wherever he found himself mistaken, and those he had appointed incapable or unjust, he removed them at once. Hence, you see, it was his care of the people that kept him from seeing his princess, so often as he would have liked. He may wonder why he did not take her about with him. But there were several reasons against his doing so, and I suspect her great-great-grandmother had had a principal hand in preventing it. Once more Irene heard the bugle blast, and once more she was at the gate to meet her father as he rode up on his great white horse. After they had been alone for a little while, she thought of what she had resolved to ask him. "'Please, King Papa,' she asked. "'Will you tell me where I got this pretty ring? I can't remember.' The king looked at it. A strange, beautiful smile spread like sunshine over his face. And an answering smile, but at the same time a questioning one, spread like moonlight over Irene's. "'It was your Queen Mama's once,' he said. "'And why isn't it hers now?' asked Irene. "'She does not want it now,' said the king, looking grave. "'Why doesn't she want it now?' "'Because she's gone where all those rings are made.' "'And when shall I see her?' asked the princess. "'Not for some time yet,' answered the king, and the tears came into his eyes. Irene did not remember her mother, and did not know why her father looked so, and why the tears came in his eyes. But she put her arms round his neck and kissed him, and asked no more questions. The king was much disturbed on hearing the report of the gentleman at arms, concerning the creatures they had seen. And I presume would have taken Irene with him that very day, but for what the presence of the ring on her finger assured him of. About an hour before he left, Irene saw him go up the old stair, and he did not come down again till they were just ready to start. And she thought with herself that he had been up to see the old lady. When he went away he left other six gentlemen behind him, that there might be six of them always on guard. And now, in the lovely spring weather, Irene was out on the mountain the greater part of the day. In the warmer hollows there were lovely primroses, and not so many that she ever got tired of them. As often as she saw a new one opening an eye of light in the blind earth, she would clap her hands with gladness. And unlike some children, I know, instead of pulling it, would touch it as tenderly as if it had been a new baby, and having made its acquaintance, would leave it as happy as she found it. She treated the plants on which they grew like bird's nests. Every fresh flower was like a new little bird to her. She would pay visits to all the flower nests she knew, remembering each by itself. She would go down on her hands and knees besides one and say, Good morning, are you smelling very sweet this morning? Goodbye. And then she would go to another nest and say the same. It was a favourite amusement with her. There were many flowers up and down, and she loved them all. But the primroses were her favourites. They are not too shy, and they are not a bit forward, she would say to Lutie. There were goats, too, about over the mountain. And when the little kids came, she was as pleased with them as with the flowers. The goats belonged to the miners, mostly a few of them to Curdie's mother. But there were a good many wild ones that seemed to belong to nobody. These the goblins counted theirs, and it was upon them, partially, that they lived. They set snares and dug pits for them, and did not scruple to take what tame ones happened to be caught. But they did not try to steal them in any other manner, because they were afraid of the dogs the hill people kept to watch them, for the knowing dogs always tried to bite their feet. But the goblins had a kind of sheep of their own, very queer creatures, which they drove out to feed at night, and the other goblin creatures were wise enough to keep good watch over them, for they knew they should have their bones by and by. End of Section 9. Section 10 of The Princess and the Goblin This is a Librivox recording, all Librivox recordings are in the public domain. For more information or to volunteer, please visit Librivox.org recording by Lizzy Driver. The Princess and the Goblin by George MacDonald Chapter 18. Curdie's Clue Curdie was as watchful as ever, but was almost getting tired of his ill success. Every other night or so he followed the goblins about, as they went on digging and boring, and getting as near them as he could, watched them from behind stones and rocks, but as yet he seemed to no nearer finding out what they had in view. As at first he always kept hold of the end of his string, while his pickaxe, left just outside the hole by which he entered the goblins' country from the mine, continued to serve as an anchor, and hold fast to the other end. The goblins, hearing no more noise in that quarter, had ceased to apprehend an immediate invasion, and kept no watch. One night, after dodging about and listening till he was nearly falling asleep with weariness, he began to roll up his ball, for he had resolved to go home to bed. It was not long, however, before he began to feel bewildered. One after another he passed goblin houses, caves, that is, occupied by goblin families, and at length was sure that there were many more than he had passed as he came. He had to use great caution to pass unseen. They lay so close together, could his string have led him wrong? He still followed winding it, and still it led him into more thickly populated quarters. Until he became quite uneasy, and indeed apprehensive, for although he was not afraid of the cobs, he was afraid of not finding his way out. But what could he do? It was of no use to sit down and wait for the morning. The morning made no difference here. It was dark and always dark, and if his string failed him he was helpless. He might even arrive within a yard of the mine and never know it. Seeing he could do nothing better he would at least find where the end of string was. And, if possible, how would it come to play him such a trick? He knew by the size of the ball that he was getting pretty near the last of it, when he began to feel a tugging and pulling at it. What could it mean? Turning a sharp corner he thought he heard strange sounds. These grew as he went on, to a scuffling and growling and squeaking. And the noise increased until, turning a second sharp corner, he found himself in the midst of it, and the same moment tumbled over a wallowing mass, which he knew must be a knot of the cob's creatures. Before he could recover his feet he had caught several great scratches on his face and several severe bites on his legs and arms. But, as he scrambled to get up, his hand fell upon his pickaxe, and before the horrid beasts could do him any serious harm, he was laying about with it right and left in the dark. The hideous cries which followed gave him the satisfaction of knowing that he had punished some of them pretty smartly for their rudeness, and by their scampering and their retreating hells, he perceived that he had rooted them. He stood for a little while, weighing his battle-axe in his hand, as if it had been the most precious lump of metal. But, indeed, no lump of gold itself could have been so precious at that time, as that common tool. Then untied the end of the string from it, put the ball in his pocket, and still stood thinking. It was clear that the cob's creatures had found his axe, had between them carried it off, and had so led him he knew not where. But for all his thinking he could not tell what he ought to do, until suddenly he became aware of a glimmer of light in the distance. Without a moment's hesitation he set out for it, as fast as the unknown and rugged way would permit. Yet again turning a corner, led by the dim light, he spied something quite new in his experience of the underground regions, a small irregular shape of something shining. Going up to it, he found it was a piece of mica, or muscovy glass, called sheep's silver in Scotland, and the light flickered as if from a fire behind it. After trying in vain for some time to discover an entrance to the place where it was burning, he came at length to a small chamber, in which an opening high in the wall revealed a glow beyond. To this opening he managed to scramble up, and then he saw a strange sight. Below sat a little group of goblins around a fire, the smoke of which vanished in the darkness far aloft. The sides of the cave were full of shining minerals, like those of the palace hall, and the company was evidently of a superior order, for every one wore stones about head, or arms, or waist, shining dull, gorgeous colours in the light of the fire. Nor had Curdie looked long before he recognised the king himself, and found that he had made his way into the inner apartment of the royal family. He had never had such a good chance of hearing something. He crept through the hole as softly as he could, scrambled a good way down the wall towards them without attracting attention, and then sat down and listened. The king, evidently the queen, and probably the crown prince and the prime minister were talking together. He was sure of the queen by her shoes, for as she warmed her feet at the fire, he saw them quite plainly. That will be fun! said the one he took for the crown prince. It was the first whole sentence he heard. I don't see why you should think it's such a grand affair, said his stepmother, tossing her head backward. You must remember my spouse, and depose his majesty, as if make an excuse for his son. He has got the same blood in him, his mother. Don't talk to me of his mother! You positively encourage his unnatural fancies. Whatever belongs to that mother ought to be cut out of him. You forget yourself, my dear, said the king. I don't, said the queen, nor you either. If you expect me to approve of such coarse tastes, you will find yourself mistaken. I don't wear shoes for nothing. You must acknowledge, however, said the king with a little groan, that this, at least, is no whim of hair-lips, but a matter of state policy. You are well aware that his gratification comes purely from the pleasure of sacrificing himself to the public good. Does it not hair-lip? Yes, Father, of course it does. Only it will be nice to make her cry. I'll have the skin taken off between her toes, and tie them up till they grow together. Then her feet will be like other peoples, and there'll be no occasion for her to wear shoes. Do you mean to insinuate I've got toes you unnatural wretch? cried the queen, and she moved angrily towards hair-lip. The counsellor, however, who was betwixt them, leaned forward so as to prevent her touching him, but only as if to address the prince. Your royal highness, he said, possibly requires to be reminded that you have got three toes yourself, one on one foot, two on the other. shouted the queen triumphantly. The counsellor, encouraged by this mark of favour, went on. It seems to me, your royal highness, it would greatly endear you to your future people, proving to them that you are not the less one of themselves, that you had the misfortune to be born of a sun-mother, if you were to command upon yourself the comparatively slight operation which, in a more extended form, you so wisely meditate with regard to your future princess. Ha-ha-ha! laughed the queen, louder than before, and the king and the ministers joined in the laugh. Hair-lip growled, and for a few moments the others continued to express their enjoyment of his discomforture. The queen was the only one Curdie could see with any distinctness. She sat sideways to him, and the light of the fire shone full upon her face. He could not consider her handsome. Her nose was certainly broader at the end than its extreme length, and her eyes, instead of being horizontal, were set up like two perpendicular eggs, one on the broad, the other on the small end. Her mouth was no bigger than a small buttonhole until she laughed, when it stretched from ear to ear. Only, to be sure, her ears were very nearly in the middle of her cheeks. Anxious to hear everything they might say, Curdie ventured to slide down a smooth part of the rock just under him, to a projection below, upon which he thought to rest. But, whether he was not careful enough, or the projection gave way, down he came with a rush on the floor of the cavern, bringing with him a great rumbling shower of stones. The goblins jumped from their seats in more anger than consternation, for they had never yet seen anything to be afraid of in the palace. But when they saw Curdie with his pick in his hand, their rage was mingled with fear, for they took him for the first of an invasion of minors. The king, notwithstanding, drew himself up to his full height of four feet, spread himself to his full breadth of three-and-a-half, for he was the handsomest and squareest of all the goblins. And strutting up to Curdie, planted himself without spread feet before him, and said with dignity, Pray, what right have you in my palace? The right of necessity, Your Majesty, answered Curdie, I lost my way and did not know where I was wandering to. How did you get in? By a hole in the mountain. But you are a miner. Look at your pickaxe. Curdie did look at it, answering. I came upon its lying on the ground a little away from here. I tumbled over some wild beasts who were playing with it. Look, Your Majesty! And Curdie showed him how it was scratched and bitten. The king was pleased to find him behave more politely than he had expected from what his people had told him concerning the minors, for he attributed it to the power of his own presence. But he did not therefore feel friendly to the intruder. You will oblige me by walking out of my dominions at once. He said, well-knowing what a mockery lay in the words. With pleasure, if Your Majesty will give me a guide, said Curdie, I will give you a thousand, said the king, with a scoffing air of magnificent liberality. One will be quite sufficient, said Curdie. But the king uttered a strange shout, half hallue, half raw, and in rushed goblins till the cave was swarming. He said something to the first of them which Curdie could not hear. And it was passed from one to another, till in a moment the farthest in the crowd had evidently heard and understood it. They began to gather about him in a way he did not relish, and he retreated towards the wall. They pressed upon him. Stand back, said Curdie, grasping his pickaxe tighter by his knee. They only grinned and pressed closer. Curdie bethought himself and began to rhyme. Ten, twenty, thirty, you're also very dirty. Twenty, thirty, forty, you're also thick and snorty. Thirty, forty, fifty, you're also puff and sniffty. Forty, fifty, sixty, beast and men so mixedy. Fifty, sixty, seventy, mixedy, maxedy, leventy. Sixty, seventy, eighty, all your cheeks so slaty. Seventy, eighty, ninety, all your hands so flinty. Eighty, ninety, a hundred, altogether dundred. The goblins fell back a little when he began, and made horrible grimaces all through the rhyme, as if eating something so disagreeable that it set their teeth on edge, and gave them the creeps. But whether it was that the rhyming words were most of them no words at all, for a new rhyme being considered the more efficacious, Curdie had made it on the spur of the moment. Or whether it was that the presence of the king and queen gave them courage, I cannot tell. But the moment the rhyme was over they crowded in on him again, and out shot a hundred long arms with a multitude of thick, nailless fingers at the end of them, till they hold upon him. Then Curdie heaved up his axe. But being as gentle as courageous, and not wishing to kill any of them, he turned to the end which was square and blunt like a hammer, and with that came down a great blow on the head of the goblin nearest him. Hard as the heads of all goblins are, he thought he must feel that. And so he did no doubt, but he only gave a horrible cry and sprung at Curdie's throat. Curdie, however, drew back in time, and just at that critical moment, remembered the vulnerable part of the goblin body. He made a sudden rush at the king, and stamped with all his might on his majesty's feet. The king gave a most unkingly howl, and almost fell into the fire. Curdie then rushed into the crowd, stamping right and left. The goblins drew back, howling on every side as he approached, but they were so crowded that few of those he attacked could escape his tread. And the shrieking and roaring that filled the cave would have appalled Curdie, but for the good hope it gave him. They were tumbling over each other in heaps in their eagerness to rush from the cave. When a new assailant suddenly faced him, the queen, with flaming eyes and expanded nostrils, her hair standing half up from her head, rushed at him. She trusted in her shoes, they were of granite, hollowed like French sabore. Curdie would have endured much rather than hurt a woman, even if she was a goblin. But here was an affair of life and death, forgetting her shoes he made a great stamp on one of her feet. But she instantly returned it with very different effect, causing him frightful pain and almost disabling him. His only chance with her would have been to attack the granite shoes with his pickaxe, but before he could think of that she had caught him up in her arms, and was rushing with him across the cave. She dashed him into a hole in the wall, with a force that almost stunned him. But although he could not move, he was not too far gone to hear a great cry, and the rush of multitudes of soft feet, followed by the sounds of something heaved up against the rock. After which came a multitudinous patter of stones falling near him. The last had not ceased when he grew very faint, for his head had been badly cut, and at last insensible. When he came to himself, there was perfect silence about him, and utter darkness, but for the mirrored glimmer in one tiny spot. He crawled to it, and found that they had heaved a slab against the mouth the whole, past the edge of which a poor little gleam found its way from the fire. He could not move it a hair-breath, for they had piled a great heap of stones against it. He crawled back to where he had been lying, in the faint hope of finding his pickaxe. But after a vain search he was at last compelled to acknowledge himself in an evil plight. He sat down and tried to think, but soon fell fast asleep. End of section 10 Section 11 of The Princess and the Goblin This is the LibriVox recording, all LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by Lizzie Driver The Princess and the Goblin by George MacDonald Chapters 19 to 20 Chapter 19 Goblin Councils He must have slept a long time, for when he awoke he felt wonderfully restored, indeed almost well, and very hungry. There were voices in the outer cave. Once more then it was night, for the Goblins slept during the day, and went about their affairs during the night. In the universal and constant darkness of their dwelling, they had no reason to refer the one arrangement to the other. But from aversion to the sun people, they chose to be busy when there was least chance of there being met, either by the miners below when they were burrowing, or by the people of the mountain above, when they were feeding their sheep or catching their goats. And indeed, it was only when the sun was away that the outside of the mountain was sufficiently like their own dismal regions, to be indurable to their mowl eyes. So thoroughly had they become unaccustomed to any light beyond that of their own fires and torches. Curdie listened, and soon found that they were talking of himself. How long will it take? asked Hairlip. Not many days, I should think, answered the King. They are poor feeble creatures, though sun people, and want to be always eating. We can go a week at a time without food, and be all the better for it. But I have been told they eat two or three times every day. Can you believe it? They must be quite hollow inside. Not at all like us, nine-tenths of whose bulk is solid flesh and bone. Yes, I judge a week of starvation will do for him. If I may be allowed a word, interposed to the Queen, and I think I ought to have some voice in the matter. The wretch is entirely at your disposal, my spouse. Interrupted the King. He is your property. You caught him yourself. We should never have done it. The Queen laughed. She seemed in far better humour than the night before. I was about to say, she resumed, that it does seem a pity to waste so much fresh meat. What are you thinking of, my love? asked the King. The very notion of starving him implies that we are not going to give him any meat, either salt or fresh. I'm not such as stupid as that comes to, returned her Majesty. What I mean is that by the time he is starved there will hardly be a picking upon his bones. The King gave a great laugh. Well, my spouse, you may have him when you like, he said. I don't fancy him for my part. I am pretty sure he is tough eating. That would be to honour instead of punish his insolence. Returned the Queen. But why should our poor creatures be deprived of so much nourishment? Our little dogs and cats and pigs and small bears would enjoy him very much. You are the best of housekeepers, my lovely Queen, said her husband. Let it be so, by all means. Let us have our people in, and get him out and kill him at once. He deserves it. The mischief he might have brought upon us, now that he had penetrated so far as our most retired citadel, is incalculable. Or rather, let us tie him hand and foot, and have the pleasure of seeing him torn to pieces by full torch-light in the great hall. Better and better! cried the Queen and the Prince together, both of them clapping their hands. And the Prince made an ugly noise with his hair-lip, just as if he had intended to be one at the feast. But, added the Queen, be thinking herself, he is so troublesome, for poor creatures as they are, there is something about those sun-people that is very troublesome. I cannot imagine how it is that with such superior strength and skill and understanding as ours, we permit them to exist at all. Why do we not destroy them entirely, and use their cattle and grazing-lands at our pleasure? Of course, we don't want to live in their horrid country. It is far too glaring for our quieter and more refined tastes. But we might use it as a sort of outhouse, you know. Even our creature's eyes might get used to it. And if they did grow blind, that would be of no consequence, provided they grew fat as well. But we might even keep their great cows and other creatures. And then we should have a few more luxuries, such as cream and cheese, which at present we only taste occasionally when our brave men have succeeded in carrying some off from their farms. It is worth thinking of, said the King. And I don't know why you should be the first to suggest it, except that you have a positive genius for conquest. But still, as you say, there is something very troublesome about them. And it would be better, as I understand you to suggest, that we should starve him for a day or two first, so that he may be a little less frisky when we take him out. Once there was a goblin living in a hole, busy he was goblin a shoe without a sole. By came a birdie, goblin what do you do? Cobble at a sturdy upon leather shoe. What's that good old sir? says the little bird. Why it's very pat, sir, plain without a word. Where it is all a hole, sir, never can be holes. Why should their shoes have sole, sir, when they've got no soles? What's that horrible noise? cried the Queen, shuddering from pot metal head to granite shoes. I declare, said the King, with solemn indignation, it's the sun-creature in the hole. Stop that disgusting noise! cried the Crown Prince valiantly, getting up and standing in front of the heap of stones, with his face towards Curdie's prison. Do now or I'll break your head. Back away, shouted Curdie, and began singing again. Once there was a goblin living in a hole, I really cannot bear it, said the Queen, if only I could get at his horrid toes with my slippers again. I think we had better go to bed, said the King. It's not time to go to bed, said the Queen. I word if I was you, said Curdie, impertinent wretch, said the Queen, with the utmost scorn in her voice. An impossible if, said his Majesty, with dignity, quite replied Curdie, and began singing again. Go to bed, goblin-do, help the Queen take off her shoe, if you do it will disclose a horrid set of sprouting toes. What a lie! roared the Queen in a rage. By the way, that reminds me, said the King, that for as long as we have been married, I have never seen your feet, Queen. I think you might take off your shoes when you go to bed. They positively hurt me sometimes. I will do as I like. Retort of the Queen sulkily. You ought to do as your own hubby wishes you, said the King. I will not, said the Queen. Then I insist upon it, said the King. Apparently his Majesty approached the Queen for the purpose of following the advice given by Curdie. For the latter heard a scuffle, and then a great roar from the King. Will you be quiet, then? said the Queen wickedly. Yes, yes, Queen. I only meant to coax you. Hands off! cried the Queen triumphantly. I am going to bed. You may come when you like, but as long as I am Queen, I will sleep in my shoes. It is my royal privilege. Hair-lip, go to bed. I am going, said Hair-lip sleepily. So am I, said the King. Come along, then, said the Queen, and mind your good oral. Oh, no, no, no! screamed the King, in the most supplicating of tones. Curdie heard only a muttered reply in the distance, and then the cave was quite still. They had left the fire-burning, and the light came through brighter than before. Curdie thought it was time to try again, if anything could be done. But he found he could not even get a finger through the chink between the slab and the rock. He gave a great rush with his shoulder against the slab, but it yielded no more than if it had been part of the rock. All he could do was to sit down and think again. By and by he came to the resolution to pretend to be dying. In the hope they might take him out before his strength was too much exhausted to let him have a chance. Then, for the creatures, if he could but find his axe again, he would have no fear of them. And if it were not for the Queen's horrid shoes, he would have no fear at all. Meanwhile, until they should come again at night, there was nothing for him to do but forge new rhymes—now his only weapons. He had no intention of using them at present, of course, but it was well to have a stock, for he might live to want them, and the manufacturer of them would help to wail away the time. Chapter 20 Irene's Clue That same morning early, the Princess woke in a terrible fright. There was a hideous noise in her room—creatures snarling and hissing and rocketing about as if they were fighting. The moment she came to herself, she remembered something she had never thought of again—what her grandmother told her to do when she was frightened. She immediately took off her ring and put it under her pillow. As she did so, she fancied she felt a finger and thumb take it gently from her palm. It must be my grandmother, she said to herself, and the thought gave her such courage that she stopped to put on her dainty little slippers, before running from the room. While doing this she caught sight of a long cloak of sky blue, thrown over the back of a chair by the bedside. She had never seen it before, but it was evidently waiting for her. She put it on, and then, feeling with the forefinger of her right hand, soon found her grandmother's thread, which she proceeded at once to follow, expecting it to lead us straight up the old stair. When she reached the door, she found it went down, and ran along the floor so that she almost had to crawl in order to keep a hold of it. Then, to her surprise, and somewhat to her dismay, she found that instead of leading her towards the stair, it turned in quite the opposite direction, it led her through certain narrow passages towards the kitchen, turning aside ere she reached it, and guiding her to a door which communicated with a small back yard. Some of the maids were already up, and this door was standing open. Across the yard, the thread still ran along the ground, until it brought her to a door in the wall which opened upon the mountain side. When she had passed through, the thread rose up about half her height, and she could hold it with ease as she walked. It led her straight up the mountain. The cause of her alarm was less frightful than she supposed. The cook's great black cat, pursued by the housekeeper's terrier, had bounced against her bedroom door, which had not been properly fastened, and the two had burst into the room together and commenced a battle royale. How the nurse came to sleep through it was a mystery, but I suspect the old lady had something to do with it. It was a clear warm morning, but wind blew deliciously over the mountain side. Here and there she saw her late primrose, but she did not stop to call upon them. The sky was mottled with small clouds. The sun was not yet up, but some of their fluffy edges had caught his light, and hung out orange and gold-coloured fringes upon the air. The dew-lane round drops upon the leaves, and hung like tiny diamond earrings from the blades of grass about a path. How lovely that bit of gossamer is! thought the princess, looking at a long undulating line, that shone at some distance from her up the hill. It was not the time for gossamers, though, and Irene soon discovered that it was her own thread she saw shining on before her in the light of the morning. It was leading her she knew not with her, but she had never in her life been out before sunrise, and everything was so fresh and cool and lively, and full of something coming, that she felt too happy to be afraid of anything. After leading her up a good distance, the thread turned to the left, and down the path upon which she and Lutie had met Curdie. But she never thought of that, for now in the morning light, with its far outer look over the country, no path could have been more open and airy and cheerful. She could see the road almost to the horizon, along which she had so often watched her king papa and his troop come shining, with the bugle-blast cleaving the air before them, and it was like a companion to her. Down and down the path went, then up, and then down, and then up again, getting rugged and more rugged as it went. And still along the path went the silvery thread, and still along the thread went Irene's little rose-tipped forefinger. By and by she came to a little stream that jabbered and prattled down the hill, and up the side of the stream went both path and thread. And still the path grew rougher and steeper, and the mountain grew wilder, till Irene began to think she was going a very long way from home. And when she turned to look back, she saw that the level country had vanished, and the rough, bare mountain had closed in about her. But still on went the thread, and on went the princess. Everything around her was getting brighter and brighter as the sun came nearer, till at length his first rays all at once alighted on the top of a rock before her, like some golden creature fresh from the sky. Then she saw that the little stream ran out of a hole in that rock, that the path did not go past the rock, and that the thread was leading her straight up to it. A shudder ran through her from head to foot when she found that the thread was actually taking her into the hole out of which the stream ran. It ran out babbling joyously, but she had to go in. She did not hesitate, right into the hole she went, which was high enough to let her walk without stooping. For a little way there was a brown glimmer, but at the first turn it all but ceased, and before she had gone many paces she was in total darkness. Then she began to be frightened indeed. Every moment she kept feeling the thread backwards and forwards, and as she went farther and farther into the darkness of the great Hollow Mountain, she kept thinking more and more about her grandmother, and all that she had said to her and how kind she had been, and how beautiful she was, and all about her lovely room and the fire of roses, and the great lamp that sent its light through stone walls. And she became more and more sure that the thread could not have gone there of itself, and that her grandmother must have sent it. But it tried her dreadfully when the path went down very steep, and especially when she came to places where she had to go down rough stairs, and even sometimes a ladder. Through one narrow passage after another, over lumps of rock and sand and clay, the thread guided her, until she came to a small hole through which she had to creep. Finding no change on the other side, shall I ever get back, she thought, over and over again, wondering at herself that she was not ten times more frightened, and often feeling as if she were only walking in the story of a dream. Sometimes she heard the noise of water, a dull gurgling inside the rock. By and by she heard the sounds of blows, which came nearer and nearer, but again they grew duller and almost died away. In a hundred directions she turned, obedient to the guiding thread. At last she spied a dull red shine, and came upon the my car window, and thence away and round about, and right into a cavern, where glowed the red embers of a fire. Here the thread began to rise, it rose as high as her head, and higher still. What should she do if she lost her hold? She was pulling it down, she might break it. She could see it far up, glowing as red as her fire-opel in the light of the embers. But presently she came to a huge heap of stones, piled in a slope against the wall of the cavern. On these she climbed, and soon recovered the level of the thread, only however to find, the next moment, that it vanished through the heap of stones, and left her standing on it with her face to the solid rock. For one terrible moment she felt as if her grandmother had forsaken her. The thread which the spiders had spun far over the seas, which her grandmother had sat in the moonlight and spun again for her, which she had tempered in the rose fire and tied to her opel ring, had left her, had gone where she could no longer follow it, had brought her into a horrible cavern, and there left her. She was forsaken indeed. When shall I wake? she said to herself in an agony. But at the same moment she knew it was no dream. She threw herself upon the heap and began to cry. It was well she did not know what creatures, one of them with stone shoes on her feet, were lying in the next cave. But neither did she know who was on the other side of the slab. At length the thought struck her, that at least she could follow the thread backwards, and thus get out of the mountain and home. She rose at once and found the thread. But the instant she tried to fill it backwards it vanished from her touch. Forward it led her hand up to the heap of stones. Backwards it seemed nowhere. Neither could she see it as before in the light of the fire. She burst into a wailing cry and again threw herself down on the stones. End of section 11