 All right, new shop here. This has sound. Let's go. Hey guys I was always like, oh my god, man There was like a truck blocking my driveway and then I couldn't get out and then my head was hurting I couldn't find any Advil. Hey guys. I was always like, okay Well, so you are saying here. She's actually in the back of ambulance, right? It's probably against the wall. You got some tools here, maybe a window Okay, no lip-sync yet working on their eyes overall opinion mechanics and Hands hair and face and base modes all good. Okay So the first thing guys, I was always like, oh my god, man There was like a truck blocking my driveway and then I couldn't get out and then my head was hurting I couldn't find any Advil. So when she starts talking there are a couple things to me. Hey guys Good beginning accent will pause a laugh. I was always like, oh my god I think I think oh my god a big change there and there was like a truck Once we around here Right blocking my driveway and then it's all kind of the same cadence the same style kind of same tone Blocking my driveway and then I couldn't get out and then my head was hurting So the tricky thing with that is that as the sound has all the contrast and awesomeness then it gets very flat It's very repetitive. So that's when you have to offset this with more interesting Body language and acting the thing here like once we start here. Okay, so this is Her rough box here and then onions getting on blocking my driveway and then I couldn't get pretty good And how she gets out of that and you got some arm gestures But the thing is the gesture here, it's not the best in terms of silhouette how we have that framed here It gets slightly better here with the fingers But we have the upper arm forearm overlap a lot especially here and then after that you're doing it again So the voice is repetitive and how she says in all that stuff plus the actions are repetitive So watch out for that. So we have That one and then you have another one silhouette My already gets better because it's we see more of the arm But this feels really broken how that arm is out the hand flat in front of it I'm not quite buying this gets a bit better in terms of the structure of it It gets a bit wonky through there and again silhouettes bit wonky on something like this But I would actually take the second one out or not have this one and have that one But either way it would be something where the arm is out at least like that, you know where it just we just have a cleaner silhouette Now it would be interesting to see your actual ambulance and all that stuff and Maybe because it's she isn't the thirds That's you know your standard framing is fine. I'm wondering since she's looking over here Do we want I'm just I don't do this. I'm just saying thinking out loud Do we want one of the ambulance workers? Here over the shoulder So that when she talks she's talking To them and then you would potentially raise the eye line Could it be something it just hear me out. What if she is like this and Then we have ambulance worker Number one Ambulance worker number two potentially and then that's why Hold on with this drawing tool. It won't refresh So I would have to do something was so it's pretend right this extends to the side and one is here and then the other one Can be here, right? So imagine with with all of this going on that she might Have an eye line a bit more over there So she's that left and right is because she's constantly switching To whom she's talking to if that makes sense Unless you're just saying no, no, no, I would like this. It's implied that they are off-screen Which is fine, too. I don't see that anywhere in the the email here Yeah, so that would be one broader aspect that you could think about potentially if that's your jam Because you wouldn't really have to do extra work. They would just be foreground blurred out They might have a cycle or like a random curve on it where they're kind of Moving up and down every now and then imagine like you're in the ambulance and it's driving So you get a couple bumps which goes to my second thing. I was always like if she is you're saying here Let me see. She is totally nuts is what he's saying She's actually sitting on the back of the ambulance found on the streets She's totally nuts the opposition for suggestions if you think it doesn't work Not sure that I'm getting the totally nuts thing. I think she just seems guys I was always like maybe alcohol and be some drugs my driveway and then I couldn't it's really tired But it's not like totally nuts like she doesn't seem For lack of a term crazy where the expressions and the movements Terms of stylized craziness if that's what you're gonna call it or you know Nowadays you want to categorize that and it I don't quite read that again to me so like someone is late night That too much to drink potentially. She's not slurring though. So maybe on something. She's on something But not crazy so that intensity is not there It was that if I'm reading if you're saying that she's totally nuts. I'm expecting different things Throwing it out there just because it would be so much work again Don't do it is that I give without so much work, but it could be Something where maybe you want to take ideas out of it that imagine she's sitting there and then you have ambulance worker number one Ambulance worker number two I know I'm adding two extra characters that you have to animate and they're trying to do stuff where they're trying to get the the Blood pressure or whatever you want to call it. I really call it heart rate No, whatever blood pressure. I think with that With that little tool maybe the other person Maybe she has some cuts and scrapes and he's trying to put band-aids on or or has something to check her ears or something But because she's constantly moving left and right they have a hard time Doing things properly because she's just not holding still, but she's not aggressive So then they're not really don't have to restrain her if that makes sense That's a crazy thought just because it's a lot more work, but it could be something where it's maybe just arms off-screen Maybe the the framing is I Mean again going Way off script here, but you're saying you're open those suggestions. I'm just thinking out loud. What if You know, and then we just have arm Arm trying to do stuff arm arm trying to do stuff on here on her checking And through all of this she can still do all of that all of that And then you know when she's here that might be in the gesture with a nice silhouette Just the thought just because right now There's not much going on down here. It's kind of fun just have that pose It's kind of that relaxed kind of like interlocked pose while she's doing all that stuff sure But it's not crucial to the story to me It's more like stuff like that expressions like this The constant not focused area where she's constantly going left and right like that to me is the bigger meal So to speak so you could frame in more, but that could be one thing the other thing too could be Again hear me out. What if It's gonna go. What is he talking about? Well, it does really maybe doesn't really matter which direction I was gonna go that she screamed right But what if she's like this right? How far does she go to the left? Okay, that's the furthest okay, so imagine sitting here and then we have the ambulance worker one He is just kind of maybe arms crossed or doing something like doing nothing at arms crosses whatever and just looking at her and Then as he is you know She might be talking to someone off-screen and all he does or she is Follow this character with their eyes And the reason I'm saying this because if she would do something like that instead of talking to someone off-screen like that Imagine Someone and they could be seated however like to me it seems like they could be seated right next to her And the reason being is that she could instead of looking over and doing this she would actually lean Against that person go like hey, you know what happened to me and all that stuff and then that person would have a lean you know just Not leaning away. They know they they can't help themselves. So they're just kind of Putting pressure on her so she doesn't fall this way and just keep alive looking at them And then you could have some cool interaction between body parts there and She would do all of this every time she would look over here. She could look Straight into the person's eye it could be a profile where she looks at the person's mouth and realizes Oh, this is not where the eyes are and she looks up. I kind of lean into this hole. I'm not quite there Anyway, that's kind of my broader Feedback if that makes sense. Hey guys, I was always like oh my god, man There was like a truck blocking my driveway and then I especially here when she goes land and then and then I couldn't get Out and then my head was hurting. I couldn't find any add like all of that What if she starts here the dress is this person off screen? Oh There's all of that and then looks over but it's a bit more profile And again could be the thing of looking at your teeth and then looking up like oh that that's where your eyes are Looks back over here and once she gets into this repetitive talking The compensation would be that she then turns around and starts to lean on that person and as the dialogue continues She would lean more and more and more where that person has to lean more and more away Just looking at them going. Okay. Well, that's our job. That's what we're doing. If that makes sense I think that could be interesting Escalation of the shot and maybe adding some interest and then you know because they're driving You could have maybe something hanging there and every now Then you got some bumps in the ambulance and then she would kind of maybe bump up and down a little bit This could have a little thing and then swing left and right just absolutely add some life to it Maybe there's a window and then just stuff is it's going past you so we know they're driving I think it's an overall interesting neat set dressing and a potential interaction or Too crazy added to take a character. Maybe there's just their boxes, you know supply Stuff hanging here. It's packed. It's a packed ambulance and then she just leans against What is there puts her arms back and starts getting comfortable saying all of this So you don't have to worry about a second character, but I kind of liked the idea She could start here look around and then turn and then like I said the the compensation for the kind of repetitive Dialogue delivery is that she does something with her body. That's a lot more contrasty that will offset that that's kind of my My pitch for that feel free to complete ignore, but hopefully those were a couple ideas And I'm gonna leave it at that before I go into other things like to me would be like this is a pretty Drastic neck pose where it will go just a bit further back to be a bit more aligned With the head here and you're stuff like that like it's early days. This was very IK I don't know and I'm hesitant to go too much in detail just in case you go In a different direction, but definitely that's the biggest issue to me It's just the gesture the the posing in the silhouette of all of this But I do like like this a lot. This is a lot of fun that whole Line of action that hunch pose. I love that. It's almost like she has no Strength in her hands and fingers. So that's why she deluxe them It's just to kind of have a pose there But it still flows nicely with the neck and then she has a tilt in her head and eyes closed like this Is really fun. I love this pose here So it's definitely cool and I think you could do all do all that and then have a moment where I love this that She goes back into closed eyes and it could be it could last even longer and then come out of it here again It's kind of fun. You don't see it that often that characters keep the eyes closed for a long period of time and given that she has Potential drugs or alcohol or something. It's it's warranted. It's okay for her to do that like someone 100% there wouldn't close their eyes for like half the dialogue if that makes sense. Anyway leave it at that Let me know what you think and that's it All right, there's an email you can sign up You can start whenever you want you can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome All right. Thank you