 Hello people, hello, how are you everybody? I think I've come live to talk about this issue of Mordecai. I don't know, but I love being honest. But I sense something, you know, and I love to speak the truth and be honest as well. It has caught my attention that first things first, the video, the promotion of the song, the trailer and stuff was put on Mordecai's YouTube channel. But now the song itself, the video itself, is out and it's not on Mordecai's YouTube channel. For me it raises a lot of concerns and a lot of questions and I feel that to come out and say that the boy's YouTube account is not monetized is a very useless statement. Because you can't grow numbers on a YouTube channel if you're not putting content there. And then two, I doubt that you are in a hurry to make money or monetize Mordecai unless the promoters are desperate to make money off Mordecai. Now I see a situation where the boy is being used to grow numbers and to make money. As much as people will say, okay, let me tell you this, I've worked with musicians, very big musicians, very big artists that I've worked with. Okay, there is no way a manager signs a contract with a musician that they are going to publish the content on the manager's YouTube channel. No, there is no way. There is no way. And I just paid attention to this this morning that the video is on Kazadi YouTube channel, you know, and we are promoting Mordecai. Look, I love Mordecai's music and so are other people who would agree with me. But now it's looking like they are in a hurry to make money off Mordecai. In my view, if you are really there to help the young man, if you are there to help the young man, don't put him in a rush to make money because that's his passion. Eventually the young man will make the money. There is no rush in making him rush to make money. No, there is no rush. There is no need to put the young man in a fast mode that, oh, he should make money. No, no, no, relax, relax, relax, relax, gentlemen, relax. The boy has got talent. No doubt about it. But you, the managers, I see you destroying this young man. I see you destroying this young man because I see selfishness in the individuals that are managing this young man. You know, we want to grow his numbers. We want to share the link of his YouTube on our Facebook platforms. But now we are sharing the link for Kazadi. What if the boy decides to leave Kazadi? So what contract is there? Because if the boy decides to leave Kazadi and be managed by somebody else, what will happen to his content, to his music? Any musician I've never seen DeVito, DeVito's manager, post the official video for DeVito on his YouTube, the manager's YouTube. Let's go back to Zambia. I've never seen Kandeki post your maps, official music videos on his account. No, on his YouTube account, no. I've never seen that. I have never seen that. And I pray this video goes viral and David Kazadi sees this. David Kazadi was coming very well and I personally have been in support of this young boy. But at this moment, I sense danger. I sense danger and I see the boys down for very quick. I see the boys down for very quick. Regardless of how talented he is. And now I'm going to slow down on promoting the video. How are we going to reach a million on Kazadi's Nankan? We are making Kazadi reach. We want to make Modecai reach. Yes, the manager should get his dues. We agree. But here we are building the brand called Modecai. We are building the brand Modecai. So there is no way, there is no way you can sign a contract. If Modecai signed a contract that his music, his content should be posted on Kazadi, the boy has missed it. The boy has missed it. The boy needs to know that he is the creative behind the music. He is the creative artist. He owns the copyright to his music. So when he will be signing contracts, if for example Sony Entertainment reached out to him, if Sony Entertainment reached out to the young man Modecai, how are they going to sign? I've never seen, let me tell you how musicians are managed or artists. The manager is there to facilitate. The manager is there to facilitate. The manager should not be there to get the credit. But I see the hunger now in Kazadi getting the credit. There is the hunger to get the credit and not let the young man get the credit. Look, this is not fair for the young man. This is not fair because you can't. I've never seen even Sony, the video is signed under Sony Entertainment, right? But I've never seen Sony be the ones to publish the video. Look, make me understand. Because people are saying that no, Kazadi said that Modecai's YouTube channel is not monetized. Okay, what is the rush for monetizing it? Let's grow his numbers. This is just the young man's first song. This is just his first song. So why are we in a rush to monetize him? No, look, if the young man is going to make money, he's going to make some money from some shows. So some people call him for some shows to go and perform his song and stuff like that. Why are you rushing him to monetize? Why are you in a hurry? Let's not exploit the young man. Let's not exploit the young man. And I think for you, my followers, for you, the Zambian people, please, hot. Let's not view this video anymore. Let's not hype this song anymore. Because at the end of the day, we are not hyping Modecai. We are hyping Kazadi. I have stopped my fans and those that love me. Stop them. Don't go there. Don't share. Let's delete our share. Yes, they've gotten 187,000 views. That's fine. That's enough. But we won't hit a million. I'm not going to support hitting a million on someone's YouTube channel. I wanted that music to be on Modecai's YouTube channel. I am supporting Modecai. I'm not supporting Kazadi. I'm not supporting his manager. I don't care who his manager is. Yeah, that's none of my business. My business, my job is to see Modecai's music get there, is to see the talent that I saw in Modecai grow. But if what I'm seeing now is what's happening, it's not right. There is no way, Kazadi. There is no way you can go and start growing numbers on a boy like that. No. As for social media influencers, we have shared on our platforms. I didn't even see this because I thought that, okay, this is Modecai's thing. I didn't pay attention. When I checked, I'm like, oh, Kazadi films. Why? If Modecai's YouTube channel does not get content, how will it grow and how will you monetize it? How would you monetize it if it doesn't grow numbers? I mean, how? This doesn't make sense. Make me understand. If you're going to say no, his page is not monetized, no, no, no, no, no. Let me tell you something about talent. A talented people should not be rushed into making money. I don't think the young man Modecai is desperate for money. No, no, no, no. Let me tell you something. When you have talent, money will follow you. Money will just follow you. Money will follow. YouTube will follow. We want to see that all the boy is getting YouTube awards. People get those placards from YouTube. Oh, 100 million views on YouTube, they get placards. One million views on YouTube, they get a placard. So now, Kazadi will be receiving the YouTube placard for getting millions of views. Yet, it's Modecai's content that's making... No, no, no, no. I think there's something fishy here. There's something very fishy. You know, there's something fishy here. I'm going to use your maps as an example. Your maps received, and I saw that your maps received different YouTube placards from YouTube, right? Okay? So if we got those placards from YouTube, it means that his YouTube channel is doing very well. So that's why they gave him the placards. So now, Modecai will be receiving the YouTube placards. No. What you should have done is share the link from his Nankane. Get your followers on Facebook, Instagram, Twitter. Lead them to the links. Share the link. That's all. You have just shared the link for the young man on the different platforms. But on this, I stand to disagree. And I see that Modecai is being used. Modecai is being used. That's all I will say. I am going to unlike. I like the video on YouTube. I'm going to unlike it. I'm going to unlike it. Simple. Because it's not fair. Yeah, please, let's unlike it. Let's unlike the video. Let's show them that we are not happy. Go and unlike. Simple. I feel very bad. I feel very bad. I feel very bad. I feel very bad. I feel very bad. I feel very, very, very, very bad. I feel very bad. I feel very bad. And this thing in Zambia must stop. Stop using people to get to wherever you want to go. Stop using people. I mean stop it. Stop. Stop using young people, especially young people. Stop using them. And I saw and I think I see that probably the boy was just desperate to, you know, to become... Yes, the boy is famous, but who's becoming famous and who's making the money? Who's getting the name? A manager should never get the credit, should never... Look, you will never... Okay, tell me. We have seen the likes of Beyoncé. We have seen the likes of Jay-Z. We have seen the likes of whatever top musicians in the world. How would you even know to say this is the person managing them? Yeah, we can know that, okay, Sony or what is managing this kind of stuff like that. That is fine because that's a brand. But they should never go to get the credit for the content created by the artist. The job of those managers is to do the copyrights. Simple. Protect the artist's copyrights. And oh, that's all. That's all. You are not doing... Look, let me make this very clear. You are not doing Mordecai a favor. Let's understand this. You are not doing Mordecai a favor. Mordecai is talented. We fell in love with his music, with his voice. So don't make it seem like you're doing Mordecai a favor by managing him and all. And let me make also this clear. You did not make Mordecai famous. It's a collective job. Everybody participated in making Mordecai famous. Zambians followed his page. Zambians followed his music. Zambians shared on Twitter, on TikTok. Zambians were there to share his content. So you can never claim to say, oh, we made the boy... No, no, no, no. The boy's voice made him famous. Let's get this clear. The boy's voice made him famous. If his voice was useless, we were not going to follow him. We were not going to share on our platforms. I was not going to share his music on my platform. If his music was not good, but we shared and I've come in public because this is in public domain. This is in public domain. That's why I've come in the public. So even, look, let me tell you something. A person or talent, even if whatever it is, Mordecai's time came and it has come. I wish you the best and have a good day.