 Are you shooting? I want to shoot it. Okay. I want to shoot it. Yeah. Bobby Alec, Drew, James, let's go. I believe barbell can fire a gun. Oh, okay. Wait, have you done this before? Have I ever fired a gun before? Yeah. Like, I know you're really liberal, but also you have rustled pigs, so I never really know. Here. It gets your finger away from that. The bolt is open, Drew. I don't know what that means. This is the bolt. Okay. Okay. See the bolt is open. Come on. I trust you to be safe. So the explosive we're using is a chemical reaction. The only way to set it off is to use a high-velocity round, and it takes the heat and pressure from a high-velocity round to start the chain reaction. Even a .22 wouldn't do it. No, a .22 would be too slow. Yeah. Do enough ear damage, riding bikes. Oh, where'd you get those? What's up? I always carry earplugs. Oh, wow. Yeah. Okay. I mean, at least anytime I'm going to be around Alex. Oh. Got him. All righty. I'm ready. Three. Two. One. First try. Yeah, buddy. I was too early. I loved it. I heard like three, two, one, and I was like diving down on it. I love it out, and then it went off. Is it hard? Yeah. It's not quite that easy, because like I got to get my eye lined up with the scope and then sight it in. But like, can you get it all ready so you're just ready to pull the trigger on one? I can try. I can try. Yeah. Did you have it? Like, you were ready to fly through it. You needed it to go at that moment. Yeah. I was like, I was gone. I see. I'm just happy I actually hit it the first time. No, it was really impressive what you did. All right. Late. I need a longer countdown, like ten. Ten? I need like ten. Now everybody knows what's happening and we can kind of like talk through it. Let's do it again. It's kind of like ten when you're shooting on one. Ten. Nine. Eight. Seven. Six. This was not like this. This is why we use drones and not people. So yeah, I mean, this is this, I think, one of the safer ways to get a dangerous shot, right? Something that's not an expensive piece of equipment. I wouldn't call it disposable, but, you know, if you did for whatever reason get hit by some trapknoll or something like that, then, you know, you're not out thousands and thousands of dollars on some dolly or some rig like that. I'm not getting it times well. Like, I think you still had a better time than I was. I want to be twisting still. I'm trying to get the most dynamic thing possible, which has made me wonder if I should actually start low and then as it explodes be twisting up it. I think I want to be approaching it in three, two, one. Boom. So I'm actually going up it as it explodes. Like over the top. Yes. And around. I'm just messing up the timing. I'm not going to shoot, but you could just do five, four, three, two, one and you could practice your shots. I mean, that seems like probably what they would do on a professional movie set. Alex, how did Michael Bay do this? So we had a safety meeting and then usually before the explosion we would do a test run like a countdown without exploding. Just make sure everyone got to their one, right? One being like the point where they wanted to be for the shot and then we would actually run it. So it was a whole process. It was something like this. It would take almost half a day if not more to get right. Rather than wasting explosive and chalk, let's do a couple run-throughs where we do the countdown. You guys line up your shots and then when you feel like you've got it, we'll actually make it go bag. I would be, I would be nice to practice with some counting. All right, pilots. Josh, let me know when you're ready. All right, we're going to do a practice. Five, four, three, two, one. All right, that was the rehearsal. Now we're going for the real thing, the real thing. Pilots in 10, nine, three, seven, six, five, four, three, two, one. You guys inside of that explosion. There was no doubt that there was some guys in that school. If you guys are doing any type of professional FBB filming work or you're just out there having a good time and trying to get a good shot with a moving target or another obstacle or something like that, I highly recommend you guys do rehearsals and have someone doing a countdown for you. It's going to lead to a better shot, more consistency. And trust me, on any big film set you're going to be on, that's what they're going to do. No, no, no. Just seeing the quadmaster. Yeah, it's all around. Oh, yes. That's great. I like the construction. Oh, just look. The dive is just sick. Wait, wait, wait. Oh, yes. Did you just intentionally let it go down like that? Oh, I tried to pull out. I mean, I think I did. I bounced off the ground and made it, but I just bottomed out. That's sick though, because it's just great. You just know like, wait, is he going to go? That's what I wanted. I wanted like a twist, something dynamic with like elevation change and a twist. James was right to start with the orbit. Rather than trying to approach it and like 3, 2, 1, be in the dive, I was like 3, 2, 1 in power so that I was already under power when it blew. And then I still got the dive. It was better than to waste it being already up there, because every time I tried to dive it already up there, I was missing the shot. But even if it went off, like you don't get that concussive like boom, like I got everything I wanted there. I'm very, I'm very, very happy with that.