 Itaddelevenere is one of the most relevant three-story caves of Italian prehistory, where for millennia, generation left significant trees over the passage. It is located in Apulia, that part of Italy, two kilometers from Parabita, to this near Lice. In a territory frequented by man since Paleolithic. The cave was identified in 1975, and in this year, were found the two Venus figurines that gave the name of the cave. Made of animal bone, they are an invocation to fertility that spread through Europe from 36,000 years ago, with a production of female stituis, usually characterized by that sentuation of sexual attributes. The first real excavation campaign carried out in the Grotta delle Venere, and it was due to the University of Lice in Pisa, and they were carried out from 1966 to 1972. The Grotta delle Venere is characterized by external shelter with a semi-circular plan, and the inner cave divided into a central trunk and two tunnels, north and west. They have two district and complementary stratigraphic deposits. Look to the Paleolithic, the most ancient traces of human presence are found in the external shelter, and consist of Neanderthal lithic tools. The use of the middle Paleolithic Poloid after the collapse of the world, only at the end of Apopaleolithic. In fact, the Epi-Romanelian Thalitic tools and the metal remains left by sapiens date back to this period, as well as 500 stones and 116 engraved bones, which represent an exceptionally testimony of the symbolic universe of Paleolithic interrogators, those one. In this period, between the end of Pleistocene and the beginning of Orocyene, characterized by modification of the habitat, there is a change in the portable art of Gunther Gators, a clear hand of a symbolic universe also in the process of modification, no longer orientated to Mozoomorphic representation by almost exclusively to the incision of geometric linear motives on stones or bones. It's a syntax that is found through Europe, from Provence to the Black Sea, as well as in Salento. And the Grotto della Venere is exhibited an exceptionally wild sample of media with a based repertory of motifs, from bundles of lines to ladder motifs, to lattice to square bends. The inner part of the cave was used only from the Apopaleolithic, when sapiens choose it as a burial place. The use of the cave continued also in the later phase of the Apopaleolithic, as evidenced by flint tools of the Apigrevian age. A level of soil, strictly affected by illegal excavators, sealed the paleolithic occupation on both the outer shelter and the inner cave. It's characterized by the presence of numerous arctic pottery, flay, and obscenium in the middle used in activities related to the cult and referable to a period between the Neolithic and the Middle Ages. Some of them were found together with animal offerings inside holes dug with cult items, intents. These holes, often modeled on the rocky bottom, were filled in part once the ritual was completed with large stones. The excavation of one of these holes radiocarbon dated thanks to the collaboration with Sedat of the University of Salento, to the second half of the fifth millennium BC, under the underlying burial of Apopaleolithic, partially destroying it. Remains of both ships and goats and ceramic fragments were found inside and they were interpreted as an offer deposit by the Neolithic men in honor of individual perceived as their own ancestors. Indeed, the practice of laying down precisely part of both in silos, holes, pits, altars, finds, numerous comparisons in the recent and final Neolithic of Italian suites. The pottery has been analyzed as a fool and many pieces have been revised from the chrono-tepological point of view. The study has allowed us to establish the uninterrupted use of the cavity from the beginning of the sixth millennium BC until the Bronze Age, with different differences in terms of intensity and destination in different periods, as well as to identify some indicators of wine-rage contacts. Those include symbolic artifacts, container with shapes and decoration widespread in Sicily and in the regions of Eastern Adriatic, documenting the ability by the Apolian Salento communities to participate in the wide circulation of ideas and information that prevailed the Mediterranean from the sixth to the second millennium BC. The ceramic complex consists of 17,000 finds, 86% are dated to the Neolithic with almost all the typological elements referring to the sixth millennium BC. In fact, fragments refer to the impressed wear, scratched and painted wear, different ceramic styles, typical of Saudesan peninsula in the ancient and middle phases of the Neolithic. About 200 artifacts refer, however, to the fifth millennium BC, namely the recent and final stages of the Neolithic. Among the indicators of wine-ranging contacts due to the Neolithic period present in the cave, there are some objects with a symbolic meaning that show the sharing of an ideological patrimony common to the entire peninsula and Greek Balkan world. There are three pintaderas, clay stamps, whose decoration shows connection from the stylistic point of view with Greece, Serbia, and Albania, and a lack of rhythm, also attested in the trans-Adriatic world. The obsidian tools are added to the ceramic artifacts, some of which analyzed to XRF analysis at Sedat have proven to be of leapary origin, as documented for all the Neolithic site of Salento. The frequentation of the cave continued during the Copper Age for the third millennium BC, although with less intensity than during the previous millennia. The furnishing fall into the production of daily use with the exception of some carefully crafted vessels such as those with impressed points found at the Grotto d'Allecerbi in Potomadisco, and the widespread of the initial phase of the Copper Age in Sicily, and on the eastern side of Adriatic, and those of the La Terza type decorated with a fine syntax. Also worthy of note is a juglet decorated with horizontal engraved line, which is compared to a similar vase found in La Terza tomb tree, also in Apulia, referred to the literature as coming from the Darmatian castle of Sedina. As for the Bronze Age, the larger quantity of ceramics containers refer to generic forms, not edible to faces or specific periods, apart from some very few exception, vessels of and everyday objects documented in the cavity and in the cohabited sites of the area could suggest a residential, intense use of the cave during the Second Millennium BC. Looking to the metal artifacts, between the Mereolithic and the Metal Age, hundreds of vessels and artifacts related to domestic activity, such as peniles, stone, and obsidian tools, or ceremonial tools such as the pintaderas were placed in the cave. To this one has to head for Ineolid, the object in copper, a raw material absent in Apulia. At least the metal was the foyer. An import, as you can see, Parapita is with the arrow is, and there is no copper in all southern Italy, except for the deep southern calabria. So the metal was the foyer, an import. The comparison of these items were investigated by XRF. The Triangular Flat Axe has a very archaic shape. It was analyzed by XRF, showing it was composed by almost pure copper with traces of arsenic, iron and silver. The long shallow hollow along each side is an indication of manufacture in a two-piece mold. Morphologically similar specimen came from Campegine, Regimilia, Scurgole, Alessium, Rapulano, Tuscany, and Stankovci, Dalmatia, and they were attributed to the late Neolithic or in the very early stage of copper age. Very early copper working in southern Italy were found in Pizzicca Pantanello Metapunto, a crucible for copper melting from an early Neolithic context dating to the 4,420, 2,700 calibrated BC. But anyway, the copper was obviously imported. Another copper Flat Axe belonged also to a very early type that is generally ascribed to the very early phases of copper age. The cutting at the butt is an indication that the two-piece mold was used also in this case. It's made of almost pure copper with traces of arsenic. We got also two holes, again with a similar composition, pure copper with some traces of iron and arsenic. These are artifacts deposited in the cave as offers, perhaps to divinities of the underground world, unlike what's happened in the other Neolithic contexts of central southern Italy, such as Grotta Puccini where copper objects, daggers and razor blade pins constitute the set of collective burials in the cave to underline perhaps the privileged status of some individual over-orders. There are few peninsula caves that preserve, in the copper age, an exclusively cultural function and among this there is Grotta delle Venere. Here, the body deposition of valuable objects may have expressed the desire to maintain beneficial relationship with the spirits of underground world. We are going to the conclusions. Grotta delle Venere has returned evidence of ability to participate in the wine circulation of ideas and information that pervaded the Mediterranean from the 6th to the 2nd millennium BC. Non-local raw materials such as obsidian and copper object of symbolic nature as pintaderas ceramic styles common to a large geographical area are evidence of how the cave and with it the entire Apulia Salento were able to interact with an interconnected world in which important raw had the promises in navigation. Thank you.