 Alrighty, let's check this one out a weight lift assignment as always it's played is in full first Cool, all right, so my impression there's some good stuff in there ready I think the couple things that I will watch out for in terms of your your weight, and I'm not gonna comment on But there's not that much of comment on the body Mechanics there's some good stuff. I think you can play a bit more in terms of offsets where Like everything is kind of coming cleanly out of one axis whereas You could potentially push What's the word, you know with one side of the body more that might be Even like one leg a bit more offsets. You don't have that that Tangent kind of overlap right there that kind of follows you throughout the shot So it's a bit more offset with a bigger negative space there and Imagine, you know like one side like movies at least lefty or righty Maybe one arm is lower and the other arm is a bit higher So you already have a bit more asymmetry in there It will change the body posture and then with that that move up there might be a bit a bit of a bigger Or up like this with the roots right now. You have a bit of a Move up this way and then it just kind of stops and it kind of goes back this way up and then down It's a bit messy there And I just said I'm not going to comment on mechanics and I'm doing it This is just kind of the the broader things also your head Feels like it's on the head align or on a head IK where you can see all that movement in the In the pelvis and body but the rotation of the head is the same So the head will kind of go back with it a bit more be a bit more stiff Because all of that is going to be like a very tense and the liftings it I wouldn't I wouldn't have the head be so gimbley if that's a word watch out this gets a bit close in terms of Intersections this would be a good moment to actually have your head further back and kind of maybe off to the side with an expression They're like I don't want to get my face in that ball but All of that should be secondary to reworking your weight So to me this is a massive ball and you might argue and I thought it made out of stone But to me seems that's gonna be really heavy Just the way he just really wraps himself around. This is very cool But my anticipation is this is going to be heavy. But when you play this whoop, this comes up really Easily so to me what I would do is I like that this goes up first So all that is so heavy this goes up first right and realize this is really heavy And then you got from here to let's say I'm not from here to here Maybe just this much just a little bit of a lift that really starts to straighten out those arms shoulders are going down pelvis is up Where you really feel like oh, this is gonna be really heavy and then because of that he starts to lean back and move the The the the chest back the head goes back as well. I think starts to go into a reverse See curve is really really trying to lift that up that gets into something like this where imagine That leg would be for the back like I said before my horrible drawing, but he's really ah Trying to go back and it's all fully stretched again with different offset in your ball But because of that you can have that moment of ah going back and then bam And then it lands on his legs, and then you have this and then Same thing here as you go up He might readjust a bit, but then same thing to me again where you want to feel that? That strength and really have him Go back and lean back the head is back and just pull this back And that's better here. I think it would still go a bit slower through here to ramp up But they're really ramp up into here. It's basically it's slow, but it's heavy then Where you have that moment through here where it's he's lifting it through his pelvis and this stomach there And it's kind of like I'm throwing it up. Bam Oh, so it's a bit more Lift and the ball can have a little bit of bomb like a little bit of a It's slightly above the surface like right now it kind of slides over it You kind of need to be just if that's the surface here the ball is maybe this high And it's kind of throws it up. It goes down and then it rolls a bit So to me this goes up just to be too quickly This one so for this I would really go Like this slow like and then And then you're hearing going adjustment and then It's something like this These sound effects are very Those are professional sound effects Giving you the timing, but that's what I would do now all of that, of course, it's gonna change some things But as I said before at the very beginning I'll probably change up those arm poses for more interesting asymmetrical posing But generally the timing I would work on that that really feel the The slow lift and then as he goes back again try to reverse that bring that head back So you're going from a full spine reversal there into Then you can always curl forwards to readjust and then he curl back again then using this To lift up the the ball up and into that All right, that's kind of what I have. 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