 Alrighty, let's wash his in full first. Look at the corgi rig in there. It's cute. Cool. All right. Dance off. And then get out. All right. So my question to you because right now I let me check check the mail and I didn't see anything else in terms of what's going on. Right now, basically I'm seeing this. I think we are a bit too high. There's a lot of room down here where I think we can bring this you might as well center. I don't think we need that much room down here because as we continue it's almost like this is a nicer composition in terms of where the where the angle is and looking down or you can still have this centered But then at the same time do we have to I mean to me I like this just because it introduces some diagonals if he sits there and we can go even bit lower-ish in terms of looking down not with this pole aligned here, but just something where not that everything always has to be in the third so it's my awesome drawing here, but imagine You know, he's somewhere sitting here He's fairly centered, but it just gives me too much room here It's a big focus to me. I feel like with that and it's very symmetrical But I don't think we need in terms of the story you want to tell Even just within the shot So I don't know personally I would probably keep it like this. Where is he sitting? He's sitting behind the corgi. So if he if he is here in however form Doing his thing. I think that would be totally fine, too The bigger question that I have was you were asking about the zoom. I think Apart from the composition at the beginning, I think there's some good old handhelds It gives us a sense of we're in there writing, but the thing is it's not moving So to me, I would reduce that wobble quite a bit and keep it fairly static Comes out and then watch out. It's a bit of a hard stop into the rotation It's a bit of a double thing of you're translating And it feels like you're stopping a translate and the rotates at different times We'll write the rotation at the very end. It feels like your translate stops sooner. Could be wrong. That's how it feels maybe And then we have this here Moving out my biggest question That I had was what is going on. I'm not sure what's going on So we have also why is he here? Like there's no payoff for the dog. He's so cute. There could be something but right now He's there And then it seems like he's laughing at something, but I don't know what it is Then he freaks out and I don't know why And then he's angry. He's going through a couple of emotions here Shoots out here and it seems like he's going to use that's cool his hands To break through that That's cool Got to roll into this Clean pose watch out little tangent there But then it seems like Okay, now he's celebrating. So what happened? I don't understand what happened. Um When he comes out here, did he defeat someone? Did he scare someone away? He could totally dance But then he does that and then he realizes. Oh wait, I'm missing My guy, but he's looking down and not here So I'm not sure if he is actually thinking about this as it's leaving. So watch out for eye line And then he starts going but the thing is if his Comes check because he uses he uses that to jump but the thing is This is where he wants to go. This is what's Important to him, but then visually he He is fully turned and up going this way even though he should be going this way And to me it feels like you could Have him Run this way within a side step here to jump off again. It's just like a thing to help him get higher But still visually he goes towards where he wants to go. That's my only confusion was right now even here He shoots Straight at us. Watch out for the silhouette. It kind of works But it just this feels like it's going to shoot straight at me. Isn't doesn't want to go this way So I'm confused again what he's doing and then He finally gets to this and is being pulled By the metro here and I feel like that could be a bigger thing of Wow, see then my mind goes, okay, if he shoots this at what point does he hit the thing? So that Has to go in front of this pole And it's being pulled, but then it feels like the speed of this See that we're catching up here. We're not as fast as this. So how is he being pulled so quickly? So you're gonna have to speed this up a lot more You're gonna find the right timing so that the the spider web imagine it's it's behind this That when he comes forward that it we don't feel or think that while the web is going to Is about to hit this here and he's going to have to go this way I don't know. There's lots of things that I'm slightly confused about You might have told me but I was checking the mails and I don't see anything explained there, but Probably use the error on my end. So apologize if I missed something right now I'm not seeing it But if you could remind me and if not elaborate on what you're trying to do like what are the story points I can help you a bit more Um, and that is that. All right. Thanks All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome. All right. Thank you