 Alrighty, let's check this out here the sound Okay First thing and this is super Subjective. I'm not usually a massive fan of a CG character in front of a photograph Just because it's kind of a clash of styles. I think you can just have like a simple You know you can also potentially Reframed this I have is a bit bigger, but this is technically The composition e something so if you put this back into like a 1080p It's almost like we are expecting the granddaughter to be here over the shoulder just given how This is frames and the eye line You have to look at he seems to know she seems pretty tall maybe the way he looks You have to kind of decide where do you want someone in the foreground, which could totally work if not You could also have the whole thing stage to borrow more like this. So if I If I drag out here It could also be more like this And then you can have the fingers continue that and you just put in some geometry Here and some blue and you can always have you know You know a ram shaded for some colors there for the sky and if you want something green I think that would just kind of blend the whole thing Into one more cohesive look But yeah, I mean that's gonna be up to you do you want someone it could also be someone standing there You know arms are here arms maybe behind the back But then you would have two finger animation But you know if you kind of decide is the head here over the shoulder like more of it over the shoulder Is it more like that's the bottom part legs? That's how the eye line lines up or no one right? So you just have to save an animation then maybe stage it more like that and stuff like that Okay, that's something to think about. I don't see anything in terms of here. What the notes are if you look at this, I think the main thing that I'm seeing is a Change where It's obviously a bigger arm pose change with a little some gestures there and then that's it But generally I feel like he is in this box and he's also moving towards camera So if you move him forward Right there because it's straight at camera. You're not gonna get that much of a a line change In terms of the line of action Reversals in your in your spine or anything. He feels fairly locked in this. So to me Before any lip sync notes where sometimes it's a bit chattery, but I think I would wait on this It's more like a question then again. I'm gonna go back into Potentially staging in a bit more like this if that's the center. He's slightly off-center and To me it's almost like she's off-screen. I don't think you need to have her on screen personally This could totally work and he declines, right? If you look at if you listen, so that's that was the line He declines the visit. So it's like It's like a if he stands here That's any one and if that's where he's located and he wants to stay there Could you do something potentially where he is more like this knees up arms around knees That's my extent of my drawing and then and that could be you know, if that's the pivot here He could be he could be here And then when he talks to her he opens up the chest He says listen, this is blah blah blah. That's what what I'm doing here and at the very end He might go back But then he's just leaning back shoulders up arms back here Like that where you have multiple when he changes here All right, he starts in this Whatever Knees up arms around the knees Not that he's like nervous or anything. Just kind of like more like no, I'm just you know knees up. I'm just sitting there That's where he starts And he's solely fine. It's kind of more relaxed Then you go to What you have now Which is opening up the chest because he wants to talk to her and address her and be open to her And that's why I kind of visually open up the chest To the other person blah blah blah and then at the very end which already did in yellow here You go back into I have now turned my myself away from me with some kind of dumbest conversation But I'm still leaning towards you And I mean so you have that change from from from here to back here And fully relaxed with a nice C curve like this And it can still be like three-quarter talking to her in a way You know, I mean you could still have the head like this While the shoulders are up here and the character is just kind of Relaxed that's my knee And then he still talks like this So to me it feels like we could give us a bit more It's kind of a variety in the posing. I think this is kind of You're sticking to one and then it's the usual arm out While talking this is a bit straight and curved to in those fingers. I'm not super sure about these That's my biggest thing I can like this and I think to me this could be the one I could pose in the middle You know, like this could be where What if he is It might be too closed off what I mentioned I'm thinking out loud here where you know, his arms are around his knees But it could be something where slightly more closed off And then the first thing he does is when he does turn and look at her It's kind of like a turn and then adjustments with his arm into this position So we don't we don't have to linger in this, you know closed off position there But he could be he could be like this and it's more like A a seated cross leg thing. That's a bit more comfortable. Maybe he's holding on to something or I don't know Whatever he's doing, right? Then he moves over into this pose And it's almost like maybe during this pause then then he could change and then get into A further leaning back position And then it's where he's supposed to be could be him looking out to the horizon In this life and then he can always look back into Into this, you know, I mean imagine he says in this life, but he's a bit more profile doing this and then At the end when he says that last line In this life could just be that where did I have it here? Maybe not this far here. I like this in this life In this life, you know, me like that could be an end So anyway, I think I'm gonna leave it at that. I know it's more broader comments But I just want to see also what you think to me this feels very Locked into this pose And then it's more of a general Arm out type of thing and that's it and I think we could we could Tell a broader story in terms of changes of poses Throughout but you know, maybe you want to do something where What if he is more squatting You know holding on to something and then he has this whole body mechanics of sitting down and then leaning over Where like the beginning is a bit more busy and it's almost like he wants to explain something It's all like his busyness and at the end the calmness of the pose where he just lingers in one pose Shows the calmness kind of reflecting the audio where or the dialogue Where he goes, you know, and that's where I need to be like he finds peace In the audio by the words and also peace in terms of the poses Get less and less active and he's more at peace again Could be like this or could be like this where he's maybe his frame a bit more like that legs continue and so on So I think I would think in those terms in terms of opening up the shot and giving us some pose variety Um, because if it's if it's just that Then you might as well Do something like this You know what I mean Because then we have some changes then we have an implied gesture Maybe not something where the thumb just slightly comes in we just would hide this But it's an implied gesture and we can see movement in the shoulder and the upper arm so that it's not so still And then it's all about the face and then you have to maybe adjust the camera a little bit so that he is more In the thirds and then it just becomes more like a facial Uh shot, but you imagine that you don't have that much experience with facial animation That's why I'm going well, then let's just stay with this And go broader with with body language storytelling versus lip sync Um, but yeah, I don't know leave it at that. Let me know what you think questions concerns anything. I'm always open All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you