 And that's our roof. I mean, our ceiling. Sorry about that. So here we are. This is a piece I did yesterday on our cake roost channel, and I feel like I could do it better. So that's what's about to happen in theory anyways. So I'm going to pull up your chai chat chat. There I am. Huh. Yes, we still have super coughs. It's never fun time. Two. Hey, Susan. Hope you guys are having an amazing day. It's been two days in a row of perfect weather here in Dallas. Okay, or three or four. Who knows. So I did this piece yesterday on our cake redesigns live channel. If you want to check it out, head over there and get to chicken to check in. I want to try this again, but have more pink incorporated kind of like the cover image. And so that is what we're going to do. So the colors that mixed up our carnation pink. I mixed up a translucent batch with a little bit of white and a little bit of translucent. I mean the carnation pink from just resin. The white is titanium from just resin. I have an opaque white. I have a translucent white, which means I just put a little bit of the white and a whole bunch of resin. That looks good. It looks like cotton candy. I love cotton candy. This is interference oyster by resin art. It is going to give us that creamy shimmer throughout the piece. Will you clean my lens off. I thought I did, but it's kind of hazy. Pardon the interruption for a second. Thanks, my love. I also mixed up just a little tea tiny opaque just resin mustard. It is a beautiful ochre color. I also mixed up a tea tiny batch of carnation paste by just resin. This is just a little bit of it and I made it opaque. And I also mixed up the old gold from color passion just a little bit. I only had a little bit of quantity in some of these colors because I don't need that much. But if I poured it into a bigger cup, I would have made way too much. So I have to force myself to use tea tiny baby cups when I only need a tea tiny baby. I didn't paint over this yet because I figured it would be a good underpainting for what I'm trying to go for anyways. So in my reference, there's like patches of creams. And so I'm going to use the interference oyster for that. There's also patches of white. We use my translucent white for that. And this is just going to be kind of a melted skim coat. And then a whole bunch of this translucent pink. Yummy, yummy. Yummy, yummy. I'm also going to put very few little bits of this mustard around may have been too soon to add that who knows, we'll find out together though. So now I'm not going to do anything other than make sure everything is fully coated. So I'm just skimming across all of these colors, not trying to mix them together per se and just There's a lot over just trying to avoid any raw or low spots on the surface of the piece. I feel like I need to add a little bit more of my carnation pink to my translucent pink. It's a little bit too translucent. So I added just a little swizzle from my existing. I need to blue also put in some opaque whites. I'm going to figure this look out if it's the last thing I do. Now let's put some opaque white just to skim it around. I'm just brushing my hand across the surface to give Like a jetted look with the rather than that I have on the surface. I'm kind of just peppering in all the colors until I build up the look that I'm going for. Ultimately, I think I'm headed in the right direction. So I'm going to put also I'm just going to tap in some of the opaque carnation color just tippy tap tap in my reference. It's kind of what it looked like nature did was just tap in that color. Then I'm just going to skim across it again again is super light. I'm not dragging my hand really through it. I'm just skimming across the top. In fact, my fingers are kind of jumping off of the surface as I go. I'm going to stretch in this white down a little bit. Looks like a lot of the under painted design is showing through still, which is okay. So I think that's going to be kind of the magic trick to this is whoa, I almost just lost that cup. Hello, Angela. How are things in Vegas. I am not just greasing the pan. I'm doing some design elements with this layer. I'm just layering opaque on top of translucent in the moment. And this is also done right over top of the piece that I did yesterday on Rhonda's live over our K3 designs. That's just a little bit more opaque. Just putting this new darker opaque pink in some random areas. At the end of this, I want you guys to let me know if you like the first version of this better than the second version or if you like the second version better. Skimming along. So the beauty of using translucent and opaque at the same time is that it creates really awesome depth in the piece. That would take you doing a few layers at a time. Nope, few layers to get the look achieved if you didn't use translucent on the layer that you're working on. Such a great way to create depth and I don't know if you guys can even see the depth in it from all the way up there, but I will bring you down for a close up in just a moment. I need a little bit more pink over here. And I'm going to go ahead and do the fault lines. So I'm taking my opaque white. This is just residence titanium and I am going to run lines across it. Sticking with kind of the flow from the under painting. I don't want to cross through it because that's just going to look distracting. So I'm going to go really fast because I want the lines to be on the thinner side. We've ever done a soapstone. This is kind of the only design elements that you do really just run a whole bunch of lines across it. So you can kind of channel that process if you've ever done a soapstone and you want to try this look out. Now this works best with top cell very heavy apoc. Nope, very heavy whites. I don't know if a dye or a base cell would work the same because I'm really looking for the white to sink through this. It almost looks like fish in that stockings and I'm not mad about it. I'm just kind of upset that I'm going to have to tilt it and kind of ruin my lattice work here. It's like a planet. I could see that. I could see that. What's up Betty. Hope you guys are doing amazingly today. I'm going to wipe my hands off before I touch this heat gun in person. I feel like it looks more like what I'm going for. But I don't know if it's reading so much on camera. But anyways, we'll do a close up in a bit. I'm going to kickstart my heat gun as I resumed it together last night, apparently. Okay, so now I'm just going to pop the bubbles. I'm not creating any movement with this. I am just popping bubbles. I'm pulling out any floaters like this beautiful hair. I'm pretty sure you can mine or Bowie's. I tell anybody that purchases anything from me that you probably have some of my or my pet's hair in it that I'm not charging you for. It's free of charge, but just know it's there. Okay. So now when I tilt everything is going to start running in the same direction and the translucent are going to run over the opaque and vice versa and create a really awesome look. I don't know if you guys can see it just yet, but I love doing this. I just squished one of my little lifting cups week put another one down there. Love, love, love where we're going so far. I'm going to bring you guys down for a close up and you tell me if I should keep tilting and what I should add to it because Wowzers come on down. Let's get on this side. No, maybe not. The glare from a light is resin friendly. So you can really see kind of that shadow from everything rolling over itself. You can see like those little slight jets that are going backwards because everything was shifting this way. I'm going to come over there and read what you guys think. And then we will make adjustments if necessary. Okay, 53. That's great. What's up Clara. TG. Thank you to the mods. Love the colors. Thank you, Betty. Love the added white lines once they were stretched. Same. No motel. Her. Boom. That's this stunning and no, you cannot see how pretty it was. I'm so glad you got to see it up close and you agree. Hey, Sherry. Thank you so much. Hey, Paula. How are you? So now the question is, Do I add hard lines of the gold or pink? Or do we like it as is? This is a family channel in terms of my process. If you guys are new here. I love getting feedback from you guys. I love hearing your thoughts. I get so inspired by seeing what you guys are creating and posting in ATD's poor people. And when you have requests of different designs that you want to challenge me with. Love a good challenge. Leave it at it as is. Walk away. Walk away. Cool. B, come say my this. I happen to love it as well. And I know Jeff will because he super loves those kind of lines. It's not. It's a low spot that I just put my finger in a second ago. So y'all still know shopping shopping. I know that mustard. I think it plays really well. Gold is pretty on the other one you did. Sunset vibes. I could see Sun City. So add the gold or not. Oh, I got mostly walkaways. So no shopping on my webpage. What do you mean? Did you try and it was giving you an issue? Rose quartz vibe. That was the goal. Okay, let's see. I would do gold. A rose gold would be pretty. I don't have a rose gold. I know I'm scared to add it to you now that I'm looking at it. I don't know where I would put it that it wouldn't disrupt the flow. So I think maybe I'll just make some coasters and add the gold and test out and see if we like the vibe before we put it on the piece as a whole. Did not realize how heavy this piece has gotten. That's one that I have poured over. I don't even know how many times. Let's grab some coasters. Not really a lot on there for me to smush with. So I may have to just make a puddle. We'll see. Let me get you guys zoomed in. So, Rachel, you're having issues shopping on my webpage. Is that something that a lot of people are having issues with? Let me know. Because website looks okay for my phone. My website's down. That is the worst. Okay. So I'm going to base this in white resin because the substrate is our India coasters and they are not see-through and they are brown for real. So I want to kind of cover that up just a little bit. So we're just going to kind of grease the pan with the white. Now I'm going to try to achieve that quartz look again for this part. I'm just going to kind of pick a little bit up so I don't accidentally add too much of it. And I probably still will just dab it through some opaque pink and some white. That's opaque. That may be just a little bit too much. So let's add some gold lines. See if we can save it. It won't go to your products. It's good to see you Donna. Rachel, is it giving you an error? Logs onto your page. Then when I click on shop, it does nothing. We'll look into that. Rachel, have you tried it from a computer or an iPhone since it's not working on your iPad? Yes, I can try to narrow down the issue. Those lines got kind of wild this time. But that's kind of a great thing about an Onyx or a marble and resin. If you tilt it around enough, odds are you'll get something that looks pretty neat. I think I'll leave it here for now. And I think I'm going to just jump right into smushes because who doesn't love a smush? Let's scoot this resin from the outside to the inside. There's a waste knot, want not. Doesn't look like much right now, but give me a second. Smushes are one of the easiest things to do to kind of create effortless coasters, which you probably do with a big painting, but it's going to take teamwork. Hopefully pouring it out in this patchy manner will give us a cool look. We'll see though. Never tell what it's going to do, but smushes typically turn out pretty great. A restart might help and if you still can't get it going, you can always just shoot me a message and I can invoice you if that would work better for you. Okay, looking good. I think we're going to get something cool out of this. All right, ready? I'm not. I'm ready. Thank you guys for double checking my site. That would look so nice if the substrate was white. But since that brown color, it'll probably look super cool after it cures. Let's set it right. Definitely is an improvement on the last one. I'm going to go get a clear couple of clear coasters because I think it would look really neat on clear. No, I'm not running short. You guys have responded so well to our clear coasters. Makes my whole heart happy. All right, so I'm going to put more white on here to hopefully cover more of the substrate. We should add more gold. So what I do with these coasters is sell them at our fire sales and our at any shows or festivals that we do and we sell them for $5 a piece and they usually will pull so enough into where it covers our booth fees. I think I'm going to add some more gold to most of these. So maybe I should just go ahead and put more gold in our little mix down here. Okay, good Rachel. I'm so glad it worked. I'm always happy to invoice if you run into that issue and it's just not giving you what you need. Those translucent the way they just peek through. Love it in this shimmer right here. That is interference oyster playing off that pink. So it looks like a platinum rose color. Love it, but any more gold. So the gold's not really popping up that much because of its placement. It's under the other colors. But you can still see it under everything else. So nice. My sister had a baby girl. I wonder if she will let me do this. Paint courts in her bathroom. I feel like she should let me because it's awesome. All right, let's let's smash this guy because not exactly thrilled with how he turned out. Yes, very much. I'm going to tilt it a little bit because the composition isn't quite right. It's like right in the center. So just tilting it a little bit. We'll fix that. There we go. Beautiful. I'm going to re-smush some of them because that one turned out so interesting. I'm alternating the kind of the direction of the lines that's in it. Love it. It's getting kind of muddy. So I'm going to let the rest of it go. And I will take you guys down and show you the large piece that we did. Let's check on it. See how it's getting on. A little way close up. Yep, still looks amazing. You guys are so amazing for helping me out with the design elements on this piece. Give yourselves a pat on the back and let me know what you guys think of the piece as a whole. That part looks really onxy to me. So, I got to take the babes out, but if I missed any questions, I need to talk to you about some Easter egg acrylic posters. Absolutely, Paula, shoot me a message. We definitely need to do some Easter egg shaped coasters. What's a good kit to start with? Michelle, you have a problem with our website? I'll reset it as soon as we get off the live before I take the pups out. Hopefully that will help, but if you have stuff in your shopping cart when I do this reset, it will impede your cart. So you've got 15 minutes to check out existing carts before I reset it. And the colors I use today are just resin mustard, old gold by color passion, carnation by just resin, titanium from just resin, and interference oyster by resin art. So yeah, you can call or text me if you have any questions and I miss them. You can also leave comments down in the description. Nope, the comment box. I try to get to them as quickly as I can. I'm glad you got the website to work, Rachel. Now I just need to figure out why it's not working for Michelle. But feel free to shoot me a message anytime. I may not answer right away because my hands are sticky, but I always get to it at some point. I thought about posting some of my videos of throwing. I don't know if that even almost interests you guys, but let me know. Anyways, I hope you guys have an awesome evening. Thank you for watching. Please subscribe. Thank you to the mods join our Facebook group, ATD is poor people where we always love to see what you guys are creating and yeah, thank you guys so much as well for purchasing from my website. It helps my little small business so much. And I will see you guys tomorrow. I'll be kind one another because you never know what someone's going through. So you don't have to. I hope you guys heard what he said. He said we do the test so you don't have to. Anyways, see you guys next time. Bye. Can you say bye, bubba? Yeah, go away. Go outside. I know you do. Bye.