Jane Ira Bloom "Sixteen Sunsets"





The interactive transcript could not be loaded.



Rating is available when the video has been rented.
This feature is not available right now. Please try again later.
Published on Nov 9, 2013

"Sixteen Sunsets"
Jane Ira Bloom -- Soprano Saxophone
Dominic Fallacaro -- Piano
Cameron Brown -- Bass
Matt Wilson -- Drums
Video by Johnny Moreno ©2013

Please visit www.janeirabloom.com and her facebook page www.facebook.com/janeirabloom for more information and updates!

Sixteen Sunsets
Stereo CD on Outline Music (OTL141)
5.1 hi resolution surround-sound on Pure Audio Records 55017

Award winning soprano saxophonist Jane Ira Bloom has always had a special feeling for ballad performances. So much so that she has now finally released: Sixteen Sunsets, a beautiful new recording featuring expressive interpretations from the American Songbook along with five compelling slow tempo original compositions.

The fourteen tracks on Sixteen Sunsets feature nine American songbook classics including: Gershwin's ''I Loves You Porgy,'' Kern's ''The Way You Look Tonight,'' Arlen's ''Out of This World,'' Weill's ''My Ship,'' Jimmy Van Heusen's ''Darn That Dream,'' and Billie Holiday & Mal Waldron's ''Left Alone,'' among others. There are also five originals from Bloom s ballad repertoire including: ''What She Wanted,'' ''Ice Dancing'' (for Torvill & Dean), ''Gershwin's Skyline,'' ''Too Many Reasons,'' and ''Bird Experiencing Light.'' Photographic legend Jay Maisel contributed his breathtaking image: ''Maine Forest At Dawn'' for the album cover art. He picked the image from his archives after listening to the CD and the synchronicity is startling.

The album was recorded in 5.1 high-resolution Surround Sound at New York's famed Avatar Studio B by renowned engineer Jim Anderson who also co-produced and pushed the envelope of how a jazz quartet could sound using this technique. JIB felt that 'Surround' was a perfect match for the soprano sax because the sound doesn't emanate directly from the bell of the horn, it radiates out in all directions from the instrument in a more diffuse way. The saxophone was literally surrounded by a satellite array of mics for the sessions, and JIB's playing style was very well suited to the technique since she is always moving when playing. She recalls: ''I've always been interested how sound changes when it moves and the doppler-like effect that I create when I sweep the bell of the horn past the microphones really comes through vividly in surround-sound.'' Sixteen Sunsets will be submitted for consideration in the 2014 Grammy sound surround category.

  • Category

  • License

    • Standard YouTube License


When autoplay is enabled, a suggested video will automatically play next.

Up next

to add this to Watch Later

Add to

Loading playlists...