 Hey, it's on fine. This is day two of my FM challenge track Working on that track making this track. So I'm just gonna listen to what I have on the previous day Pretty okay is drum kit Let's listen on the headphones. Well, but the kick is pretty pretty freaking. I'm not sure it's It's the best but For sure, it's lumpy. I'm gonna maybe Maybe I'll leave it for now and just try to make something else. I'd like to try some weird FM bases Big rally sounds. I don't know And back so let's cut it here alter this a bit and of course the patch is totally gonna go so this is base one I'm gonna solo this instrument maybe Reset everything. I wish there was something like just a default patch, but I can't find that option okay, so We have the oscillator F. It's on fine. This is day two of my Just shoot it by artist listen to the oscillator actually the filter Z who can do with that. Oh No, this one is that's a filter, right? Why is it so quiet? Oh? All right All right, maybe I can you know not use that this use very I So modulation here That's really interesting So like distortion actually This doesn't sound like doing anything else. I think I have releases Okay Yes, yes, we have the drum and bass feel for this Lovely, I think the patches is pretty quiet in itself. I think I need to turn it up a bit Let's loop it try to pitch this ever all of that down. I'm gonna use a MIDI Transpose Utilities. Yeah, just to very easily push it one of the downs Oh, yes Very good. I wonder maybe we should have our shifted some semi tones up to Avoid being too low in the frequency range We don't want to go below, you know, this is still pretty low Many people recommend the root note of G Because This is awesome Well now It's our source material kind of I'm gonna say this is a new version. So snap shut and switch to new version Don't say now just a snap shut bodacious oh for I think it's starting to sound a little bit bodacious We definitely need to give us And I think we need to yeah Now we'll have fun and add quite a lot of different effects onto that. So I Thinking I'm thinking about maybe first applying crossover. Maybe Three-band crossover So we can separate these frequencies Yeah, so okay now Actually, I should all right. Maybe let's leave that EQ there now. I want to add I want to add some distortion, but on the lows So yeah, let's go All right, so we have stereo sub bass Mids or bass mids highs Now I'm gonna put wolf shaper By default it operates on all three bands. I'm gonna reduce the number of instances to one and I only want to do this for the lows Now maybe you know, let's let's bypass lows and highs and just distort the mids See what what happens now after the thing we need to add Mixers stereo to mono This doesn't have any settings and now it's go manual config alright, so we want to Hmm Yeah, first we need two instances and we're mixing mids with the lows Like this and then we're outputting Mids and lows mixed and then highs passed through Yes, so now we have Listen outputs now. We'll just copy and paste the same thing Those are pin connections and now we are just mixing What you already had which is bass and mids bass and mids we have the highs and It neatly reuses that configuration that we had we just have to remove two audio outs and we're back to stereo and sound Kind of weird because this this thingy Now it sounds exactly the same but we have Over lows mids and highs, which is pretty freaking awesome. Now we can distort the mids just Pretty freaking awesome Now I would like to add some modulation effect. Maybe maybe a phaser But I want to put it only on the highs So it's go manual config Okay, I don't want have three media outs. I don't want to have Okay, the media the audio outs are okay. Okay, so we're bypassing Lowes and mids and just putting the highs through and out These are the highs. So now I think I want to do something Something else I want to do but I'm gonna apply this filter both to mids and highs but not to lows So I will reduce the number of instances to two bypass the lows Put the mids here. Put the highs here. I also don't want three media outputs and then Meet mids go back here highs go back here Gonna be interesting Now this is by default a Low pass filter. I want to make this a band pass filter So we can do with that and let's play So we see we can band pass but only mids and highs Just pretty freaking awesome because we are not never gonna lose the sub bass No matter what we do with automation here and we want to do something with automation That's what it's for Let's try This is too low Try to do something more lively Turn down these three All righty we have We haven't bay bay bands pass now. I want to add a Notch filter after that So let's see we have another filter. Let's go make it an band reject Now by default it also copies the automation, which is pretty fine because Now we can just modify it. We don't need to create it from scratch. It's very convenient Pretty freaking awesome now I would like to add so I'm trying maybe do something else with this I think there's too much sub bass, maybe I will reduce this a bit Also, there is no stereo image, I don't maybe it's not super I mean I Think there is a little bit from the phaser because we are processing left and right differently, but I think there's not To Maybe I should also modulate the phaser manually instead of using with automation Yeah, I'm gonna pause this reset it and I'm gonna I'm gonna actually Okay, this is the difference between left and right. I'm gonna just automate the center frequency. I Love this. This is very fun Call phaser center frequency. Yay Go with play and just try something Maybe let's try not doing anything and then do something very quickly for one note And then go back to something else and not do anything Because when everything is moving all the time, I guess it's gonna be really hard to tell what actually is happening Let's try holding some some things for some time to not move at all Let's see what that does Alright, that's pretty interesting You see we have lots of things going on and with crossover filter and mixers you can Actually do any effect in multi band. I think I'm gonna start making doing Actually multi band compression this way because then I have the same attack and release and ratio and threshold for all bands because Yeah, just it's gonna take some It's really nice very interesting This isn't with the drums We we're definitely lacking some highs The filter I'm gonna add a mixer as we a compressor see called compressor now we're compressing Every band separately, but with exactly the same settings Gonna make it very easy to crush it hard and this is what I want Maybe I'm gonna show you with a installed or something Do I have wolf spectrum yet? All right, never mind. Thank you. Thank you. I'm gonna show you Maybe the spectrum of that whatever band is quieter is putting is gonna be make made louder to it's gonna take some It's really nice very interesting Make it all Kind of filled in ballast we don't want to have such terrible holes in the spectrum But on the other hand, I want to cut out quite a lot of sound to make them Yep things are happening. I think we could use another Maybe we could use another notch filter. Maybe let's not do it. I'm gonna try and go to back to the source and I tried to make it a little bit sound a little Wider in stereo, but I think I'm gonna just use C Plugin called wider Which is basically what it's What it says, however, it operates on a mono signal. I Know what I'm gonna do. I'm gonna put it. Of course. I'm gonna put it Just one of the bands so Yeah, I'm going to Okay, there it is. All right, I need to because it's a model plug-in so It created six instances, okay, we need need only one actually One instance and we need six audio outs I'm just clicking now Waiting to see one two three four six one two three four five six one two three four five Two three four five. Okay, we have six nice now Bypassing the by this base And I'm gonna synthesize some highs No mids highs are gonna go bypass. I however only need one of the channels because Basically, we are synthesizing the width. I'm not sure if this was working, right? Okay, so the lack of width was that the the panor for some reason it gets stuck in the it gets stuck in the Surround mode and I don't know how to switch it back because I Think it should be back when when I switch back to two channels, but it's not so let's bypass it and All right now can you hear the difference I Hope you can because it's pretty pretty obvious if you're not you're probably watching on in 20 240p on YouTube it went the sound is down mixed to mono or maybe it's not I think I think all the time now The audio is an opus 250 kilobits per second, which is to my ear pretty freaking lossless Opus is an amazing codec. I'm not recording. Okay, let's see what is recorded what was recorded. Hey I'm the capture for video capture for some reason stopped and I didn't notice I Don't know what happened, but I made I added some effects. I had the on a calf crossover And then I added multiple effects on different bands and in the end I'm mixing The three separate stereo bands back to mono. Oh What's going on this shouldn't happen? Okay So, yeah, basically you already saw that in some of my videos, so I'm not gonna redo that thing, but you can listen now I think it's too loud I Wonder what would happen if I added a little bit of Wonder what's happening because something is really bogging down my system right now Weird weird really weird Okay, I think I'm going to Maybe for now Make the sound as this just compress it together a little bit After the multi-band compression I'd like to add a little bit of noise For some reason my whole machine is completely hanging For for a good chunk of time. I wonder what what is going on? Kind of like that. Maybe let's kill Yeah, let's let's free some RAM. I Think what we need is a side side chin compressor However, I think I'm gonna create another a separate track for that trigger So I can have really decent control. So I'm gonna copy the kick track and Call this side chain trigger And I'm going to okay, let's maybe try and I don't know. Okay. I don't understand how it does work. I like to have something like a Default patch that does only one thing. It's just a sine wave or nothing I don't want to use any freaking. Okay. It won't happen. All right. I need to I need to reset it manually One two three Whoa, I've pressed Z Side chin trigger Okay, yeah, just just one Yeah, just like that super simple actually Higher pitches could be better. Maybe some decay. This shouldn't happen Okay, or maybe not All righty, this is the side chain trigger Now we basically make it non audible because we don't want it to be this huge Now I'm gonna use that To trigger side chin compression. And you know what I'm gonna make a bus for that I'm gonna yeah, this is something I learned from from a video with. Oh, no Okay, I have two buses. No, never mind side chain bus Let's move it up and then I'm gonna basically Root everything that has to be side chained to that bus say this base It's gonna go from Why is it going? Oh, why is it feeding six tracks? All right, maybe that's gonna That's gonna fix my problem. Um, I Don't want to remove remove this. Yeah, I Just want to Audio outputs left and right. Oh, yeah, now the pattern is back. Great. Let's reset it. Okay, so that explains what happened Not sure if the basses sounds different now. Okay now I'll put this in the side chain bus So everything The bass is here. Now I'm gonna add a side chain compressor here Go to the pin out and activate side chain input and go Take the signal from the side chain trigger track now I also need to activate this side chain input. I Think our side chain trigger is kind of quiet. Oh, let me see if I can make it louder Is there like a master volume somewhere I don't see it. Okay. All right. Let's add just an amplifier There's a nice Lua plug-in called a amplifier. It's just super simple and just lets you add Volume or reduce at the volume. Oh, yeah, that sounds a bit better. I Want this before Let's listen in the context The bass is very Quiet. Well, I basically made it made it much louder But however, I did it before the compressor so Prety Let's go and change the plane touch. We don't want to touch it We want to break it. I want to touch it. We don't want to break it. No, let's save the track It's still recording. It's still recording fabulous Okay, I Think I could make some let's try to make some saw Super sauce Just for the kicks I don't know if we can do that in the synth and at all. Oh, yeah, that would that would do. Okay. Let's try Okay, so let's Reset everything Now we're going with defaults. All right We have a wait a second. There is a reset button here. Let's see what it will do Okay, it's reset it to the patch. Okay, maybe here in this list of patches there is a Basic patch They're very interesting things here, I don't want to use any of them because I don't want I want my own patches I want to make my own patches, dude Wow, people are all doing everything with this pretty interesting Okay, so so that didn't actually do what I wanted the opposite Reset the patch, but to the patch that was loaded and I want I wanted to have this Okay, let's see Now we want this to be a saw wave Pretty sweet It's a little loud better better Okay, now I want to inflict something like a pitch Envelope on to that. I'm gonna try to do this with Hmm looks like I have not I don't have enough range in the pitch. So I think I actually have to pitch this up Maybe let's go. Let's go four octaves decent decent And now just shift all down one two three four Five actually now now it sounds the same, but it is very much lower Almost the lowest it can be and wait What I'm white what? Okay, maybe now it's gonna work Kinda let's try saw wave Well, what's going on? It doesn't seem to do anything Doesn't do anything the heck Alrighty, I think I would have to do my pitch shifts with a different processor Maybe a pitch shifter afterwards. However, for sure I can just make the things do what I want. I hope Okay, let's maybe not use e for the modulation. Let's use a for the modulation. So I'm gonna turn this off And use a what is this? Oh, it's a velocity But it's better still it's not enough why all right, but now I can make and more saw waves and Just you know turn this on on all the of them and then turn them off on That is so low Yep. Now Pandem left and right So it's not right Okay Velocities are the same How about this? Nope. Oh, this is pretty interesting. It sounds weird. I like it. Let's go crazy. What the heck? Ridiculous love it. However, for some reason it's more in the left ear than the right ear. Oh shit That better Now I want some detune. This is insane. Let's hear it in the context Pretty freaking insane. I like it. I Know I can do a variation on that Dun-dun-dun-dun-dun-dun-dun See Not sure if this isn't an overkill of this saw wave Maybe not have I think we should deploy some weird things Definitely maybe some delay. Oh I clicked something super sauce corrects chorus. Yeah chorus Obviously Of course Well, that's the best thing I could possibly Maybe too much delay need more Yep, I think there is some weird thing going on with these voices. Maybe some delay Do I have release? I don't want to release. Oh, yeah, better Sounds way more way more fucked up Like it makeup Nice you want to show yourself It's gonna be pretty non-popular video. So don't worry You want to listen? This is what I'm doing with a synth I never used to make a track before Crappy, right? All right. Let's get it back to it. Yeah, I like the short envelopes much more. I Want what I can do. Yeah, I wanted to do some delay But I don't want don't know if it's gonna be a good idea anymore Maybe I could not sing the BPM. It is Yes, of course, let's automate the delay time Because that's the best thing Whoa, I think I pressed Yeah, pressed F. No Yeah, pressed F which maximizes the tracks Selected to fill the screen or what I actually wanted right now See, this isn't just it is Oh sweet coming the Yes Pretty awesome. Let's try something ridiculous and see what happens That's That's how many interesting sounds are made. Yeah, yeah, let's see if I make Hypes Less of a thing. You like it. How would it go if I put it here first? I'm really tempted to use another notch Let's try it. I really like notch filters They are they're making everything sound near a funky and I like that I'm more like my neuro funkiness a lot Your funkiness is the new Your funky is the new loud. Oh nice It's cool Maybe a little bit too much. I'm gonna maybe make it sharper. Oh sweet funky yes Try this and try that pretty pretty weird like it See in the context of the song delay time Because that's the best thing Whoa Hello. Oh, oh, we're hanging. Oh, we're hanging. Yes Making a track learning a synth It's called oxy FM synth Because this is an FM challenge. Oh, yes, it's pretty nice. I think we should duplicate the whole thing Let's select that and that Oh Control. Yeah, now I'm gonna also select. Oh Okay, this first doesn't want to select all weird. Let's go control C now. I have mouse to beats control V here Yes, everything apart from this thing. Why doesn't it want to select? The heck Come on. I click here and this What's going on? Maybe I'm just gonna close this close this to Automation show existing automation Still doesn't work. Okay, let's try. Let's try this Okay, can't do The fast and the best thing I saw. Okay, we have to redo this manually because it doesn't come on a copy paste Pretty freaking lame. If you ask me, well, that's an opportunity to do something a little different Isn't it? Okay, it's 3k. Let's just do Listen, I think that this note is too high And I also would like to break it up a bit Not that it makes any difference or something. Let's also see what will happens if we Root that to the sidechain bus Kind of disappears maybe not the best thing The brood Okay, I think that's a good thing for day two Maybe let's stop here and Get back to this track later Yeah, save it see you again in the next In the next day of this Make enough. Bye