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Published on Oct 27, 2016
Despite technical imperfections (multiple), touches of genius (that would be me :-) ) in the recap of Op. 90 #3 (sotto voce), the middle part of Op. 90, #4 (changed dynamics and extra notes), and the scherzo of D.845 (hemiolas, which appear to be justified by the whimsical nature of the piece). The two-tempo solution for the first movement of D. 845 is also interesting.