 All right, that's what she's here. Hi you good to see you again, and how good are you? This goes on for longer, but let me just quickly cut into that's actually cute Hi you good to see you nice Bring down the volume. There's something There's some good ambient movement in here you can probably potentially push some of this here where it's rotating up Towards the guy kind of like what you have here just a bit sooner, but if you can more localized Pivoting here this feels almost more like this whole section is moving Just because it just feels like it's always kind of stuck there up until here I would love to see some more looseness here Do you have a change and there's some stuff there good to see you again? Gets a bit movie though. I'm gonna say the opposite then I would start turning it down good to see That'll it's also the speed just of this That's just a bit slow to see you whereas this feels nice. That's feels to see you. It's a bit more natural But then at that point I like this So maybe a little bit higher but not too much maybe I don't seeing that shoe To be able to call the shin Alignment so be cool to break that silhouette with the foot higher But then you would have to bring this a bit higher. What I like about this is the asymmetry It'll be nice to kind of break that. It's not a huge thing by the way I don't know why I'm starting with it. It's actually have more comments about it accents, but Started with feet. It's like this here would be Sort of that would be interesting to bring that out a bit and then have the shoe here potentially So you have a bit of a breakup in terms of silhouette, so it's not Formic is this the shoe part of this it's not quite clear here Now by doing that, you know, it's gonna be more like this potentially will reduce the amount it can go out But I think that should be fine First off like that I would still have some finger contact you can see how that arm move is moving The couple things here eight as the forearm goes up the wrist stays a bit too horizontal Start a rotation the change in finger poses, but then watch out. This feels like a linear key right there pop in rotation So you can smooth that out I would I would bring that thumb in a bit more might even start spreading that pinky out to get into this sooner So like the pinkies leading This Is this arm stretching something that felt like There's something when you have a bend in an arm when the bend is straight to camera Like I don't know if this is bent or not. This is it would be straight to camera. So this feels like a shorter arm Then suddenly what we have here. So watch out and I have my window open. It's really warm in here So you might be here in place. I apologize. It's so hot. I even have a fan on my left. I don't know if you hear this That's cute. I like this Let's go back here throw but Then what I would do is bring that arm over if you can Maybe a bit more so that that hand is here. So your popcorn goes like that. Why because the color We're missing it here. We're barely seeing it here and then it's really the same Color and suddenly going oh something flew up and then into his mouth. So imagine that color Contrast here is all through this here. I think they'll be cleaner I mean, we still kind of see it and there's the sound everything. It's not like it's you have no idea what's going on But it would be kind of nice to put it there also just quickly since I'm looking at the popcorn bucket here Since you have movement especially with with a quick move like this They'll be cool if this was animated as well again, but this is so extremely Picky stuff and I haven't gotten to the head yet But why not you always tell me go full nerd and mention everything but since he's Holding it for some, you know a little bit of pressure there in the thumb and then he moves out You can imagine thumb pressure the movement you're gonna have that bucket move over just a little bit And then settle if you just look at that bucket there like there's nothing going on you just grow That was a little message here Yeah, good to be Even through here may be a little bit. I can see why wouldn't but like a tiny bit just adds a little bit of flair to the whole thing Now but actually looking up here. Hi, I do like the looseness on the shell I know you mentioned Adding so much in the rig but the rig is not supporting it. So that's I mean It's like a broken record and I know you can't do it But just in case if you can ever go back or anything you can do with lattices or anything where We open up and kind of changed a bit of a courage in the head just some asymmetry and I know you're going I told you I can't So what I was gonna mention first because when I watch this for the first time I'm looking here So the you it almost be a high you bit of a up and then twirl But the you is mostly in here And it would be cute if you could put that shape here. I know asymmetry, but then will you Good and even here good to see you good to see but then this could be anticipated with a potentially maybe even bring the Body back and their rotation electrical compression and good to see you imagine goes in the good to see you with a little bit of a art to see you again, but that's nice here Again again the drop and how good it the how is really sharp and not sharp But just there's more energy coming out. So I will give this a bigger head accent Yeah, it's much like that and I just like all kind of stuff that you can do with just little Twirls and why a bit of a forward a bit of a side just Getting away from the static head and then lip sync doing a doing a lot of movement and there's a lot of energy coming out If you could have a little lean back and forward with the body with a bit stronger give a head accent This you could bring in that pinky in the middle just a bit so you have a bit more of a Simplified triangular pose there. I like this. I like this a lot here coming back and then the sharper drop There you go You got it. Oh, man, I can't even trace it That's cute too, I like that now the tricky thing about this one is that you're going P and It starts it's kind of wishy-washy. It starts to point at this guy But then like wait, is he pointing at this guy? Oh wait, but it is also this guy Is he trying to reach this guy? So Is that something client wise you got to do here? I mean it could be kind of fun to just have it here and then keep pointing keep it Static and static, but you know like a clear held point. This feels a bit wishy-washy Personally I would take this out when I know these are more destructive notes But it's always the danger of putting too many gestures because you have here I don't mind this because that a lesson you're going. Oh, I guess must be this P. Okay. Okay. I'm in and it's a cute flourish and Pointing out because it's for kids. I can point. This is what we're looking at But then you don't need this because we had so many before And I don't mind this but again, it's for kids, you know, you can they will understand That and here I don't mind the P because it is kind of the ear and it's here the sound is being made Yeah, that's all cute the rest is cute Sound could have a little bit of a drop and lift in the head Not as big as this but just a little bit And then it would be a little bit of down over a slight twirl So it's not the same as this straight up and down And pop could have a little bit of a forward translate I'm you can translate that head forward pop So it's not just in here a little bit of a pop and then maybe Pop on this if you can bring in those corners closer And I don't know if you can roll in lips for M This I dart I'll give this just a sharper one or two frames down. It feels a bit slow And again the same thing here. It's a tricky thing. You have a bit of something here with that But it's just hard to Understand what's going on up until here. Then we lose it again. Definitely. It's hard to see See that is nice anything. I mean Could it be it's going to be a crazy suggestion, but It's always like you want to pop it over this way and I know the arc would be insane But I was thinking it'd be nice to go So there's a nice, you know, we kind of lose it here But Darker ish for sure for sure for sure for sure and that's why He has to go all the way over there because that's the arc Just throwing it out there and then on something like this. I will probably do like a half blink Even on the other one maybe here a half blink You have full blinks. Yeah, maybe just sometimes it gets a bit creepy when he's laughing going Those horrible puppets. So maybe a half blink blink over there And then because that's a big laugh I would have a bit of a stronger body and and head wobble And then he can slow it down like the initial exhale and then you slow it down Into that Perfect timing to end with that. There's a bike outside with my open window, but that is that. All right. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome. All right. Thank you