 I don't know what you're talking about. This is going to be really interesting. Gandalf. Gandalf. I'm going to say seven or eight. No. 12. 12. 12? Close enough. Seven. I trust Nick. I'm going to keep on saying seven. Nine plus the two that I was mentally thinking of. Thinking about. So nine, of course, is going to be one. King of the men. King. Come on. You're killing us. That's Orlando Bloom, right? No, that's Vigo Mortensen. I'm so, so jealous. That smorg. I just think he's thinking of Smeagol. Bard the Great. You're really bad, Nick. I found three. Yeah, there's three. 19. That's too many. Three times three times three. Three times three. It's the 16. I don't know what you're talking about. Oh no. This is a disaster. One of the most memorable moments for me was this really beautiful scene that's quite late on in the movie when Tolkien goes to meet up with the mother of one of his friends who's passed on Mrs. Smith. And it was just a beautifully written scene. And one that we shot kind of later on in the filming sequence. And it just was very evocative of a lot of emotions for me. We went in there and normally we'd rehearse and set up and plan how to shoot a scene. But we turned to Domei and said like kind of these emotions are bubbling right here under the surface. Let's shoot it right now and try and capture it. I think everyone on set that day felt like we'd done something quite special. So that was a nice feeling. The scene that doesn't really even have any dialogue. But we are outside the opera listening to the opera and reenacting it. And we have all these props and costumes that we were throwing on. Some of it was choreographed in a sense of like the area that we had. But then we had all these props to play with. And Domei is such an excited person all the time. He's very passionate. And it was quite late at night. And it was very cold. And we just rallied through and improved and had such a fun time. And I think nothing that we did could be wrong. It was just fun. And that was a really fun day. I've met some super fans. Yeah. We're in New Zealand or here? Actually, when we're doing some person in the States. Oh, WonderCon. At WonderCon. Oh, I miss that. And it was incredible to listen to them speak because they can speak the other languages and the languages that Tolkien created. But also the knowledge of his work is unfathomable and something that I try to immerse myself as much as possible but I can't compete with their facts. I did speak to someone recently that, by choice, used to glue their ears in the shape of elven ears for a period of time. What? Yeah, they super-glued their ears like that. They completely? Yeah. I was. I remember reading them when I was quite young. And then I would get excited every time a trailer would come out for the Peter Jackson films. Because I love magic and fantasy. And I'd be seeing them on the big screen. And when you read something and you envision it in your head, you hope that it gets translated onto the big screen. And I just always love those so much. So to be a part of something that tells the story behind the story was really special. I learned the bits that are on the screen, essentially. And that was tricky enough for me. I'm not very good with language. So it's something that we had the professor at Oxford help us develop those languages and the different influences that would create them. And then I would kind of break them down phonetically and work with the dialect coach, Hugh O'Shea, on it. And just kind of do my best. Drawing. Yeah, we went to the Lecklin in Liverpool. And there was a Roy Liptonstein. Is that how you pronounce it? Roy Liptonstein. Exhibit on. And we got some crayons. And we copied his work. So we have some crayons. We just sat there. It wasn't planned, really. We just kind of sat there and started doodling. And then all these art students were walking around us. They were quite brilliant. They were doing lovely work. Actually, yours was really good. Thank you. But then we went to visit some of the Beatles, the museum and whatnot. Because as you do in Liverpool, yeah, just kind of exploring and wandering was really fun. Well, it kind of goes back to that family element of the X-Men. They're really emotional core of them. And then that kind of being ripped apart by what the changes that occurred to Gene Gray and how the characters deal with that, it's exciting. Yeah, I think it'd be cool if they did blend them together. I'm not sure what their plans are. But I love playing the role. And I got to taking to a new spot in this film and try different things. So if there was a way to keep growing within that character, then that would be something I'd be interested in. Thanks, man. Obviously. That's one part of it. It's very different, though, superheroes to mutants. They're kind of existing different worlds.